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Chargement... The Lion, the Witch and the Wardrobe (The Chronicles of Narnia, Book 2) (original 1950; édition 1994)par C. S. Lewis, Pauline Baynes (Illustrateur)
Information sur l'oeuvreLes Chroniques de Narnia, tome 2 : L'Armoire magique par C. S. Lewis (1950)
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. You'd have to be pretty hard-hearted not to enjoy "The Lion, the Witch and the Wardrobe", at least as a nostalgia hit. There's no surprise that it has become such a prominent part of so many childhoods, with its fascinating idea of a world reached through someone's wardrobe, where bored children on summer holiday can find white witches and talking lions. It's an ideal escapist story for kids (very much in the 'Harry Potter' vein) and - unlike a lot of today's rather bland children's literature - has a real sense of being a story that can be shared. Lewis' narrative voice is wonderful, somewhere between "kindly adult" and "co-conspirator". Of course, there is the religious element, which isn't so prominent here as in the later books, but which can leave an uncomfortable taste. Not that I think we should begrudge all items from other eras because of their cultural biases, but if I ever have children, I'd want to be able to explain to them why they should take the whole resurrection business with a grain of salt! Still, it doesn't take away from the childhood magic of this book, even if Philip Pullman is probably a worthy successor-cum-replacement! This is the story that got my imagination spinning from a young age. I found the idea of the magic wardrobe into another world a fascinating concept and wished I could make something of my own out of that. Narnia was the perfect home away from home where I could enact my own escapism from the drudgery of modern life, away from the lonely world where nobody understands you and nobody gets along with each other to the place where children are harmonious in spirit and reign as princesses and kings. I read the entire Chronicles of Narnia series when I was in 6th grade, and only thought they were meh. The overhype around them puzzled me. I found the Chronicles of Prydain at the same time and adored those books and have them repeatedly over the decades. It was very interesting to return to this book in my forties, having published many fantasy books, and read a lot of middle grade. My impression of the book is much the same--just okay, rather dull, and significantly overhyped. Note that I'm not holding back discussion of spoilers here. That said, it's not a horrible book. Lewis is a fantastic writer--I've enjoyed a number of his books for adults. The dialogue between the siblings is great; he can write children well, especially the horrible Edmund. The setting creates an incredible mood. What I couldn't articulate as a child is much clearer to me now: the children have almost no agency, and in fact, almost nothing happens in the book. Lucy, and the others, stumble upon Narnia by accident. The good creatures of Narnia do everything for them as stand-ins for adults. The witch's deep winter begins thawing without the children doing anything. The children are handed powerful gifts that they just happen to know how to use (I guess Peter has had swordfighting lessons?). Even at the end, they leave Narnia by accident. The only major choices they make are Edmund's major betrayal and the girls' choice to follow and comfort Aslan at a pivotal point. By modern standards, they are useless as main characters. I suppose someone could argue that everything is being left to God, but I find that a weak point, because as far as action goes, they aren't even at "thoughts at prayers." They simply drift along and the plot happens for them--but this wasn't uncommon for books in this period, either. The symbolism around Aslan as Jesus is quite stark to me now but I don't mind how that was done. I really like the portrayal of Aslan as "good but scary." His sacrifice certainly is an intense moment. It would be interesting to see everything through his eyes; he's the major protagonist. Honestly, if we're going to ignore the plot, I would've just loved a gentle book where I get to enjoy tea and a meal with Mr. Tumnus and the Beavers, because I could read pages and pages about their houses and their bright personalities. Est contenu dansFait l'objet d'une adaptation dansThe Chronicles of Narnia - The Lion, the Witch and the Wardrobe (Two-Disc Collector's Edition) par Andrew Adamson Est en version abrégée dansA inspiréThe Chronicles of Narnia: The Lion, the Witch and The Wardrobe (Piano/Vocal/Guitar Songbook) par Harry Gregson-Williams The Chronicles of Narnia: The Lion, the Witch and the Wardrobe - Original Motion Picture Soundtrack par Harry Gregson-Williams Possède un guide de référence avecContient une étude deContient un commentaire de texte deContient un guide de lecture pour étudiantContient un guide pour l'enseignantPrix et récompensesDistinctionsListes notables
Premier d'une série de sept volumes qui composent les "Chroniques de Narnia". Quatre enfants accèdent, par le fond d'une vieille armoire, à Narnia, monde imaginaire parallèle au nôtre. La sorcière blanche qui étend son hégémonie à tout le royaume, veut neutraliser ces intrus. Le lecteur entre, par cette porte dérobée, au monde fantaisiste de la féerie, peuplé d'êtres mythiques: sorcières, faunes, nains, dryades, naïades et autres. Pour les 9-10 ans. Aucune description trouvée dans une bibliothèque |
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As an adult, I can say that I know now how much I love the professor.
The religious undertones are more prevalent in this one than The Magician’s Nephew. But it’s still a nostalgic read for me and I will always find comfort in it.
Michael York narrated this in audio. ( )