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Monster Theory: Reading Culture par Jeffrey…
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Monster Theory: Reading Culture (édition 1996)

par Jeffrey Jerome Cohen (Directeur de publication)

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The contributors to Monster Theory consider beasts, demons, freaks and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.… (plus d'informations)
Membre:Kalira
Titre:Monster Theory: Reading Culture
Auteurs:Jeffrey Jerome Cohen (Directeur de publication)
Info:Univ Of Minnesota Press (1996), Edition: First Edition, 336 pages
Collections:Lus mais non possédés
Évaluation:1/2
Mots-clés:reviewed, essays, did not like

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Monster Theory: Reading Culture par Jeffrey Jerome Cohen

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While I did learn some things from this book, it was overwhelmingly a feeling of being despite rather than because of the authors of the various essays. Some of the cringe-inducing terminology can be explained by its publication date (1996), but some of the utterly strange topics and arguments made less so.

I got it anticipating, as it was billed, a collection of essays on monsters in mythology and stories through history. That is not what this is; it attempts to be an assessment of humanity via the lens of "the monstrous".

In the process it crashes through ableism, racism, sexism, and a variety of baseless and strange takes. (One example: Jurassic Park containing no nature, science, or philosophy, and being about 'America' (an apparent monolith, Americanising America itself?), the death of family, abortion. . . There was also, in the Jurassic Park essay, a declaration that sperm banks would bring about the end of patriarchy, and also relationships, sexuality, and love.)

Cojoined twins were used as an example of "the monstrous" in one essay. People who are transgender, likewise. Women, mentioned more than once, though at least that one was mostly in context of 'past views' rather than . . . a direct usage by the modern essayists. In at least one essay, wholesale pieces of an incredibly racist, xenophobic historical (centuries old) work were quoted, but there was no apparent argument made or explanation to go against them . . . so it felt a disingenuous way to simply carry the same message. ( )
  Kalira | May 12, 2024 |
FYI Review - This book contains the following essays:
-Monster culture (Seven theses) / Jeffrey Jerome Cohen
-Beowulf as Palimpsest / Ruth Waterhouse
-Monstrosity, illegibility, denegation: De Man, bp Nichol, and the resistance to postmodernism / David L. Clark
-The odd couple: Gargantua and Tom Thumb / Anne Lake Prescott
-America's "United Siamese brothers": Chang and Eng and nineteenth-century ideologies of democracy and domesticity / Allison Pingree
-Liberty, equality, monstrosity: revolutionizing the family in Mary Shelley's Frankenstein / David A. Hedrich Hirsch
-'No monsters at the resurrection": inside some conjoined twins / Stephen Pender
-Representing the monster: cognition, cripples, and other limp parts in Montaigne's "Des Boyteux" / Lawrence D. Kritzman
-Hermaphrodites newly discovered: the cultural monsters of sixteenth-century France / Kathleen Perry Long
-Anthropometamorphosis: John Bulwer's monsters of cosmetology and the science of culture / Mary Baine Campbell
-Vampire culture / Frank Grady
-The alien and alienated as unquiet dead in the sagas of the Icelanders / William Sayers
-Unthinking the monster: twelfth-century responses to Saracen alterity / Michael Uebel
-Dinosaurs-R-Us: the (un)natural history of Jurassic Park / John O'Neill
  Lemeritus | Oct 10, 2023 |
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We live in a time of monsters. -Preface: In a Time of Monsters
What I will propose here by way of a first foray, as entrance into this book of monstrous content, is a sketch of a new modus legendi: a method of reading cultures from the monsters they engender. -Monster Cultures (Seven Theses), Jeffrey Jerome Cohen, Chapter 1
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The contributors to Monster Theory consider beasts, demons, freaks and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition.

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