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1antimuzak
Saturday 19th January 2019 (starting this evening)
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Tonight's opera from the Met is Debussy's strange and seductive Pelleas et Melisande. Prince Golaud finds a mysterious young woman lost in the forest, and marries her. But when Melisande meets his younger half-brother Pelleas, she finds herself irresistibly drawn to him, with tragic results. Young Met stars, tenor Paul Appleby and mezzo-soprano Isabel Leonard, are the naïve title lovers, and baritone Kyle Ketelsen is the imperious Prince Golaud. Presented from the Met by Mary Jo Heath and Ira Siff. Debussy Pelleas et Melisande. Mélisande.....Isabel Leonard (Soprano) Geneviève.....Marie-Nicole Lemieux (Contralto) Pelléas.....Paul Appleby (Tenor) Golaud.....Kyle Ketelsen (Baritone) Arkel.....Ferruccio Furlanetto (Bass) Doctor.....Paul Corona (Bass) Shepherd.....Jeremy Galyon (Baritone) New York Metropolitan Opera Orchestra New York Metropolitan Opera Chorus Yannick Nezet-Seguin (Conductor).
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Tonight's opera from the Met is Debussy's strange and seductive Pelleas et Melisande. Prince Golaud finds a mysterious young woman lost in the forest, and marries her. But when Melisande meets his younger half-brother Pelleas, she finds herself irresistibly drawn to him, with tragic results. Young Met stars, tenor Paul Appleby and mezzo-soprano Isabel Leonard, are the naïve title lovers, and baritone Kyle Ketelsen is the imperious Prince Golaud. Presented from the Met by Mary Jo Heath and Ira Siff. Debussy Pelleas et Melisande. Mélisande.....Isabel Leonard (Soprano) Geneviève.....Marie-Nicole Lemieux (Contralto) Pelléas.....Paul Appleby (Tenor) Golaud.....Kyle Ketelsen (Baritone) Arkel.....Ferruccio Furlanetto (Bass) Doctor.....Paul Corona (Bass) Shepherd.....Jeremy Galyon (Baritone) New York Metropolitan Opera Orchestra New York Metropolitan Opera Chorus Yannick Nezet-Seguin (Conductor).
2antimuzak
Saturday 2nd February 2019 (starting this evening)
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Bizet: Carmen.
Bizet's Carmen, from New York, starring Clementine Margaine as the gypsy femme-fatale and Roberto Alagna as Don José, her hapless lover.
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Bizet: Carmen.
Bizet's Carmen, from New York, starring Clementine Margaine as the gypsy femme-fatale and Roberto Alagna as Don José, her hapless lover.
3antimuzak
Saturday 9th February 2019 (starting this evening)
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Iolanta and Bluebeard's Castle.
Mary Jo Heath presents a double bill of one-act operas - Tchaikovsky's Iolanta, starring Sonya Yoncheva, and Bartók's Bluebeard's Castle, with Angela Denoke. Henrik Nánási conducts.
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Iolanta and Bluebeard's Castle.
Mary Jo Heath presents a double bill of one-act operas - Tchaikovsky's Iolanta, starring Sonya Yoncheva, and Bartók's Bluebeard's Castle, with Angela Denoke. Henrik Nánási conducts.
4antimuzak
Saturday 2nd March 2019 (starting this evening)
Time: 18:30 to 21:30 (3 hours long)
La Fille du Régiment.
Enrique Mazzola conducts Donizetti's La Fille du Régiment, from the Metropolitan Opera in New York. Pretty Yende and Javier Camarena star.
Time: 18:30 to 21:30 (3 hours long)
La Fille du Régiment.
Enrique Mazzola conducts Donizetti's La Fille du Régiment, from the Metropolitan Opera in New York. Pretty Yende and Javier Camarena star.
5antimuzak
Saturday 16th March 2019 (starting this afternoon)
Time: 17:30 to 22:00 (4 hours and 30 minutes long)
Berlioz's Les Troyens, from the Opera de Paris.
Berlioz's masterpiece Les Troyens from the Opera National de Paris. Philippe Jordan conducts the opera orchestra and chorus. Presented by Kate Molleson.
Time: 17:30 to 22:00 (4 hours and 30 minutes long)
Berlioz's Les Troyens, from the Opera de Paris.
Berlioz's masterpiece Les Troyens from the Opera National de Paris. Philippe Jordan conducts the opera orchestra and chorus. Presented by Kate Molleson.
6antimuzak
Thursday 18th April 2019 (starting this afternoon)
Time: 14:00 to 17:00 (3 hours long)
Opera Matinée: Wagner: The Flying Dutchman.
Fiona Talkington presents a concert performance of Wagner's The Flying Dutchman, recorded at the RAI Auditorium in Turin, Italy, with baritone Tomas Tomasson in the title role.
Time: 14:00 to 17:00 (3 hours long)
Opera Matinée: Wagner: The Flying Dutchman.
Fiona Talkington presents a concert performance of Wagner's The Flying Dutchman, recorded at the RAI Auditorium in Turin, Italy, with baritone Tomas Tomasson in the title role.
7antimuzak
Saturday 20th April 2019 (starting this evening)
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
La Clemenza di Tito.
Mozart's La Clemenza di Tito from New York, with Joyce DiDonato as Sesto and Matthew Polenzani as Tito. Lothar Koenigs conducts.
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
La Clemenza di Tito.
Mozart's La Clemenza di Tito from New York, with Joyce DiDonato as Sesto and Matthew Polenzani as Tito. Lothar Koenigs conducts.
8antimuzak
Saturday 11th May 2019 (starting this evening)
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Poulenc - Dialogues des Carmélites from The Met.
Poulenc's opera Dialogues des Carmélites, the story of a group of Carmelite nuns during the French Revolution. Conducted by Yannick Nezet-Seguin. Presented by Mary Jo Heath.
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Poulenc - Dialogues des Carmélites from The Met.
Poulenc's opera Dialogues des Carmélites, the story of a group of Carmelite nuns during the French Revolution. Conducted by Yannick Nezet-Seguin. Presented by Mary Jo Heath.
9antimuzak
Saturday 1st June 2019 (starting this evening)
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Billy Budd by Benjamin Britten.
