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After his explosive regeneration, the Eleventh Doctor awakes to discover his TARDIS is about to crash. After falling from the sky, he pulls himself out of the wreckage to come face-to-face with young Amy Pond. The Doctor promises to take Amy to the stars. But first they must divert an alien plot that could destroy the Earth. The Doctor makes good his promise, and Amy boards the regenerated TARDIS, ready to take to the stars on a series of wild adventures that will change her life.… (plus d'informations)
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A mysterious alien travels through space and time with a human girl.
They had a great opportunity to re-invent the series, to make Steven Moffat's Doctor Who as different from Russel T. Davies' Doctor Who as Davies' was different from the classic show. I mean, they've got a completely new cast, new producers and a new head writer. I could be wrong, but I'm pretty sure there wasn't ever such a complete, simultaneous change-over in key Doctor Who personnel throughout the classic show's entire history. But at the same time, I don't think a change in Doctor Who personnel has ever had less impact on the feel of the show. I mean, apart from the new Doctor, the occasional nod and wink to William Hartnell, and the lack of obligatory gay characters, nothing's really changed. It's still as great as it ever was, and the quality of individual episodes might be a bit higher than before, on average (but it's hard to say - the Silurian story brings it down quite a bit). Perhaps, with the ridiculous success of the show, they felt obligated to carry on with the old formula. But the beauty of Doctor Who is that it changes; not just The Doctor, but the entire show. So where's my new era?
Concept: A Story: B Characters: A Dialog: A Pacing: A Cinematography: C Special effects/design: B Acting: B Music: C
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▾Descriptions de livres
After his explosive regeneration, the Eleventh Doctor awakes to discover his TARDIS is about to crash. After falling from the sky, he pulls himself out of the wreckage to come face-to-face with young Amy Pond. The Doctor promises to take Amy to the stars. But first they must divert an alien plot that could destroy the Earth. The Doctor makes good his promise, and Amy boards the regenerated TARDIS, ready to take to the stars on a series of wild adventures that will change her life.
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▾Description selon les utilisateurs de LibraryThing
They had a great opportunity to re-invent the series, to make Steven Moffat's Doctor Who as different from Russel T. Davies' Doctor Who as Davies' was different from the classic show. I mean, they've got a completely new cast, new producers and a new head writer. I could be wrong, but I'm pretty sure there wasn't ever such a complete, simultaneous change-over in key Doctor Who personnel throughout the classic show's entire history. But at the same time, I don't think a change in Doctor Who personnel has ever had less impact on the feel of the show. I mean, apart from the new Doctor, the occasional nod and wink to William Hartnell, and the lack of obligatory gay characters, nothing's really changed. It's still as great as it ever was, and the quality of individual episodes might be a bit higher than before, on average (but it's hard to say - the Silurian story brings it down quite a bit). Perhaps, with the ridiculous success of the show, they felt obligated to carry on with the old formula. But the beauty of Doctor Who is that it changes; not just The Doctor, but the entire show. So where's my new era?
Concept: A
Story: B
Characters: A
Dialog: A
Pacing: A
Cinematography: C
Special effects/design: B
Acting: B
Music: C
Enjoyment: A plus
GPA: 3.4/4 ( )