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Cider With Rosie. With drawings by John Ward…
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Cider With Rosie. With drawings by John Ward (original 1959; édition 1959)

par Laurie Lee (Auteur)

MembresCritiquesPopularitéÉvaluation moyenneDiscussions / Mentions
2,632565,542 (3.89)1 / 306
At all times wonderfully evocative and poignant,Cider With Rosieis a charming memoir of Laurie Lee's childhood in a remote Cotswold village, a world that is tangibly real and yet reminiscent of a now distant past. In this idyllic pastoral setting, unencumbered by the callous father who so quickly abandoned his family responsibilities, Laurie's adoring mother becomes the centre of his world as she struggles to raise a growing family against the backdrop of the Great War. The sophisticated adult author's retrospective commentary on events is endearingly juxtaposed with that of the innocent, spotty youth, permanently prone to tears and self-absorption. Rosie's identity from the novelCider with Rosiewas kept secret for 25 years. She was Rose Buckland, Lee's cousin by marriage. From the Paperback edition.… (plus d'informations)
Membre:mcnbooks
Titre:Cider With Rosie. With drawings by John Ward
Auteurs:Laurie Lee (Auteur)
Info:Hogarth Press (1959)
Collections:SOLD
Évaluation:
Mots-clés:Aucun

Information sur l'oeuvre

Rosie, ou, Le goût du cidre par Laurie Lee (1959)

  1. 00
    Sarn par Mary Webb (KayCliff)
  2. 00
    Le goût des pépins de pomme par Katharina Hagena (_eskarina)
    _eskarina: Although different in many aspects, apples, memories and some strange and beautiful melancholia make these books similar.
  3. 00
    Un Noël d'enfant au Pays de Galles par Dylan Thomas (Utilisateur anonyme)
    Utilisateur anonyme: Very similar, poetic writing style that tries to convey memories of childhood in rural Britain through an imaginative child's eyes.
  4. 00
    Every Day Was Summer par Oliver Wynne Hughes (Nickelini)
    Nickelini: Both books look back a both happy and sad times growing up in small villages in the UK.
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    Un peu d'air frais par George Orwell (meggyweg)
  6. 00
    A Child in the Forest par Winifred Foley (meggyweg)
  7. 01
    Les Jumeaux de Black Hill par Bruce Chatwin (PilgrimJess)
    PilgrimJess: Another tale of country life but one set in Wales this time.
  8. 01
    Le Vin de l'été par Ray Bradbury (Michael.Rimmer)
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» Voir aussi les 306 mentions

Affichage de 1-5 de 56 (suivant | tout afficher)
Hmm.
This seems to be one of those books that people remember with affection but if they read it today with fresh eyes, they might view some aspects of it differently. ( )
  anzlitlovers | Jan 13, 2024 |
Great
  Dermot_Butler | Nov 8, 2023 |
Great
  Dermot_Butler | Nov 8, 2023 |
3.5*

A look at English village life in the 1920s. Quite charming but I think that I preferred Flora Thompson's trilogy Lark Rise to Candleford which I found similar. ( )
  leslie.98 | Jun 27, 2023 |
I didn't really find the content all that interesting. The writing style is acceptable most of the time except when it slips into fantastically well-crafted. Seriously, there are some exceptionally well-written paragraphs and even chapters here.

I had planned on passing this book along to a young author I know until I arrived toward the end and read his accounts of the sexual crimes he and his friends committed against a few of the young women in his town. Like most of his life in this account, he simply records the events without much reflection, without showing how he was changed (for good or ill) by his experience.

A quite passive read. ( )
1 voter Jeffrey_G | Nov 22, 2022 |
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Nom de l'auteurRôleType d'auteurŒuvre ?Statut
Laurie Leeauteur principaltoutes les éditionscalculé
Bailey, PeterIllustrateurauteur secondairequelques éditionsconfirmé
Grove, ValerieIntroductionauteur secondairequelques éditionsconfirmé
Jones, GwynethArtiste de la couvertureauteur secondairequelques éditionsconfirmé
Ward, JohnIllustrateurauteur secondairequelques éditionsconfirmé
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To my brothers and sisters--the half and the whole
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I was set down from the carrier's cart at the age of three; and there with a sense of bewilderment and terror my life in the village began.
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The scullery was a mine of all the minerals of living. |Here I discovered water -- a very different element from the green crawling scum that stank in the garden tub. You could pump it in pure blue gulps out of the ground, you could swing on the pump handle and it came out sparkling like liquid sky. And it broke and ran and shone on the tiled floor, or quivered in a jug, or weighted your clothes with cold. You could drink it, draw with it, froth it with soap, swim beetles across it, or fly it in bubbles in the air. You could put your head in it, and open your eyes, and see the sides of the bucket buckle, and hear your caught breath roar, and work your mouth like a fish, and smell the lime from the ground. Substance of magic -- which you could tear or wear, confine or scatter, or send down holes, but never burn or break or destroy.
Mother had a touch with flowers. She could grow them anywhere, at any time, and they seemed to live longer for her. She grew them with rough, almost slap-dash love, but her hands possessed such an understanding of their needs they seemed to turn to her like another sun. She could snatch a dry root from field or hedgerow, dab it into the garden, give it a shake – and almost immediately it flowered. One felt she could grow roses from a stick or chair-leg, so remarkable was this gift.
Our terraced strip of garden was Mother's monument, and she worked it headstrong, without plan. She would never control or clear this ground, merely cherish whatever was there; and she was as impartial in her encouragement to all that grew as a spell of sweet sunny weather. She would force nothing, graft nothing, nor set things in rows; she welcomed self-seeders, let each have its head, and was the enemy of very few weeds. Consequently our garden was a sprouting jungle and never an inch was wasted. Syringa shot up, laburnum hung down, white roses smothered the apple tree, red flowering-currants (smelling sharply of foxes) spread entirely along one path; such a chaos of blossom as amazed the bees and bewildered the birds in the air. Potatoes and cabbages were planted at random among foxgloves, pansies, and pinks. Often some species would entirely capture the garden – forget-me-nots one year, hollyhocks the next, then a sheet of harvest poppies. Whatever it was, one let it grow. While Mother went creeping around the wilderness, pausing to tap some Odd bloom on the head, as indulgent, gracious, amiable and inquisitive as a queen at an orphanage.
Our mother was one of those obsessive collectors who spend all their time stuffing the crannies of their lives with a ballast of wayward objects. She collected anything that came to hand ... But in one thing – old china – Mother was a deliberate collector, and in this had an expert’s eye.
Old china to Mother was gambling, the bottle, illicit love, all stirred up together; the sensuality of touch and the ornament of a taste she was born to but could never afford. She hunted old china for miles, though she hadn’t the money to do so; haunted shops and sales with wistful passion, and by wheedling, guile, and occasional freaks of chance carried several fine pieces home.
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At all times wonderfully evocative and poignant,Cider With Rosieis a charming memoir of Laurie Lee's childhood in a remote Cotswold village, a world that is tangibly real and yet reminiscent of a now distant past. In this idyllic pastoral setting, unencumbered by the callous father who so quickly abandoned his family responsibilities, Laurie's adoring mother becomes the centre of his world as she struggles to raise a growing family against the backdrop of the Great War. The sophisticated adult author's retrospective commentary on events is endearingly juxtaposed with that of the innocent, spotty youth, permanently prone to tears and self-absorption. Rosie's identity from the novelCider with Rosiewas kept secret for 25 years. She was Rose Buckland, Lee's cousin by marriage. From the Paperback edition.

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