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Chargement... Then We Came to the End: A Novel [Paperback] by Ferris, Joshuapar Joshua Ferris
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Inscrivez-vous à LibraryThing pour découvrir si vous aimerez ce livre Actuellement, il n'y a pas de discussions au sujet de ce livre. The early part of the book is so similar to the TV show The Office that it feels rather derivative. But stick with it. In the end, a good read. ( ) I keep telling my friends to read this book when they complain about their jobs. It made me laugh and I got a kick out the first person plural narration (which, NERD ALERT, made me think of the Borg). But this is not a LOLs book, it's a first novel by an ambitious guy with an MFA. It tries to get deep, which I thought made it more interesting than it would've been if it'd just been jokey. Still the first part, "You don't know what's in my heart," was hilarious. Here's what I wrote about this read in 2009: "Life in the office during the dot.com bust economic downtown; almost surreal to read in 2009 in the midst of the Great Recession. A lot a pettiness and silliness in that ad agency, and a little humanity as the featured partner declines with breast cancer." Second reading: I'm feeling that achy-love feeling that comes when you've turned the last page of a really good book. What really struck me this time around was the quality of the writing, how everything is so well said and purposeful and just right. It's something that I notice a lot more as I get older, an author's use of language and style, and I have no tolerance for flabby meandering writing. Reader, this book is sharp and on point. Highly recommend. First reading: Feels kind of like the movie "Office Space", but better. Seriously. The book starts off less like a novel and more like a collection of great anecdotes your friend is sharing during happy hour. This was a little unexpected for me, but it only took about a chapter to get into the flow. About halfway through the story structure becomes more linear and plot-focused. I have to share the following passage because my office just went through the exact same thing with our second floor, and the author totally nailed the feeling: "[Floor:] Fifty-nine was a ghost town. We needed to gather up the payroll staff still occupying a quarter of that floor and find room for them among the rest of us and close down fifty-nine, seal it off like a contamination site. Odds were we were contractually bound to pay rent on that floor through the year, shelling out cash we didn't have for real estate we didn't need. But who knows - maybe we were keeping those abandoned cubicles and offices in hopes of a turnaround. It wasn't always about ledger work at the corporate level. Sometimes, like with real people, it was about faith, hope, and delusion."
It is a brave author who embeds the rationale for writing his novel into the novel itself. But 70 pages into Joshua Ferris’s first novel, set in a white-collar office, we meet Hank Neary, an advertising copywriter writing his first novel, set in a white-collar office. Ferris has the good sense to make Neary’s earnest project seem slightly ridiculous. Neary describes his book as “small and angry.” His co-workers tactfully suggest more appealing topics. He rejects them. “The fact that we spend most of our lives at work, that interests me,” he says. “A small, angry book about work,” his colleagues think. “There was a fun read on the beach.” “Then We Came to the End,” it turns out, is neither small nor angry, but expansive, great-hearted and acidly funny. It is set at the turn of the current century, when the implosion of the dot-com economy is claiming collateral victims down the fluorescent-paneled halls of a Chicago advertising firm. Clients are fleeing, projects are drying up and management is chucking human ballast from the listing corporate balloon. The layoffs come piecemeal, without warning and — in keeping with good, brutal, heinie-covering legal practice — with no rationale as to why any person was let go. . . . Prix et récompensesDistinctionsListes notables
Fiction.
Literature.
Humor (Fiction.)
HTML:This wickedly funny, big-hearted novel about life in the office signals the arrival of a gloriously talented writer. The characters in Then We Came to the End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks. By day they compete for the best office furniture left behind and try to make sense of the mysterious pro-bono ad campaign that is their only remaining "work.". Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.6Literature English (North America) American fiction 21st CenturyClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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