Benjamin Britten: Billy Budd from the Royal Opera House in London. Ivor Bolton conducts this new production by Deborah Warner. An archetypal parable of good against evil set on board a man-of-war ship, it tells the story of Billy Budd and his battle of wills against fellow sailor and evil enemy John Claggart - with Captain Vere caught in the middle. Presented by Kate Molleson with guest Heather Weibe. Britten: Billy Budd. Jacques Imbrailo (baritone: Billy Budd), Toby Spence (tenor: Captain Edward Vere), Brindley Sherratt (bass: John Claggart), David Soar (bass: Mr Flint), Thomas Oliemans (tenor: Mr Redburn), Peter Kellner (Main artist: Lieutenant Ratcliffe), Clive Bayley (bass: Dansker), Alan Ewing (bass: Bosun), Duncan Rock (baritone: Donald), Konu Kim (tenor: Maintop), Sam Furness (tenor: Novice), Dominic Sedgwick (baritone: Novice's friend), Alasdair Elliott (tenor: Squeak), Christopher Gillett (Tenor: Red Whiskers), Royal Opera House Chorus, Royal Opera House Orchestra, conductor Ivor Bolton.
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Billy Budd by Benjamin Britten.
Benjamin Britten: Billy Budd from the Royal Opera House in London. Ivor Bolton conducts this new production by Deborah Warner. An archetypal parable of good against evil set on board a man-of-war ship, it tells the story of Billy Budd and his battle of wills against fellow sailor and evil enemy John Claggart - with Captain Vere caught in the middle. Presented by Kate Molleson with guest Heather Weibe. Britten: Billy Budd. Jacques Imbrailo (baritone: Billy Budd), Toby Spence (tenor: Captain Edward Vere), Brindley Sherratt (bass: John Claggart), David Soar (bass: Mr Flint), Thomas Oliemans (tenor: Mr Redburn), Peter Kellner (Main artist: Lieutenant Ratcliffe), Clive Bayley (bass: Dansker), Alan Ewing (bass: Bosun), Duncan Rock (baritone: Donald), Konu Kim (tenor: Maintop), Sam Furness (tenor: Novice), Dominic Sedgwick (baritone: Novice's friend), Alasdair Elliott (tenor: Squeak), Christopher Gillett (Tenor: Red Whiskers), Royal Opera House Chorus, Royal Opera House Orchestra, conductor Ivor Bolton.
10antimuzak
Thursday 20th June 2019 (starting this afternoon)
Time: 14:00 to 17:00 (3 hours long)
Opera Matinée: Gluck's 'Orfeo ed Euridice'.
Tom McKinney presents a performance of Gluck's three-act opera from Italian Radio, recorded at the Teatro dell'Opera in Rome. Librettist: Ranieri de Calzabigi. Carlo Vistoli (countertenor: Orfeo). Mariangela Sicilia (soprano: Euridice). Em?ke Baráth (soprano: Amore), Rome Opera Chorus, Roberto Gabbiani (chorus director), Rome Opera Orchestra, Gianluca Capuano (conductor).
Time: 14:00 to 17:00 (3 hours long)
Opera Matinée: Gluck's 'Orfeo ed Euridice'.
Tom McKinney presents a performance of Gluck's three-act opera from Italian Radio, recorded at the Teatro dell'Opera in Rome. Librettist: Ranieri de Calzabigi. Carlo Vistoli (countertenor: Orfeo). Mariangela Sicilia (soprano: Euridice). Em?ke Baráth (soprano: Amore), Rome Opera Chorus, Roberto Gabbiani (chorus director), Rome Opera Orchestra, Gianluca Capuano (conductor).
11antimuzak
Friday 21st June 2019 (starting this evening)
Time: 19:30 to 22:00 (2 hours and 30 minutes long)
Hvorostovsky's Eugene Onegin.
Ahead of tomorrow evening's Final of BBC Cardiff Singer of the World 2019, a focus on a previous winner of that feted title - the Russian baritone Dmitri Hvorostovsky, with his final UK stage performance in the title role of Eugene Onegin, a performance recorded in 2015 from the Royal Opera House in London's Covent Garden. Described by its conductor, Semyon Bychkov, as an opera about young people, for young people, Eugene Onegin is based on Alexander Pushkin's verse novel of the same name. The emotions of youth, love and loss are at the core of the story and at the heart of the music in this, one of Tchaikovsky's best-loved operas. Tchaikovsky: Eugene Onegin. Dmitri Hvorostovsky (baritone: Eugene Onegin), Nicole Car (soprano: Tatyana), Oksana Volkova (mezzo: Olga), Michael Fabiano (tenor: Lensky), Diana Montague (mezzo: Madame Larina), Catherine Wyn-Rogers (mezzo: Flipyevna), Jean-Paul Fouchécourt (tenor: Monsieur Triquet), Ferruccio Furlanetto (bass: Prince Gremin), James Platt (bass: Zaretsky), David Shipley (bass: A Captain), Chorus and Orchestra of the Royal Opera House, conductor Semyon Bychkov.
Time: 19:30 to 22:00 (2 hours and 30 minutes long)
Hvorostovsky's Eugene Onegin.
Ahead of tomorrow evening's Final of BBC Cardiff Singer of the World 2019, a focus on a previous winner of that feted title - the Russian baritone Dmitri Hvorostovsky, with his final UK stage performance in the title role of Eugene Onegin, a performance recorded in 2015 from the Royal Opera House in London's Covent Garden. Described by its conductor, Semyon Bychkov, as an opera about young people, for young people, Eugene Onegin is based on Alexander Pushkin's verse novel of the same name. The emotions of youth, love and loss are at the core of the story and at the heart of the music in this, one of Tchaikovsky's best-loved operas. Tchaikovsky: Eugene Onegin. Dmitri Hvorostovsky (baritone: Eugene Onegin), Nicole Car (soprano: Tatyana), Oksana Volkova (mezzo: Olga), Michael Fabiano (tenor: Lensky), Diana Montague (mezzo: Madame Larina), Catherine Wyn-Rogers (mezzo: Flipyevna), Jean-Paul Fouchécourt (tenor: Monsieur Triquet), Ferruccio Furlanetto (bass: Prince Gremin), James Platt (bass: Zaretsky), David Shipley (bass: A Captain), Chorus and Orchestra of the Royal Opera House, conductor Semyon Bychkov.
12antimuzak
Saturday 6th July 2019 (starting this evening)
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Mozart: Idomeneo.
