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Chargement... La belle échappée (2011)par Nicholson Baker
Chargement...
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Alice in Pornoland - Das Böse als Stimulans: Der Marquis de Sade und Elfriede Jelinek dienen dem amerikanischen Romancier Nicholson Baker nur zum Teil als Vorbild - der Teufel steckt bei ihm in den Zwischentönen des Systems, die voller Sexualangst schrillen. Deswegen haut er der amerikanischen Prüderie nun das Schmuddelbuch "Haus der Löcher" um die Ohren. A world of universal arousal is common enough in pornography, but Baker has fully realized its comic possibilities—specifically, the possibilities that a roomful of horndogs offers for the use of deadpan, comic understatement, and up-tempo romantic repartee. Of course, the novelistic stakes are low—this is not a book invested in psychological realism. Baker can conjure fantastical sexual scenarios and unspool yards of charmingly filthy dialogue without having to worry much about the subtleties of his characters’ inner lives. There are some faint traces of a larger plot (cartoon-style villains to be defeated), but for the most part each chapter is a free-standing pornographic sketch that illuminates some new feature of the House of Holes. Each chapter’s mini-plot hinges on whether and how a character will reach orgasm, and most chapters obligingly end in florid exclamations of pleasure. Distinctions
Presents an explicit new tale of carnal improprieties and comic raunchiness set in a surreal but familiar world of fantasy sex.
A fuse-blowing, sex-positive escapade. Baker returns to erotic territory with a gleefully over-the-top novel set in a pleasure resort where normal rules don't apply. In charge of day-to-day operations is Lila, a former hospital administrator whose breast milk has unusual regenerative properties. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)813.54Literature English (North America) American fiction 20th Century 1945-1999Classification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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I'm a dude myself, but I thought that the author wrote sex from the female perspective tolerably well, although "House of Holes" is, in the final analysis, straighter and more forthrightly cis that it necessarily needs to be. Genitals -- both male and female -- sometimes appear in less-than-expected places, but the essential duality of man and women doesn't come in for much questioning. This isn't a book for people who get off on ambiguity, or, for that matter, subtlety. The sort of ridiculous sex talk that's indelibly associated with letters to Penthouse is all over this collection, and it's good fun to see it in a relatively literary environment. There are so many ridiculous, gross, and just plain strange terms for genitalia here that I would lay money on the fact that the author had been saving them up in some notebook or other for years. In true pornographic form, he shows no embarrassment at all about deploying them here. Everything about "House of Holes", in fact, suggests an author on a lark. I, like just about everyone in "House of Holes," am more than willing to indulge him, even if he gets a bit cheesy on occasion. Authors will have thier fun. ( )