Critiques en avant-première

The author of the greatest American immigrant novel, Call It Sleep, returns with this posthumous work. Discovered in a stack of nearly 2,000 unpublished pages by a young New Yorker editor, this is the final novel by Henry Roth, whose Call It Sleep was published in 1934 and who “staged the literary comeback of the century” (Vanity Fair) with Mercy of a Rude Stream in 1994. Set in 1938, An American Type reintroduces us to Roth’s alter ego, Ira, who abandons his controlling lover, Edith, in favor of a blond, aristocratic pianist at Yaddo. The ensuing conflict between his Jewish ghetto roots and his high-flown, writerly aspirations forces Ira, temporarily, to abandon his family for the sun-soaked promise of the American West. Fast-paced but wrenching, set against a backdrop of crumbling piers, bedbug-infested SROs, and skyscrapers in glimmering Manhattan and seedy L.A., An American Type is not only, perhaps, the last firsthand testament of the Depression but also a universal statement about the constant reinvention of American identity and, with its lyrical ending, the transcendence of love. This posthumous work was edited by Willing Davidson, a former fiction editor at The New Yorker.