Ce sujet est actuellement indiqué comme "en sommeil"—le dernier message date de plus de 90 jours. Vous pouvez le réveiller en postant une réponse.
Interestingly, the person I was debating with was male, as am I. (Well, I think he was, but you never can be totally sure of these things on the Internet, can you?)
I'd be interested to know what other people think. There is a relevant passage in Trollope's Autobiography on the subject. In case you haven't read it, here it is (By the way, why 'French' prig, I wonder? Did Trollope differentiate between French and English prigs?):
The Small House at Allington redeemed my reputation with the spirited
proprietor of the Cornhill, which must, I should think, have been
damaged by Brown, Jones, and Robinson. In it appeared Lily Dale,
one of the characters which readers of my novels have liked the
best. In the love with which she has been greeted I have hardly
joined with much enthusiasm, feeling that she is somewhat of a
French prig. She became first engaged to a snob, who jilted her;
and then, though in truth she loved another man who was hardly
good enough, she could not extricate herself sufficiently from the
collapse of her first great misfortune to be able to make up her
mind to be the wife of one whom, though she loved him, she did not
altogether reverence. Prig as she was, she made her way into the
hearts of many readers, both young and old; so that, from that time
to this, I have been continually honoured with letters, the purport
of which has always been to beg me to marry Lily Dale to Johnny
Eames. Had I done so, however, Lily would never have so endeared
herself to these people as to induce them to write letters to the
author concerning her fate. It was because she could not get over
her troubles that they loved her.
As to her being a "male fantasy" sadly I'd have to say no. The fascination with the Twilight novels should be all anyone needs as evidence that many women (and I'm a woman) are total idiots when it comes to men. But vice versa, guys, you can be idiots, too, and Johnny and Crosbie are perfect examples of this.
"Lily Dale ... was, by inference, the novelist's own ideal, and many readers worship in his company. Certainly Lily is perfect - whether, as at first, she is blithely mischievous; whether ...she is reserved and watchful; whether ... she walks with head bravely high, but with a broken heart." - Sadleir
I suspect that Trollope may have been handicapped by the conventions of his day - if paterfamilias is going to read your book to the assembled family, you have to be careful! Perhaps what he really meant to suggest was that Lily felt she had 'given herself' to Crosbie and that what she had done was irrevocable. And I think that he sympathised, but disagreed: there was no reason why she shouldn't have gone on, if she had wanted, to marry somebody else, though not necessarily the feeble Johnny Eames.
By 'give herself' I don't mean that Trollope was saying that they had a physical relationship, and that may be part of his meaning: in his view of things she had nothing to reproach herself for. The word prig seems to have had a wide variety of meanings, but it could be used to refer to someone with an over-active conscience, or an over-active sensibility.
As far as I can recall, the closest Trollope gets to saying this is where Crosbie comes to the Small House (incidentally, I think it's an amazingly sexy piece of writing, by the standards of the day):
At last the two heroes came in across the lawn at the drawing-room window; and Lily, as they entered, dropped a low curtsey before them, gently swelling down upon the ground with her light muslin dress, till she looked like some wondrous flower that had bloomed upon the carpet, and putting her two hands, with the backs of her fingers pressed together, on the buckle of her girdle, she said, "We are waiting upon your honours' kind grace, and feel how much we owe to you for favouring our poor abode." And then she gently rose up again, smiling, oh, so sweetly, on the man she loved, and the puffings and swellings went out of her muslin.
I think there is nothing in the world so pretty as the conscious little tricks of love played off by a girl towards the man she loves, when she has made up her mind boldly that all the world may know that she has given herself away to him.
I believe Great Expectations and The last chronicle of Barset were published in the same decade, but Trollope somehow feels so much more modern.
Whereas, Miss Havisham is simply an old-fashioned stage looney ...