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The essential tales of Chekhov (1999)

par Anton Chekhov

Autres auteurs: Richard Ford (Introduction), Richard Ford (Directeur de publication), Constance Garnett (Traducteur)

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328479,095 (4.52)12
From one of Russia's greatest writers, Anton Chekhov, an indispensable collection full of humor, truth, and insight, edited and introduced by American  master Richard Ford--part of Ecco's The Art of the Story series Of the two hundred stories that Anton Chekhov wrote, the twenty stories that appear in this extraordinary collection were personally chosen by master of the short form Richard Ford. Included are the familiar masterpieces--"The Kiss," "The Darling," and "The Lady with the Dog"--as well as several brilliant lesser-known tales such as "A Blunder," "Hush!," and "Champagne." These stories, ordered from 1886 to 1899, are drawn from Chekhov's most fruitful years as a short story writer. A truly balanced selection, they exhibit the qualities that make Chekhov one of the greatest fiction writers of all time: his gift for detail, dialogue, and hum∨ his emotional perception and compassion; and his understanding that life's most important moments are often the most overlooked. "The reason we like Chekhov so much, now at our century's end," writes Ford in his perceptive introduction, "is because his stories from the last century's end feel so modern to us, are so much of our own time and mind." Exquisitely translated by the renowned Constance Garnett, these stories present a wonderful opportunity to introduce yourself to--or become reacquainted with--an artist whose genius and influence only increase with every passing generation.… (plus d'informations)
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4 sur 4
I often find short stories difficult- in the same way some people seem to find poetry difficult so I have been working on this one for a long time. However, that being said I loved these stories by Checkov.

I don't know what I could possibly say that hasn't been said already but I appreciated the way his understated prose complimented his acute observation of human nature. I also enjoyed the way in which he left the stories so open without forcing resolution or moral upon his reader. ( )
  uemmak | Aug 9, 2018 |
Anton Chekhov was born January 17, 1860 in Taganrog, Ukraine. Chekhov studied medicine, and he began writing sketches for newspapers to pay his tuition. This profession brought him into contact with peasants, the nobility, and his peers. These experiences informed all his work. In 1892, he gave up medicine and devoted himself full time to writing. In 1901, Chekhov married Olga Knipper, who had performed in his plays. Unfortunately for Olga, Chekhov died on July 15, 1904, the day his masterpiece for the theater, The Cherry Orchard, opened. He is buried in Moscow.

He brought theater into the 20th century by focusing on the declining fortunes of the bourgeoisie, with the revolution of 1917 just around the corner. His plays remain popular, and theater-goers can frequently find one of his plays performed from Broadway and London’s West End, to the tiniest community theater.

But many writers and readers also consider Chekhov one of the great masters of the short story. He wrote hundreds in his life time – some of them in under an hour. My set of the complete stories runs to over 1300 pages. The crowning jewel of this set is “The Lady with the Dog” written in 1897. He set the story in Yalta, where he was recovering from an illness. I have read this story countless times, and it never fails to move me.

Chekhov wrote, “Dmitri Gurov, who had been a fortnight at Yalta, […] had begun to take an interest in new arrivals. Sitting in Verney’s pavilion, he saw, walking on the sea-front, a fair-haired young lady of medium height, wearing a beret; a white Pomeranian dog was running behind her.” // And afterwards he met her in the public gardens and in the square several times a day. […] no one knew who she was, and everyone called her simply “the lady with the dog.” (323).

Unfortunately, Gurov and Anna, both have spouses and difficult relationships with them. Gurov “did not like to be at home.” He considered women, “the lower race,” despite the fact “he could not get on for two days together without [them].” (323) Anna has serious misgivings about the relationship, but they begin an affair. “In another month, he fancied, the image of Anna would be shrouded in a mist in his memory.” (330) Sadly, this did not occur. Chekhov writes, “Anna [...] did not visit him in his dreams, but followed him about everywhere like a shadow and haunted him. When he shut his eyes he saw her as though she were living before him, and she seemed to him lovelier, younger, more tender than she was; […] In the evenings she peeped out at him from the bookcase, from the fireplace, from the corner – he heard her breathing, the caressing rustle of her dress. In the street he watched the women, looking for someone like her.” (331)

This romantic and touching story of two people who meet and discover they are soul mates never grows old for me. Try Chekhov – virtually every anthology contains the splendid story, “The Lady with the Dog.” 5 stars

--Jim, 12/29/13 ( )
1 voter rmckeown | Dec 29, 2013 |
Chekhov is great at getting at the background minutia of living and relating to others. He is very perceptive both of the essential sadness and suffering that are inherent in life, and the small-but-numerous ineffable and elusive joys that redeem it. An almost inhuman and strange chimerical combination of empathy and detachment pervades these stories. ( )
  jddunn | Nov 8, 2010 |
This collection is suprisingly good and I like the order and you can go through it like that. And weep. Chekhov is good for an afternoon weeping. It's so disarming. That words can get so close to the sadness, without explaining anything, without even nodding in your direction. What a storyteller. Man, I don't say it often but whoa. Whoa. ( )
1 voter dawnpen | Nov 1, 2005 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Anton Chekhovauteur principaltoutes les éditionscalculé
Ford, RichardIntroductionauteur secondairetoutes les éditionsconfirmé
Ford, RichardDirecteur de publicationauteur secondairetoutes les éditionsconfirmé
Garnett, ConstanceTraducteurauteur secondairetoutes les éditionsconfirmé
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From one of Russia's greatest writers, Anton Chekhov, an indispensable collection full of humor, truth, and insight, edited and introduced by American  master Richard Ford--part of Ecco's The Art of the Story series Of the two hundred stories that Anton Chekhov wrote, the twenty stories that appear in this extraordinary collection were personally chosen by master of the short form Richard Ford. Included are the familiar masterpieces--"The Kiss," "The Darling," and "The Lady with the Dog"--as well as several brilliant lesser-known tales such as "A Blunder," "Hush!," and "Champagne." These stories, ordered from 1886 to 1899, are drawn from Chekhov's most fruitful years as a short story writer. A truly balanced selection, they exhibit the qualities that make Chekhov one of the greatest fiction writers of all time: his gift for detail, dialogue, and hum∨ his emotional perception and compassion; and his understanding that life's most important moments are often the most overlooked. "The reason we like Chekhov so much, now at our century's end," writes Ford in his perceptive introduction, "is because his stories from the last century's end feel so modern to us, are so much of our own time and mind." Exquisitely translated by the renowned Constance Garnett, these stories present a wonderful opportunity to introduce yourself to--or become reacquainted with--an artist whose genius and influence only increase with every passing generation.

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