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The Black Glove

par Geoffrey Miller

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921,976,628 (3.25)1
NOMINATED FOR THE EDGAR AWARD Terry Traven is an L. A. private eye who modeled himself after Philip Marlowe and thrived in the 1960s, becoming a minor celebrity for his hardboiled style and his skill at tracking down runaways. But now it's the 1980s, his minor fame has completely faded, and he's barely making a living. So he jumps at the opportunity to find a wealthy, born-again industrialist's missing son who has been dabbling in drugs and punk rock. It's not just a chance to save the kid... but himself. Traven's search leads him into a bizarre, cocaine-drizzled world populated by kidnappers, drug dealers, talent agents, greedy entrepreneurs, religious zealots and desperate killers. "Miller pretty much equals the masters - Hammett and Chandler - of the hardboiled detective story," Houston Post "THE BLACK GLOVE is every bit as remarkable as the best film noir of the 1940s," Detroit News… (plus d'informations)
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Terry Traven runs the Black Mask Detective Agency and it has been a long long time since he had paid work. He has had to sell off part of his collection of 1940s memorabilia and is slipping into the kind of financial despair that leads to thought of registering for civil service exams. Then a shadow appears on the pebble glass of his office door.

Someone is missing. There have been murders and there is greed and violence and Terry Traven works through it. The black glove is the police code for violence, the truncheon that extracts teach along with confessions and the black rage that goes with it. Terry Traven understands the black rage and the black violence even though he is no longer a cop.

The book begins slowly with a rather boring written section that is supposed to be a background file that a big corporation has compiled on Traven. Mostly it is a clunky way of presenting an unneeded back story. But once the story gets going it moves along at a fair clip.

"The Black Glove" is a well-written detective novel in the hard boiled tradition. Bad guys are sort of good guys and good guys are not so good and greed powers everything. People have improbable names.

I like this kind of book and I enjoyed "The Black Glove." It is a little overblown in some places but I don't think that will bother you.

I received a review copy of "The Black Glove" by Geoffery Miller (Brash) directly from the publisher. It is one of the older books that Brash is reissuing in digital form. It was originally published in 1981 by Viking. ( )
  Dokfintong | Apr 27, 2016 |
2.5 stars

I have come to expect great crime fiction from Brash Books, which rescued from relative obscurity the incomparable Peter Bragg series by Jack Lynch, so I was excited to receive an ARC of Geoffrey Miller's debut, The Black Glove, which Brash describes as "Edgar nominated" and allegedly "equal[ to] the work of Hammett and Chandler." Published by one of my favorite publishers and nominated for the most prestigious award in the mystery genre; how could The Black Glove be anything less than brilliant?

If you've read this far, you've probably already figured out that, in my opinion, The Black Glove fell pretty short of the mark. I was so surprised by the poor writing and unnecessarily convoluted plot, in fact, that I checked the Edgars database for some clue as to what the Mystery Writers of America saw that I missed, and there it was: The Black Glove was nominated in 1982, after which nothing more was heard from Miller (although the Brash Books website indicates that he has recently completed his second book). I can't fault Miller for losing that Edgar to Stuart Woods, but the other three nominees are as little known as Miller himself. Reading The Black Glove, I was reminded of my experiences in going back now to watch the TV shows I loved in the 1970s; to put it mildly, none of them have aged well.

To offer just a couple of examples of Miller's jarring descriptive phrases: A police officer observes a corpse "and the results of his head wounds that were all about him like a halo painted on the ground." An attractive woman, one whom the narrator likes, "spew[s] charm like a severed artery," while another pretty girl "wear[s] a big smile all the time as if she was trying to jam radar." Our hero's temper explodes, "overloaded in one grain of moment." By the time Miller had the hero peering through "aspiclike" fog, I was so distracted by the prose that I lost interest in the action - presumably not the result an author hopes for when writing a book his publisher characterizes as a "thriller."

I admire Brash Books' mission of publishing "the best crime novels in existence," even when, or perhaps especially when, those books have fallen out of print. In the case of The Black Glove, however, I think Brash should have let sleeping dogs lie.

I received a free copy of The Black Glove from Brash Books in exchange for an honest review. ( )
  BrandieC | Feb 22, 2016 |
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NOMINATED FOR THE EDGAR AWARD Terry Traven is an L. A. private eye who modeled himself after Philip Marlowe and thrived in the 1960s, becoming a minor celebrity for his hardboiled style and his skill at tracking down runaways. But now it's the 1980s, his minor fame has completely faded, and he's barely making a living. So he jumps at the opportunity to find a wealthy, born-again industrialist's missing son who has been dabbling in drugs and punk rock. It's not just a chance to save the kid... but himself. Traven's search leads him into a bizarre, cocaine-drizzled world populated by kidnappers, drug dealers, talent agents, greedy entrepreneurs, religious zealots and desperate killers. "Miller pretty much equals the masters - Hammett and Chandler - of the hardboiled detective story," Houston Post "THE BLACK GLOVE is every bit as remarkable as the best film noir of the 1940s," Detroit News

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