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“I have called this period Canada’s Turbulent Years – turbulent not only because of the battles we fought on the African veldt, the ravaged meadows of Flanders, the forbidding spine of Italy, and the conical hills of Korea, but turbulent in other ways. These were Canada’s formative years, when she resembled an adolescent, grappling with the problems of puberty, often at odds with her parents, craving to be treated as an adult, hungry for the acclaim of her peers, and wary of the dominating presence of a more sophisticated neighbour.” –From the Introduction Canada's twentieth century can be divided roughly into two halves. All the wars and all the unnecessary battles in which Canadian youth was squandered belong to the first — from the autumn of 1899 to the summer of 1953. From the mid-1950s on, Canada has concerned itself not with war but with peace. The first war of the century, which took Canadian soldiers to South Africa, and the last, which sent them to Korea, bracket the bookends on the shelf of history. They have a good deal in common with, these two minor conflicts, whose chronicles pale when compared to the bloodbaths of the two world wars. Canada's wartime days are long past, and for many, the scars of war have healed. Vimy has been manicured clean, its pockmarked slopes softened by a green mantle of Canadian pines. Dieppe has reverted to a resort town, its beaches long since washed free of Canadian blood. Nowadays, Canadians are proud of their role as Peacekeepers, from which they have gained a modicum of international acclaim the nation has always craved, with precious little blood wasted in the process. In this monumental work, Pierre Berton brings Canadian history to life once again, relying on a host of sources, including newspaper accounts and first-hand reports, to tell the story of these four wars through the eyes of the privates in the trenches, the generals at the front, and the politicians and families back home. By profiling the interwar years, Berton traces how one war led to the next, and how the country was changed in the process. Illustrated with maps and line drawings, Marching as to War describes how the experience of war helped to bind Canada together as a nation and chronicles the transformation of Canada's dependence upon Great Britain and its slow emergence as an independent nation caught in a love-hate relationship with the United States.… (plus d'informations)
Mr Berton starts off somewhat smug but generally is well-balanced in his writing of this era. The prose I found tepid at times and the author's leanings annoying. But still a good read. ( )
I have read many of Pierre Berton's books, and this one is typical Berton in many ways. He always attempts to take a look at events through a different slant. This book is no different. It both describes Canada's development and maturation of a nation through its participation in four separate international conflicts, and it also uses those conflicts as a measure of the nation itself. The two word wars were the major interest points in this book. Of particular significance is when Berton smashes Canada's storm trooper image in the second world war, that it had acquired in WWI. He effectively discredits both the armed forces and political leadership during WWII, revealling Mackenzie King's once revered "Not necessarily conscription but conscription if necessary" stance as what it truly was, political indecision that resulted in the needless loss of soldier's lives. The book starts and ends slowly, with the chapters on the Boer and Korean wars not being as compelling. Overall, the book is very informative read. It loses a star in that it is not as entertaining or as smooth flowing as some of Berton's previous works, particular his two on the War of 1812 and the Arctic Grail ( )
“I have called this period Canada’s Turbulent Years – turbulent not only because of the battles we fought on the African veldt, the ravaged meadows of Flanders, the forbidding spine of Italy, and the conical hills of Korea, but turbulent in other ways. These were Canada’s formative years, when she resembled an adolescent, grappling with the problems of puberty, often at odds with her parents, craving to be treated as an adult, hungry for the acclaim of her peers, and wary of the dominating presence of a more sophisticated neighbour.” –From the Introduction Canada's twentieth century can be divided roughly into two halves. All the wars and all the unnecessary battles in which Canadian youth was squandered belong to the first — from the autumn of 1899 to the summer of 1953. From the mid-1950s on, Canada has concerned itself not with war but with peace. The first war of the century, which took Canadian soldiers to South Africa, and the last, which sent them to Korea, bracket the bookends on the shelf of history. They have a good deal in common with, these two minor conflicts, whose chronicles pale when compared to the bloodbaths of the two world wars. Canada's wartime days are long past, and for many, the scars of war have healed. Vimy has been manicured clean, its pockmarked slopes softened by a green mantle of Canadian pines. Dieppe has reverted to a resort town, its beaches long since washed free of Canadian blood. Nowadays, Canadians are proud of their role as Peacekeepers, from which they have gained a modicum of international acclaim the nation has always craved, with precious little blood wasted in the process. In this monumental work, Pierre Berton brings Canadian history to life once again, relying on a host of sources, including newspaper accounts and first-hand reports, to tell the story of these four wars through the eyes of the privates in the trenches, the generals at the front, and the politicians and families back home. By profiling the interwar years, Berton traces how one war led to the next, and how the country was changed in the process. Illustrated with maps and line drawings, Marching as to War describes how the experience of war helped to bind Canada together as a nation and chronicles the transformation of Canada's dependence upon Great Britain and its slow emergence as an independent nation caught in a love-hate relationship with the United States.
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