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Chargement... Art and Imagination (édition 1982)par Roger Scruton
Information sur l'oeuvreArt and imagination : a study in the philosophy of mind par Roger Scruton
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. O que justifica que consideremos uma pintura nostálgica, um poema comovente ou uma música melancólica? Na filosofia recente, predominou a resposta fornecida pelos idealistas, que fundamentam tais afirmações na mera subjetividade. Já os empiristas, que insistem em que conhecemos as coisas experimentando-as objetivamente, em geral não puderam tratar os juízos estéticos como algo mais do que uma questão de gosto. De acordo com Scruton, o empirismo é apto a proporcionar uma filosofia da arte mais robusta, desde que encare o problema lógico-linguístico da atribuição de significado a sentenças e o problema da compreensão humana de sentenças e de objetos, um tema próprio à filosofia da mente. Sua tese é que as obras de arte devem ser vistas como aquilo que são capazes de significar - ou seja: a experiência artística exige, antes de tudo, uma imaginação adequada. aucune critique | ajouter une critique
This book presents a theory of aesthetic judgment and appreciation in the spirit of modern empiricism. There are three parts: the first deals with questions of philosophical logic, the second with questions in the philosophy of mind, and the third with questions in the philosophy of art. Thus the argument advances from a theory of aesthetic judgment (and in particularly of "aesthetic description") to a theory of aesthetic appreciation, and thence to an account of the nature and value of art. Scruton examines and rejects various attempts made by recent philosophers to demarcate the realm of aesthetic judgment. He argues that the logic of aesthetic judgment does not suffice to distinguish what is "aesthetic" from what is not, for aesthetic judgments must be explained in terms of the conditions for their acceptance rather than the conditions for their truth. These "acceptance conditions" can be understood only if we first know what is meant by aesthetic experience. This theory attempts to show how aesthetic experience can be regarded as autonomous, even though it is intimately connected with ordinary experience, and is indeed dependent on ordinary experience for its full description. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)111.85Philosophy and Psychology Metaphysics Ontology Properties of being AestheticsClassification de la Bibliothèque du CongrèsÉvaluationMoyenne: Pas d'évaluation.Est-ce vous ?Devenez un(e) auteur LibraryThing. |