Mozart's Idomeneo, from Vienna State Opera, with tenor Bernard Richter in the title role. The King of Crete hits a storm as he's sailing back home after a tiring stint in the Trojan War. In return for being spared a briny end, Idomeneo rashly promises Neptune that he will sacrifice the first human he sees on landing. Inevitably, that person is his son, Idamante. Idomeneo thinks he can forget his obligation but Neptune thinks otherwise and, to help jog his memory, sends a monster to ravage Crete. Presented by musicologist Dr Flora Willson, who is joined by Professor Timothy Jones to discuss Mozart's first mature opera. Mozart: Idomeneo. Bernard Richter (tenor: Idomeneo), Rachel Frenkel (mezzo: Idamante), Irina Lungu (soprano: Elettra), Valentina Nafornita (soprano: Ilia), Pavel Kolgatin (tenor: Arbace), Carlos Osuna (tenor: High Priest of Neptune), Peter Kellner (bass: Voice of Oracle of Neptune), Vienna State Opera Chorus, Vienna State Opera Orchestra, conductor Tomas Netopil.
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Mozart: Idomeneo.
Mozart's Idomeneo, from Vienna State Opera, with tenor Bernard Richter in the title role. The King of Crete hits a storm as he's sailing back home after a tiring stint in the Trojan War. In return for being spared a briny end, Idomeneo rashly promises Neptune that he will sacrifice the first human he sees on landing. Inevitably, that person is his son, Idamante. Idomeneo thinks he can forget his obligation but Neptune thinks otherwise and, to help jog his memory, sends a monster to ravage Crete. Presented by musicologist Dr Flora Willson, who is joined by Professor Timothy Jones to discuss Mozart's first mature opera. Mozart: Idomeneo. Bernard Richter (tenor: Idomeneo), Rachel Frenkel (mezzo: Idamante), Irina Lungu (soprano: Elettra), Valentina Nafornita (soprano: Ilia), Pavel Kolgatin (tenor: Arbace), Carlos Osuna (tenor: High Priest of Neptune), Peter Kellner (bass: Voice of Oracle of Neptune), Vienna State Opera Chorus, Vienna State Opera Orchestra, conductor Tomas Netopil.
13antimuzak
Saturday 28th September 2019 (starting this evening)
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Mozart's Marriage of Figaro.
Mozart: The Marriage of Figaro. Christian Gerhaher stars as Figaro, Simon Keenlyside as Count Almaviva and Joelle Harvey as Susanna in this production from the Royal Opera House, conducted by John Eliot Gardiner. Count Almaviva takes an over-eager interest in his cunning manservant's wife-to-be, setting off an elaborate train of events that leaves him thwarted many times. Presented by Kate Molleson, who is joined by Tim Jones. Christian Gerhaher (baritone: Figaro), Joelle Harvey (soprano: Susanna), Simon Keenlyside (baritone: Count Almaviva), Julia Kleiter (soprano: Countess Almaviva), Kangmin Justin Kim (counter-tenor: Cherubino), Maurizio Muraro (bass: Bartolo), Diana Montague (mezzo: Marcellina), Jean-Paul Fouchecourt (tenor: Don Basilio), Jeremy White (bass: Antonio), Alasdair Elliott (tenor: Don Curzio), Yaritza Veliz (soprano: Barbarina), Rebecca Hardwick (soprano: First Bridesmaid), Angharad Rowlands (mezzo: Second Bridesmaid), Royal Opera House Orchestra, Royal Opera House Chorus, conductor John Eliot Gardiner.
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Mozart's Marriage of Figaro.
Mozart: The Marriage of Figaro. Christian Gerhaher stars as Figaro, Simon Keenlyside as Count Almaviva and Joelle Harvey as Susanna in this production from the Royal Opera House, conducted by John Eliot Gardiner. Count Almaviva takes an over-eager interest in his cunning manservant's wife-to-be, setting off an elaborate train of events that leaves him thwarted many times. Presented by Kate Molleson, who is joined by Tim Jones. Christian Gerhaher (baritone: Figaro), Joelle Harvey (soprano: Susanna), Simon Keenlyside (baritone: Count Almaviva), Julia Kleiter (soprano: Countess Almaviva), Kangmin Justin Kim (counter-tenor: Cherubino), Maurizio Muraro (bass: Bartolo), Diana Montague (mezzo: Marcellina), Jean-Paul Fouchecourt (tenor: Don Basilio), Jeremy White (bass: Antonio), Alasdair Elliott (tenor: Don Curzio), Yaritza Veliz (soprano: Barbarina), Rebecca Hardwick (soprano: First Bridesmaid), Angharad Rowlands (mezzo: Second Bridesmaid), Royal Opera House Orchestra, Royal Opera House Chorus, conductor John Eliot Gardiner.
14antimuzak
Saturday 5th October 2019 (starting this evening)
Time: 18:30 to 21:00 (2 hours and 30 minutes long)
Alwyn: Miss Julie.
Sakari Oramo conducts the BBC Symphony Orchestra in William Alwyn's setting of August Strindberg's naturalistic play - arguably one of the most red-blooded operatic tragedies Britain has ever produced. Presented by Andrew McGregor from the Barbican Hall. William Alwyn: Miss Julie. Anna Patalong (soprano: Miss Julie), Duncan Rock (bass-baritone: Jean), Samuel Sakker (tenor: Ulrik), Rosie Aldridge (mezzo: Kristin), BBC Symphony Orchestra, conductor Sakari Oramo.
Time: 18:30 to 21:00 (2 hours and 30 minutes long)
Alwyn: Miss Julie.
Sakari Oramo conducts the BBC Symphony Orchestra in William Alwyn's setting of August Strindberg's naturalistic play - arguably one of the most red-blooded operatic tragedies Britain has ever produced. Presented by Andrew McGregor from the Barbican Hall. William Alwyn: Miss Julie. Anna Patalong (soprano: Miss Julie), Duncan Rock (bass-baritone: Jean), Samuel Sakker (tenor: Ulrik), Rosie Aldridge (mezzo: Kristin), BBC Symphony Orchestra, conductor Sakari Oramo.
15antimuzak
Saturday 12th October 2019 (starting this evening)
Time: 18:30 to 22:30 (4 hours long)
Meyerbeer: Les Huguenots.
