AccueilGroupesDiscussionsPlusTendances
Site de recherche
Ce site utilise des cookies pour fournir nos services, optimiser les performances, pour les analyses, et (si vous n'êtes pas connecté) pour les publicités. En utilisant Librarything, vous reconnaissez avoir lu et compris nos conditions générales d'utilisation et de services. Votre utilisation du site et de ses services vaut acceptation de ces conditions et termes.

Résultats trouvés sur Google Books

Cliquer sur une vignette pour aller sur Google Books.

Chargement...

Hymn to St. Cecilia : op. 27, for unaccompanied chorus

par Benjamin Britten

MembresCritiquesPopularitéÉvaluation moyenneMentions
15Aucun1,368,982Aucun1
(BH Large Choral). for unaccompanied SSATB with SSATB solos also version for solo voices Text: W.H.Auden Publisher: Boosey & Hawkes Difficulty level: 4 This work had a long gestation as Britten had problems finding a suitable text. Auden was eventually asked and produced the poem in 1940. Britten's setting was immediately recognised as a major addition to the choral repertory and has since become one of his most enduringly popular choral works. It is a nice coincidence that Britten was born on St. Cecilia's day (22 November). Cecilia is, of course, the Patron Saint of musicians who is supposed to have sung praises to God as she was being martyred. The story of her manner of death makes gruesome reading and the act of singing in extremis something of a miracle! Britten responds to Auden's extraordinary imagery with relish. The poem's division into three 'movements' gives Britten his musical structure, and the provision of a refrain ('Blessed Cecilia, appear in visions to all musicians, appear and inspire...') gives a point of reference marking the end of each section, and of the work. The three 'movements' are completely different from each other. This is a challenging work which should not be undertaken lightly. It needs sympathetic and careful preparation, understanding of the words, a readiness to accept the issues raised by the speed of the 'scherzo' movement and an ability to maintain pitch over this time-scale so that the very low notes at the end of the work are not made even lower through a general flattening. Having said all this, it is perfectly approachable by an amateur choir of reasonable attainment providing that enough rehearsal time is allowed for its preparation. The choir also needs to be able to field five confident soloists. Short as the solos are (except for the first soprano one which is more extended and different from the subsequent ones) they present issues which can test a less-confident singer.The hard work is always worth it as a successful performance of this work is rewarding and memorable. Duration: 11 minutes Paul Spicer, Lichfield, 2011… (plus d'informations)
Aucun
Chargement...

Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre

Actuellement, il n'y a pas de discussions au sujet de ce livre.

» Voir aussi la mention 1

Aucune critique
aucune critique | ajouter une critique
Vous devez vous identifier pour modifier le Partage des connaissances.
Pour plus d'aide, voir la page Aide sur le Partage des connaissances [en anglais].
Titre canonique
Titre original
Titres alternatifs
Date de première publication
Personnes ou personnages
Lieux importants
Évènements importants
Films connexes
Épigraphe
Dédicace
Premiers mots
Citations
Derniers mots
Notice de désambigüisation
Directeur de publication
Courtes éloges de critiques
Langue d'origine
DDC/MDS canonique
LCC canonique

Références à cette œuvre sur des ressources externes.

Wikipédia en anglais

Aucun

(BH Large Choral). for unaccompanied SSATB with SSATB solos also version for solo voices Text: W.H.Auden Publisher: Boosey & Hawkes Difficulty level: 4 This work had a long gestation as Britten had problems finding a suitable text. Auden was eventually asked and produced the poem in 1940. Britten's setting was immediately recognised as a major addition to the choral repertory and has since become one of his most enduringly popular choral works. It is a nice coincidence that Britten was born on St. Cecilia's day (22 November). Cecilia is, of course, the Patron Saint of musicians who is supposed to have sung praises to God as she was being martyred. The story of her manner of death makes gruesome reading and the act of singing in extremis something of a miracle! Britten responds to Auden's extraordinary imagery with relish. The poem's division into three 'movements' gives Britten his musical structure, and the provision of a refrain ('Blessed Cecilia, appear in visions to all musicians, appear and inspire...') gives a point of reference marking the end of each section, and of the work. The three 'movements' are completely different from each other. This is a challenging work which should not be undertaken lightly. It needs sympathetic and careful preparation, understanding of the words, a readiness to accept the issues raised by the speed of the 'scherzo' movement and an ability to maintain pitch over this time-scale so that the very low notes at the end of the work are not made even lower through a general flattening. Having said all this, it is perfectly approachable by an amateur choir of reasonable attainment providing that enough rehearsal time is allowed for its preparation. The choir also needs to be able to field five confident soloists. Short as the solos are (except for the first soprano one which is more extended and different from the subsequent ones) they present issues which can test a less-confident singer.The hard work is always worth it as a successful performance of this work is rewarding and memorable. Duration: 11 minutes Paul Spicer, Lichfield, 2011

Aucune description trouvée dans une bibliothèque

Description du livre
Résumé sous forme de haïku

Discussion en cours

Aucun

Couvertures populaires

Vos raccourcis

Évaluation

Moyenne: Pas d'évaluation.

Est-ce vous ?

Devenez un(e) auteur LibraryThing.

 

À propos | Contact | LibraryThing.com | Respect de la vie privée et règles d'utilisation | Aide/FAQ | Blog | Boutique | APIs | TinyCat | Bibliothèques historiques | Critiques en avant-première | Partage des connaissances | 204,796,179 livres! | Barre supérieure: Toujours visible