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Chargement... Mad Hopepar Heather Birrell
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Fantastic story telling. Sometimes makes you flinch and have to look away but you can't help but turn back and keep reading. And those frogs, oh man. ( ) “You’ll never succeed in pleasing everybody,” says Geraldine, a grieving widower waiting in a doctor’s office for a mammogram. She says this to Jerome, an insouciant teen who is waiting as well, in this case for his mother, who has had a mastectomy. Geraldine is not entirely certain herself whether her advice is something she still believes, or whether it is just something someone told her once. It doesn’t matter. Jerome is having none of it. “‘I got mad hope,’ Jerome said. ‘Mad hope.’” In the face of everything, perhaps only mad hope will do. Heather Birrell’s stories are not all filled with mad hope but hope does burble up here and there, insistently. At her best, for example in her award winning “BriannaSusannaAlana”, the voices of young urban girls and women are precise and nuanced and full of life. Children, longing for children, loss of children, and loss of innocence feature prominently. In “Wanted Children”, depression following a miscarriage is compounded by a misguided exotic vacation that was intended to shake the couple out of their disappointment. In “Drowning Doesn’t Look Like Drowning”, a young mother frets over her three children as recompense, perhaps, for losing her own mother at a young age. In “Frogs”, a physician who had been co-opted by the Ceaușescu progeny programme in Romania confronts his guilt and repentance teaching high school biology in Canada years later. Few of these stories strike new narrative ground but they are all rich in their way. The three stories in the middle of the collection — “Dominoes”, “Bye Bye Flangle Nuts”, and “Dingbat” — tread the same ground and indeed involve the same set of incidents (death of the father and estrangement of the family) from different perspectives. They aren’t linked per se. Rather they feel more like three separate attempts at ferreting out some truth from those events. The iterations being both a sign perhaps of failure, as well as continuing hope that the author will finally get it right. And that probably is as mad of a hope as one could hope for. Gently recommended. aucune critique | ajouter une critique
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In the stories of Mad Hope, Heather Birrell finds the heart of her characters and lets them lead us into worlds both unrecognizable and alarming. We think we know these people but discover we don't-they are more alive, more real, and more complex than we first imagined. A high school science teacher is forced to re-examine the role he played in Nicolae Ceausescu's Romania after a student makes a shocking request. The uncertainty, anxiety, and anticipation of pregnancy are examined through an online chat group. Parenting is viewed from the perspective of a gay man caring for his friend and her adopted son. A tragic plane crash becomes the basis for a meditation on motherhood and its discontents. Birrell uses precise, inventive language to capture the beautiful mess of being human-and more than lives up to her Journey Prize accolades. Her characters come to greet us, undo us, make us yearn, and make us smile. Heather Birrell is the author of the story collection I know you are but what am I? Her work has been honored with the prestigious Journey Prize for short fiction and the Edna Staebler Award for creative nonfiction. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.54Literature English (North America) American fiction 20th Century 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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