Giacomo Meyerbeer's Les Huguenots from the Opera Bastille in Paris, where it premiered in 1836. An epic melodrama, it is set against the historical backdrop of the St Bartholemew's Day Massacre, when French Protestants were murdered in huge numbers by their Catholic countrymen. Presented by Martin Handley, with expert commentary by Sarah Hibberd. Meyerbeer: Les Huguenots. Lisette Oropesa (soprano: Marguerite de Valois), Yosep Kang (tenor: Raoul de Nangis, a Huguenot gentleman), Ermonela Jaho (soprano: Valentine, daughter of the Count of Saint-Bris), Karine Deshayes (soprano: Urbain, Marguerite's page), Paul Gay (bass: Count of Saint-Bris), Nicolas Testé (bass: Marcel, Raoul's servant), Julie Robard-Gendre (soprano: Maid of honour), François Rougier (tenor: Cossé/Catholic student), Florian Sempey (baritone: Count of Nevers), Cyrille Dubois (tenor: Tavannes/First Monk), Michal Partyka (baritone: Méru/Second Monk), Patrick Bolleire (bass: Thoré/Maurevert), Tomislav Lavoie (baritone; de Retz/Third Monk), Élodie Hache (soprano: Coryphée/Young Catholic woman/Bohemian), Philippe Do (tenor: Bois-Rosé/Servant), Olivier Ayault (bass: Archer of the watch), John Bernard (tenor: First Noble), Cyrille Lovighi (tenor: Second Noble), Bernard Arrieta (bass: Third Noble), Fabio Bellenghi (bass: Fourth Noble). Orchestre et Choeurs de l'Opéra National de Paris, Michele Mariotti (conductor).
Time: 18:30 to 22:30 (4 hours long)
Meyerbeer: Les Huguenots.
Giacomo Meyerbeer's Les Huguenots from the Opera Bastille in Paris, where it premiered in 1836. An epic melodrama, it is set against the historical backdrop of the St Bartholemew's Day Massacre, when French Protestants were murdered in huge numbers by their Catholic countrymen. Presented by Martin Handley, with expert commentary by Sarah Hibberd. Meyerbeer: Les Huguenots. Lisette Oropesa (soprano: Marguerite de Valois), Yosep Kang (tenor: Raoul de Nangis, a Huguenot gentleman), Ermonela Jaho (soprano: Valentine, daughter of the Count of Saint-Bris), Karine Deshayes (soprano: Urbain, Marguerite's page), Paul Gay (bass: Count of Saint-Bris), Nicolas Testé (bass: Marcel, Raoul's servant), Julie Robard-Gendre (soprano: Maid of honour), François Rougier (tenor: Cossé/Catholic student), Florian Sempey (baritone: Count of Nevers), Cyrille Dubois (tenor: Tavannes/First Monk), Michal Partyka (baritone: Méru/Second Monk), Patrick Bolleire (bass: Thoré/Maurevert), Tomislav Lavoie (baritone; de Retz/Third Monk), Élodie Hache (soprano: Coryphée/Young Catholic woman/Bohemian), Philippe Do (tenor: Bois-Rosé/Servant), Olivier Ayault (bass: Archer of the watch), John Bernard (tenor: First Noble), Cyrille Lovighi (tenor: Second Noble), Bernard Arrieta (bass: Third Noble), Fabio Bellenghi (bass: Fourth Noble). Orchestre et Choeurs de l'Opéra National de Paris, Michele Mariotti (conductor).
16antimuzak
Thursday 24th October 2019 (starting this afternoon)
Time: 14:00 to 17:00 (3 hours long)
Verdi's Rigoletto from Stockholm.
Giuseppe Verdi's Rigolletto, the tragic tale of love, deceit and revenge recorded at the Swedish Royal Opera, Stockholm, with baritone Karl-Magnus Fredriksson in the title role and soprano Ida Falk Winland as Gilda. The opera is followed by Strauss's Burleske for piano and orchestra and Poulenc's Sinfonietta from the BBC Symphony Orchestra. 2.00 Giuseppe Verdi: Rigoletto (an opera in three acts). Leonardo Capalbo (tenor: Duke of Mantua), Akarl-Magnus Fredriksson (baritone: Rigoletto, the Duke's jester), Ida Falk Winland (soprano: Gilda, Rigoletto's daughter), John Erik Eleby (bass: Sparafucile, an assassin), Katarina Leoson (mezzo: Maddalena), Susann Végh (mezzo: Giovanna, Gilda's nurse), Kristian Flor (baritone: Count Monterone), Anton Eriksson (baritone: Marullo), Jihan Shin (tenor: Borsa, a courtier), Jens Persson (bass: Count Ceprano), Emma Vetter (mezzo: Countess Ceprano), Ella Morin (soprano: A page), Swedish Royal Opera Chorus, Swedish Royal Opera Orchestra, conductor Lionel Bringuier. 4.00 Strauss: Burleske for piano and orchestra. Michael McHale (piano), BBC Symphony Orchestra, conductor Michael Collins. 4.20 Poulenc: Sinfonietta. BBC Symphony Orchestra, conductor Andrei Feher.
Time: 14:00 to 17:00 (3 hours long)
Verdi's Rigoletto from Stockholm.
Giuseppe Verdi's Rigolletto, the tragic tale of love, deceit and revenge recorded at the Swedish Royal Opera, Stockholm, with baritone Karl-Magnus Fredriksson in the title role and soprano Ida Falk Winland as Gilda. The opera is followed by Strauss's Burleske for piano and orchestra and Poulenc's Sinfonietta from the BBC Symphony Orchestra. 2.00 Giuseppe Verdi: Rigoletto (an opera in three acts). Leonardo Capalbo (tenor: Duke of Mantua), Akarl-Magnus Fredriksson (baritone: Rigoletto, the Duke's jester), Ida Falk Winland (soprano: Gilda, Rigoletto's daughter), John Erik Eleby (bass: Sparafucile, an assassin), Katarina Leoson (mezzo: Maddalena), Susann Végh (mezzo: Giovanna, Gilda's nurse), Kristian Flor (baritone: Count Monterone), Anton Eriksson (baritone: Marullo), Jihan Shin (tenor: Borsa, a courtier), Jens Persson (bass: Count Ceprano), Emma Vetter (mezzo: Countess Ceprano), Ella Morin (soprano: A page), Swedish Royal Opera Chorus, Swedish Royal Opera Orchestra, conductor Lionel Bringuier. 4.00 Strauss: Burleske for piano and orchestra. Michael McHale (piano), BBC Symphony Orchestra, conductor Michael Collins. 4.20 Poulenc: Sinfonietta. BBC Symphony Orchestra, conductor Andrei Feher.
17antimuzak
Thursday 31st October 2019 (starting this afternoon)
Time: 14:00 to 17:00 (3 hours long)
Opera Matinee: Lucia di Lammermoor.
