Cliquer sur une vignette pour aller sur Google Books.
Chargement... The Last Nude (2012)par Ellis Avery
Chargement...
Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. Very much enjoyed this book. My full review is located at C-Spot Reviews: http://reviews.c-spot.net/archives/1640 ( ) At 16, Italian- American Rafaela is a ravishing beauty – and her stepfather wants her married as soon as possible. Rafaela resists the awful plan to marry her off to a cousin in Sicily, and when her much-hated step-grandmother nearly dies on the steamship crossing to Europe, Rafaela makes her escape. Having no money, she exchanges sex for a ticket to Paris. The year is 1927 and Paris is full of artists and writers – there is no shortage of wealthy men to use for a while – but then Rafaela meets Tamara, and her world turns upside down. Tamara is an artist, she wants Rafaela to pose for her, and together they create a beautiful painting that sparks a heated bidding war between two wealthy art collectors. Rafaela falls in love, for the first time in her life, with Tamara – but their passionate physical affair cannot erase the trouble in Tamara’s past. This book, peppered with allusions to Paris and its famous “Lost Generation” of artists, designers, poets, musicians, and writers during the time between the wars, evokes the sensuality of the times and the bitter –and immediate – pasts of the expatriates. While not a book I would have been likely to stumble across on my own, I'm deeply indebted to G.P. Putnam's Sons / Riverhead for providing me with the opportunity for an early read. Here we have a fictional romance between two historical women, Tamara de Lempicka (artist) and Rafaela (model/muse), set in that uneasy period between WWI and WWII. Although I knew nothing about Tamara coming into the story, and even less about art, her history is absolutely fascinating. I suspect the story might carry a bit more weight for those who are familiar with her work, and who can debate the 'was she/wasn't she' lesbian aspect, but I can attest to the fact that ignorance doesn't in any way take away from the read. What really drew me into the story was the way in which Avery explores all aspects of Tamara's life, really getting into the dark side of how such passion can impact familial and professional relationships. This is not a happy-go-lucky tale of lazy lovers, content to pose and paint the day away, but of two women consumed by their work. Tamara comes across as a selfish, petty, arrogant woman, but rather than turn me off, I found her contrast to the sweet, sensitive, vulnerable Rafaela compelling. If I had one issue with the book, it's with the brevity of the scenes. I like to get lost in a story, to emerge from a thirty or forty page chapter, and be shocked to find that it's gotten dark outside. The chapters here are often comprised of single page or even half-page scenes that work from an artistic perspective (as if each scene were an individual brush stroke), but it's just not my style. Extremely well-researched. Lots of name-dropping and historical detail. Too much even. I could never get past the feeling of reading an extremely well-researched book. The magic of the story eluded me--perhaps because I didn't empathize with Rafaela's slavish adoration of de Lempicka whose sense of entitlement and egoism left me cold. aucune critique | ajouter une critique
Prix et récompensesListes notables
"A stunning story of love, sexual obsession, treachery, and tragedy, about an artist and her most famous muse in Paris between the world wars. Paris, 1927. In the heady years before the crash, financiers drape their mistresses in Chanel, while expatriates flock to the avant-garde bookshop Shakespeare and Company. One day in July, a young American named Rafaela Fano gets into the car of a coolly dazzling stranger, the Art Deco painter Tamara de Lempicka. Struggling to halt a downward slide toward prostitution, Rafaela agrees to model for the artist, a dispossessed Saint Petersburg aristocrat with a murky past. The two become lovers, and Rafaela inspires Tamara's most iconic Jazz Age images, among them her most accomplished-and coveted-works of art. A season as the painter's muse teaches Rafaela some hard lessons: Tamara is a cocktail of raw hunger and glittering artifice. And all the while, their romantic idyll is threatened by history's darkening tide. Inspired by real events in de Lempicka's history, The Last Nude is a tour de force of historical imagination. Ellis Avery gives the reader a tantalizing window into a lost Paris, an age already vanishing as the inexorable forces of history close in on two tangled lives. Spellbinding and provocative, this is a novel about genius and craft, love and desire, regret and, most of all, hope that can transcend time and circumstance. "--Provided by publisher. Aucune description trouvée dans une bibliothèque |
Critiques des anciens de LibraryThing en avant-premièreLe livre The Last Nude de Ellis Avery était disponible sur LibraryThing Early Reviewers. Discussion en coursAucunCouvertures populaires
Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.6Literature English (North America) American fiction 21st CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
Est-ce vous ?Devenez un(e) auteur LibraryThing. HighBridge AudioUne édition de ce livre a été publiée par HighBridge Audio. |