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Chargement... The Art of Tangledpar Jeff Kurtti
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Appartient à la sérieTangled (Disney) (Film Companion)
A lighthearted twist onRapunzel, the beloved fairy tale from the Brothers Grimm,Tangled brims with thrilling adventure, a distinctive cast of characters, a daring heroine, and, of course, seventy feet of golden hair. Featuring the stunning concept art behind the newest Disney masterpiece,The Art of Tangled also includes a preface by John Lasseter, a foreword by Directors Nathan Greno and Byron Howard, and interviews with the artists, animators, and production team--including Art Director David Goetz--that shed light on the history and artistry of this landmark film. Aucune description trouvée dans une bibliothèque |
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Google Books — Chargement... GenresClassification décimale de Melvil (CDD)791.4372The arts Recreational and performing arts Public performances Film, Radio, and Television Film Films, screenplays Single filmsClassification de la Bibliothèque du CongrèsÉvaluationMoyenne:
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The best part of any art book is seeing how the look and style of the artwork develops over time, but this book contained mostly finished versions of the characters and settings. The only two characters who were different from their final versions (and who the animators experimented with) are Mother Gothel and Flynn Rider. I noticed that the sketches that were drastically different than the final versions were from artists who weren't as involved in the final versions, which seems to imply that some effort to consult outside the regular art staff was made. I figured for sure that there would be lots of interesting early sketches of Rapunzel (she is the main character, and they could have done a million different ideas with her), but her looks are basically a combination of Ariel's and Cinderella's. Yes, this is a nod to the continuity of Disney style, but it's just too easy! I would have liked to see how far they pushed the character at the early stages, and some of the concepts that did not make it as influences for the final art direction, if only to prove that Disney (the company, not the artists) is capable of thinking outside the box. ( )