Donizetti's Lucia di Lammermoor, inspired by the novel by Walter Scott. One of the most important and popular works in the Romantic Italian Bel Canto tradition, Donizetti's masterpiece is a story of love, hate and passion centred on the love triangle of Lucia, Edgardo and Enrico. Performed in Vienna and presented by Tom McKinney. Donizetti: Lucia di Lammermoor. George Petean (baritone: Lord Enrico Ashton), Olga Peretyatko (coloratura soprano: Lucia), Juan Diego Flórez (tenor, Sir Edgardo di Ravenswood), Lukhanyo Moyake (tenor: Lord Arturo Bucklaw, Lucia's bridegroom), Jongmin Park (bass: Raimondo Bidebent), Virginie Verrez (mezzo: Alisa, Lucia's handmaid), Leonardo Navarro (tenor, Normanno, huntsman and retainer of Enrico), Vienna State Opera Chorus, Stage Orchestra of the Vienna State Opera, Vienna State Opera Orchestra, conductor Evelino Pidò.
Time: 14:00 to 17:00 (3 hours long)
Opera Matinee: Lucia di Lammermoor.
Donizetti's Lucia di Lammermoor, inspired by the novel by Walter Scott. One of the most important and popular works in the Romantic Italian Bel Canto tradition, Donizetti's masterpiece is a story of love, hate and passion centred on the love triangle of Lucia, Edgardo and Enrico. Performed in Vienna and presented by Tom McKinney. Donizetti: Lucia di Lammermoor. George Petean (baritone: Lord Enrico Ashton), Olga Peretyatko (coloratura soprano: Lucia), Juan Diego Flórez (tenor, Sir Edgardo di Ravenswood), Lukhanyo Moyake (tenor: Lord Arturo Bucklaw, Lucia's bridegroom), Jongmin Park (bass: Raimondo Bidebent), Virginie Verrez (mezzo: Alisa, Lucia's handmaid), Leonardo Navarro (tenor, Normanno, huntsman and retainer of Enrico), Vienna State Opera Chorus, Stage Orchestra of the Vienna State Opera, Vienna State Opera Orchestra, conductor Evelino Pidò.
18antimuzak
Saturday 9th November 2019 (starting this evening)
Time: 18:30 to 21:45 (3 hours and 15 minutes long)
Martinu: The Greek Passion.
Opera North's production of Martinu's opera The Greek Passion, a tale of prejudice and moral conviction set in a small Greek village as the villagers prepare to present their annual staging of Christ's Passion. Presented by Flora Willson and Nigel Simeone at Leeds Grand Theatre. Nicky Spence (tenor: Manolios), Magdalena Molendowska (soprano: Katerina), Paul Nilon (tenor: Yannakos), Jeffrey Lloyd-Roberts (tenor: Panait), Stephen Gadd (baritone: Priest Grigoris), John Savournin (bass-baritone: Priest Fotis), Richard Mosley-Evans (baritone: Kostandis), Lorna James (soprano: Lenio), Steven Page (baritone: Captain), Jonathan Best (bass-baritone: Archon), Rhodri Prys Jones (tenor: Michelis), Alex Banfield (tenor: Nikolio), Ivan Sharpe (tenor: Schoolmaster), Jeremy Peaker (baritone: Father Ladas), Opera North Chorus, Opera North Orchestra, conductor Garry Walker.
Time: 18:30 to 21:45 (3 hours and 15 minutes long)
Martinu: The Greek Passion.
Opera North's production of Martinu's opera The Greek Passion, a tale of prejudice and moral conviction set in a small Greek village as the villagers prepare to present their annual staging of Christ's Passion. Presented by Flora Willson and Nigel Simeone at Leeds Grand Theatre. Nicky Spence (tenor: Manolios), Magdalena Molendowska (soprano: Katerina), Paul Nilon (tenor: Yannakos), Jeffrey Lloyd-Roberts (tenor: Panait), Stephen Gadd (baritone: Priest Grigoris), John Savournin (bass-baritone: Priest Fotis), Richard Mosley-Evans (baritone: Kostandis), Lorna James (soprano: Lenio), Steven Page (baritone: Captain), Jonathan Best (bass-baritone: Archon), Rhodri Prys Jones (tenor: Michelis), Alex Banfield (tenor: Nikolio), Ivan Sharpe (tenor: Schoolmaster), Jeremy Peaker (baritone: Father Ladas), Opera North Chorus, Opera North Orchestra, conductor Garry Walker.
19antimuzak
Thursday 14th November 2019 (starting this afternoon)
Time: 14:00 to 17:00 (3 hours long)
Opera Matinee: Janacek's Katya Kabanova.
Janacek's opera Katya Kabanova, recorded at the 2018 Janácek Brno Festival. Pavla Vykopalová (soprano: Katya Kabanova), Magnus Vigilius (tenor: Boris Grigorjevic, Katya's lover), Gianluca Zampieri (tenor: Tichon Kabanov, Katya's husband), Eva Urbanová (contralto: Kabanicha, Tichon's mother), Jirí Sulženko (bass-baritone: Dikoy, Boris' uncle), Lenka Cermáková (mezzo: Varvara, foster daughter of the family), Jaroslav Brezina (tenor: Kudryash, Varvara's lover), Igor Loškár (baritone: Kuligin, friend of Kudryash), Jitka Zerhauová (mezzo: Feklusha), Hana Procházková (contralto: Žena, a woman in the crowd), Janácek Theatre Chorus, Janácek Theatre Orchestra, conductor Ondrej Olos.
Time: 14:00 to 17:00 (3 hours long)
Opera Matinee: Janacek's Katya Kabanova.
Janacek's opera Katya Kabanova, recorded at the 2018 Janácek Brno Festival. Pavla Vykopalová (soprano: Katya Kabanova), Magnus Vigilius (tenor: Boris Grigorjevic, Katya's lover), Gianluca Zampieri (tenor: Tichon Kabanov, Katya's husband), Eva Urbanová (contralto: Kabanicha, Tichon's mother), Jirí Sulženko (bass-baritone: Dikoy, Boris' uncle), Lenka Cermáková (mezzo: Varvara, foster daughter of the family), Jaroslav Brezina (tenor: Kudryash, Varvara's lover), Igor Loškár (baritone: Kuligin, friend of Kudryash), Jitka Zerhauová (mezzo: Feklusha), Hana Procházková (contralto: Žena, a woman in the crowd), Janácek Theatre Chorus, Janácek Theatre Orchestra, conductor Ondrej Olos.
20antimuzak
Saturday 16th November 2019 (starting this evening)
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Die Frau ohne Schatten.
Richard Strauss's Die Frau ohne Schatten (The Woman Without a Shadow), from the Vienna State Opera, in a performance given 100 years since the premiere on the same stage on October 10, 1919. A leading line-up of soloists including Camilla Nylund, Stephen Gould and Nina Stemme tell the story of half-mortal Empress who, if she does not acquire a shadow within three days, will be returned to the spirit world and her Emperor will be turned to stone. Will she keep her integrity or steal a mortal woman's shadow instead? Flora Willson presents, accompanied by William Mival. Strauss: Die Frau ohne Schatten. Stephen Gould (tenor: The Emperor), Camilla Nylund (soprano: The Empress), Evelyn Herlitzius (mezzo: The Nurse), Sebastian Holecek (baritone: The Messenger of Keikobad), Maria Nazarova (soprano: The Guardian of the Threshold/Voice of a Falcon), Benjamin Bruns (tenor: Apparition of a Youth), Monika Bohinec (contralto: Voice from Above), Wolfgang Koch (bass-baritone: The Dyer), Nina Stemme (soprano: The Dyer's Wife), Samuel Hasselhorn (bass: The One-eyed Man, Barak's brother), Ryan Speedo Green (bass: The One-armed Man, Barak's brother), Thomas Ebenstein (tenor: The Hunchback, Barak's brother), Ileana Tonca (soprano: First Servant of the Empress/First Voice of the Unborn/First Soloist), Mariam Battistelli (soprano: Second Servant of the Empress/Second Voice of the Unborn/Second Soloist), Szilvia Vörös (mezzo: Third Servant of the Empress/Fourth Voice of the Unborn/Fourth Soloist), Virginie Verrez (mezzo: Third Voice of the Unborn/Third Soloist), Bongiwe Nakani (mezzo: Fifth Voice of the Unborn/Fifth Soloist), Zoryana Kushpler (mezzo: Sixth Soloist), Vienna State Opera Chorus, Stage Orchestra of the Vienna State Opera, Vienna State Opera Orchestra, conductor Christian Thielemann.
Time: 18:30 to 22:15 (3 hours and 45 minutes long)
Die Frau ohne Schatten.
Richard Strauss's Die Frau ohne Schatten (The Woman Without a Shadow), from the Vienna State Opera, in a performance given 100 years since the premiere on the same stage on October 10, 1919. A leading line-up of soloists including Camilla Nylund, Stephen Gould and Nina Stemme tell the story of half-mortal Empress who, if she does not acquire a shadow within three days, will be returned to the spirit world and her Emperor will be turned to stone. Will she keep her integrity or steal a mortal woman's shadow instead? Flora Willson presents, accompanied by William Mival. Strauss: Die Frau ohne Schatten. Stephen Gould (tenor: The Emperor), Camilla Nylund (soprano: The Empress), Evelyn Herlitzius (mezzo: The Nurse), Sebastian Holecek (baritone: The Messenger of Keikobad), Maria Nazarova (soprano: The Guardian of the Threshold/Voice of a Falcon), Benjamin Bruns (tenor: Apparition of a Youth), Monika Bohinec (contralto: Voice from Above), Wolfgang Koch (bass-baritone: The Dyer), Nina Stemme (soprano: The Dyer's Wife), Samuel Hasselhorn (bass: The One-eyed Man, Barak's brother), Ryan Speedo Green (bass: The One-armed Man, Barak's brother), Thomas Ebenstein (tenor: The Hunchback, Barak's brother), Ileana Tonca (soprano: First Servant of the Empress/First Voice of the Unborn/First Soloist), Mariam Battistelli (soprano: Second Servant of the Empress/Second Voice of the Unborn/Second Soloist), Szilvia Vörös (mezzo: Third Servant of the Empress/Fourth Voice of the Unborn/Fourth Soloist), Virginie Verrez (mezzo: Third Voice of the Unborn/Third Soloist), Bongiwe Nakani (mezzo: Fifth Voice of the Unborn/Fifth Soloist), Zoryana Kushpler (mezzo: Sixth Soloist), Vienna State Opera Chorus, Stage Orchestra of the Vienna State Opera, Vienna State Opera Orchestra, conductor Christian Thielemann.
21antimuzak
Saturday 7th December 2019 (starting this evening)
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Philip Glass's Akhnaten.
Philip Glass's Akhnaten from New York, starring counter-tenor Anthony Roth Constanzo as the Egyptian pharaoh who worshipped the sun, revolutionising his kingdom's ancient religious practices - with tragic consequences for him and his family. Sung in original languages in a text put together by the composer and writers, with a narration in English, it's the third and last of Glass's so-called biographical operas together with Einstein on the Beach, and Satyagraha - on Gandhi. Karen Kamensek, a Glass specialist, conducts the chorus and orchestra of the New York Metropolitan Opera House. Philip Glass: Akhnaten (opera in 3 acts). Disella Larusdottir (soprano: Queen Tye), J'nai Bridges (mezzo: Nefertiti), Anthony Roth Constanzo (counter-tenor Akhnaten), Aaron Blake (tenor: High Priest), Will Liverman (baritone: Horemhab), Richard Bernstein (bass: Aye), Zachary James (bass: Amenhotep III), Lindsay Ohse (soprano: Bekhataten), Karen-chia-ling Ho (soprano: Meretaten), Chrystal E Williams (mezzo: Maketaten), Annie Rosen (mezzo: Ankhesepaaten), Olivia Vote (mezzo: Neferneferuaten), Suzanne Hendrix (mezzo: Sotopenre), New York Metropolitan Opera Orchestra, New York Metropolitan Opera Chorus, conductor Karen Kamensek.
Time: 18:30 to 22:00 (3 hours and 30 minutes long)
Philip Glass's Akhnaten.
Philip Glass's Akhnaten from New York, starring counter-tenor Anthony Roth Constanzo as the Egyptian pharaoh who worshipped the sun, revolutionising his kingdom's ancient religious practices - with tragic consequences for him and his family. Sung in original languages in a text put together by the composer and writers, with a narration in English, it's the third and last of Glass's so-called biographical operas together with Einstein on the Beach, and Satyagraha - on Gandhi. Karen Kamensek, a Glass specialist, conducts the chorus and orchestra of the New York Metropolitan Opera House. Philip Glass: Akhnaten (opera in 3 acts). Disella Larusdottir (soprano: Queen Tye), J'nai Bridges (mezzo: Nefertiti), Anthony Roth Constanzo (counter-tenor Akhnaten), Aaron Blake (tenor: High Priest), Will Liverman (baritone: Horemhab), Richard Bernstein (bass: Aye), Zachary James (bass: Amenhotep III), Lindsay Ohse (soprano: Bekhataten), Karen-chia-ling Ho (soprano: Meretaten), Chrystal E Williams (mezzo: Maketaten), Annie Rosen (mezzo: Ankhesepaaten), Olivia Vote (mezzo: Neferneferuaten), Suzanne Hendrix (mezzo: Sotopenre), New York Metropolitan Opera Orchestra, New York Metropolitan Opera Chorus, conductor Karen Kamensek.
22antimuzak
MUSIC: Opera on 3 from the Met
On: BBC Radio 3 (703)
Date: Saturday 21st December 2019 (starting this evening)
Time: 18:30 to 21:50 (3 hours and 20 minutes long)
Verdi: Macbeth.
A performance of Verdi's Macbeth, recorded at the Met earlier this autumn. Presented by Mary-Jo Heath with commentator Ira Siff. Verdi began his life-long relationship with Shakespeare's works with Macbeth - considered by him to be 'one of the greatest creations of man'. The star cast is led by soprano Anna Netrebko, as Lady Macbeth, who is driven by her formidable ambition for her husband Macbeth, sung by baritone Zeljko Lucic, to become King. Verdi's score bursts with energy and drive, full of eerie silences and atmosphere, and expansive melodies. The Orchestra and Chorus of the Metropolitan Opera House are conducted by Marco Armiliato. Anna Netrebko (soprano: Lady Macbeth), Matthew Polenzani (tenor: Macduff), Zeljko Lucic (baritone: Macbeth), Ildar Abdrazakov (bass: Banquo), Giuseppe Filianoti (tenor: Malcolm), Sarah Cambridge (mezzo-soprano: Lady in Waiting), Richard Bernstein (bass: Assassin), Harold Wilson (bass: Doctor), Bradley Garvin (bass: Servant to Macbeth), Christopher Job (bass-baritone: Warrior), Meigui Zhang (soprano: Bloody Child), Karen-chia-ling Ho (soprano: Crowned Child), Yohan Yi (bass: Herald), Raymond Renault (silent role: Duncan). New York Metropolitan Opera Orchestra, New York Metropolitan Opera Chorus, Marco Armiliato (conductor).
On: BBC Radio 3 (703)
Date: Saturday 21st December 2019 (starting this evening)
Time: 18:30 to 21:50 (3 hours and 20 minutes long)
Verdi: Macbeth.
A performance of Verdi's Macbeth, recorded at the Met earlier this autumn. Presented by Mary-Jo Heath with commentator Ira Siff. Verdi began his life-long relationship with Shakespeare's works with Macbeth - considered by him to be 'one of the greatest creations of man'. The star cast is led by soprano Anna Netrebko, as Lady Macbeth, who is driven by her formidable ambition for her husband Macbeth, sung by baritone Zeljko Lucic, to become King. Verdi's score bursts with energy and drive, full of eerie silences and atmosphere, and expansive melodies. The Orchestra and Chorus of the Metropolitan Opera House are conducted by Marco Armiliato. Anna Netrebko (soprano: Lady Macbeth), Matthew Polenzani (tenor: Macduff), Zeljko Lucic (baritone: Macbeth), Ildar Abdrazakov (bass: Banquo), Giuseppe Filianoti (tenor: Malcolm), Sarah Cambridge (mezzo-soprano: Lady in Waiting), Richard Bernstein (bass: Assassin), Harold Wilson (bass: Doctor), Bradley Garvin (bass: Servant to Macbeth), Christopher Job (bass-baritone: Warrior), Meigui Zhang (soprano: Bloody Child), Karen-chia-ling Ho (soprano: Crowned Child), Yohan Yi (bass: Herald), Raymond Renault (silent role: Duncan). New York Metropolitan Opera Orchestra, New York Metropolitan Opera Chorus, Marco Armiliato (conductor).
23antimuzak
Saturday 28th December 2019 (starting this evening)
Time: 18:30 to 21:50 (3 hours and 20 minutes long)
Death in Venice.
A new production of Death in Venice, featuring the Chorus and Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Farnes. Based on a novella by Thomas Mann, the German writer Gustav von Aschenbach travels to Venice in search of creative inspiration, but his thoughts are distracted by a beautiful young Polish youth, with whom he becomes obsessed. Mark Padmore sings the troubled writer, and Gerald Finley the seven characters who appear throughout the opera to lead him to his eventual demise. Kate Molleson presents, and is joined in the box by Dr Lucy Walker from the Britten-Pears Foundation to discuss Britten's late great opera. Mark Padmore (tenor: Gustav von Ashenbach), Gerald Finley (bass-baritone: Traveller/Old Gondolier/Hotel Manager/Elderly Fop/Hotel Barber/Leader of Players/Voice of Dionysus), Tim Mead (countertenor: Voice of Apollo), Rebecca Evans (soprano: Strawberry Seller), Masabane Cecilia Rangwanasha (soprano: Lace Seller), Elizabeth Weisberg (soprano: Danish Lady), Katy Batho (soprano: English Lady), Rosie Aldridge (mezzo-soprano: Russian Nanny), Hanna Hipp (mezzo-soprano: German Mother), Amanda Baldwin (mezzo-soprano: Russian Spinster), Rebecca Lodge Birkebaek (mezzo-soprano: French Mother), Colin Judson (tenor: Hotel Porter), Andrew Tortise (tenor: Boy Player), Sam Furness (tenor: Glass Maker), Andrew O'Connor (tenor: Steward), Dominic Sedgwick (baritone: English Clerk), Michael Mofidian (bass-baritone: German Father), ByeonMin Gil (bass-baritone: Lido Boatman), Dominic Barrand (bass-baritone: Russian Father), Chorus and Orchestra of Royal Opera House, Richard Farnes (conductor).
Time: 18:30 to 21:50 (3 hours and 20 minutes long)
Death in Venice.
A new production of Death in Venice, featuring the Chorus and Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Farnes. Based on a novella by Thomas Mann, the German writer Gustav von Aschenbach travels to Venice in search of creative inspiration, but his thoughts are distracted by a beautiful young Polish youth, with whom he becomes obsessed. Mark Padmore sings the troubled writer, and Gerald Finley the seven characters who appear throughout the opera to lead him to his eventual demise. Kate Molleson presents, and is joined in the box by Dr Lucy Walker from the Britten-Pears Foundation to discuss Britten's late great opera. Mark Padmore (tenor: Gustav von Ashenbach), Gerald Finley (bass-baritone: Traveller/Old Gondolier/Hotel Manager/Elderly Fop/Hotel Barber/Leader of Players/Voice of Dionysus), Tim Mead (countertenor: Voice of Apollo), Rebecca Evans (soprano: Strawberry Seller), Masabane Cecilia Rangwanasha (soprano: Lace Seller), Elizabeth Weisberg (soprano: Danish Lady), Katy Batho (soprano: English Lady), Rosie Aldridge (mezzo-soprano: Russian Nanny), Hanna Hipp (mezzo-soprano: German Mother), Amanda Baldwin (mezzo-soprano: Russian Spinster), Rebecca Lodge Birkebaek (mezzo-soprano: French Mother), Colin Judson (tenor: Hotel Porter), Andrew Tortise (tenor: Boy Player), Sam Furness (tenor: Glass Maker), Andrew O'Connor (tenor: Steward), Dominic Sedgwick (baritone: English Clerk), Michael Mofidian (bass-baritone: German Father), ByeonMin Gil (bass-baritone: Lido Boatman), Dominic Barrand (bass-baritone: Russian Father), Chorus and Orchestra of Royal Opera House, Richard Farnes (conductor).
24antimuzak
Saturday 4th January 2020 (starting this afternoon)
Time: 17:00 to 21:50 (4 hours and 50 minutes long)
Opera on 3 Live from the Met.
Richard Strauss's comic opera Der Rosenkavalier, which marked the start of one of the great artistic partnerships between the composer and the playwright Hugo von Hofmannsthal. In this production, conducted by Simon Rattle, soprano Camilla Nylund stars as the Marschallin with mezzo Magdalena Kožená as her young lover Octavian. Knowing their love will end, they plot to save Sophie von Faninal from a loveless marriage to the philandering Baron Ochs. Presented by Mary Jo Heath with commentary by Ira Siff. Camilla Nylund (soprano: The Marschallin), Magdalena Kožená (mezzo: Octavian), Golda Schultz (soprano: Sophie von Faninal), Katharine Goeldner (mezzo: Annina), Matthew Polenzani (tenor: An Italian singer), Thomas Ebenstein (tenor: Valzacchi), Markus Eiche (baritone: Herr von Faninal), Gunther Groissbock (bass: Baron Ochs), Alexandra Lobianco (soprano: Mariane Leitmetzerin), Scott Conner (baritone: Police Inspector), Scott Scully (tenor: Major Domo I), Mark Schowalter (singer: Major Domo II), Tony Stevenson (tenor: Innkeeper), James Courtney (bass: Notary), New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, conductor Simon Rattle.
Time: 17:00 to 21:50 (4 hours and 50 minutes long)
Opera on 3 Live from the Met.
Richard Strauss's comic opera Der Rosenkavalier, which marked the start of one of the great artistic partnerships between the composer and the playwright Hugo von Hofmannsthal. In this production, conducted by Simon Rattle, soprano Camilla Nylund stars as the Marschallin with mezzo Magdalena Kožená as her young lover Octavian. Knowing their love will end, they plot to save Sophie von Faninal from a loveless marriage to the philandering Baron Ochs. Presented by Mary Jo Heath with commentary by Ira Siff. Camilla Nylund (soprano: The Marschallin), Magdalena Kožená (mezzo: Octavian), Golda Schultz (soprano: Sophie von Faninal), Katharine Goeldner (mezzo: Annina), Matthew Polenzani (tenor: An Italian singer), Thomas Ebenstein (tenor: Valzacchi), Markus Eiche (baritone: Herr von Faninal), Gunther Groissbock (bass: Baron Ochs), Alexandra Lobianco (soprano: Mariane Leitmetzerin), Scott Conner (baritone: Police Inspector), Scott Scully (tenor: Major Domo I), Mark Schowalter (singer: Major Domo II), Tony Stevenson (tenor: Innkeeper), James Courtney (bass: Notary), New York Metropolitan Opera Chorus, New York Metropolitan Opera Orchestra, conductor Simon Rattle.
25antimuzak
Saturday 25th January 2020 (starting this evening)
Time: 18:30 to 21:50 (3 hours and 20 minutes long)
Puccini's La Bohème.
Puccini's La Bohème from the Metropolitan Opera House in New York. Perhaps one of the most popular operas in the entire repertoire, La Bohème is a portrait of bohemian life in 19th-century Paris, centred on the doomed love story between the shy seamstress Mimi, sung by the soprano Ailyn Perez, and the aspiring but penniless poet Rodolfo, sung by the tenor Matthew Polenzani. Maestro Marco Armiliato conducts the New York Metropolitan Opera Orchestra and Chorus. Puccini: La Bohème. Ailyn Perez (soprano: Mimi), Olga Kulchynska (soprano: Musetta), Matthew Polenzani (tenor: Rodolfo), David Bizic (baritone: Marcello), Andrey Zhilikhovsky (baritone: Schaunard), Jongmin Park (bass: Colline), Arthur Woodley (baritone: Benoit), Jonathan Scott (bass: Officer), Yohan Yi (Bass: Customs Sergeant), Marco Antonio Jordao (ttenor: Parpignol), Dustin Lucas (tenor: Prugne di Tours), New York Metropolitan Opera Orchestra, New York Metropolitan Opera Chorus, conductor Marco Armiliato.
Time: 18:30 to 21:50 (3 hours and 20 minutes long)
Puccini's La Bohème.
Puccini's La Bohème from the Metropolitan Opera House in New York. Perhaps one of the most popular operas in the entire repertoire, La Bohème is a portrait of bohemian life in 19th-century Paris, centred on the doomed love story between the shy seamstress Mimi, sung by the soprano Ailyn Perez, and the aspiring but penniless poet Rodolfo, sung by the tenor Matthew Polenzani. Maestro Marco Armiliato conducts the New York Metropolitan Opera Orchestra and Chorus. Puccini: La Bohème. Ailyn Perez (soprano: Mimi), Olga Kulchynska (soprano: Musetta), Matthew Polenzani (tenor: Rodolfo), David Bizic (baritone: Marcello), Andrey Zhilikhovsky (baritone: Schaunard), Jongmin Park (bass: Colline), Arthur Woodley (baritone: Benoit), Jonathan Scott (bass: Officer), Yohan Yi (Bass: Customs Sergeant), Marco Antonio Jordao (ttenor: Parpignol), Dustin Lucas (tenor: Prugne di Tours), New York Metropolitan Opera Orchestra, New York Metropolitan Opera Chorus, conductor Marco Armiliato.
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