Photo de l'auteur
9+ oeuvres 201 utilisateurs 2 critiques

A propos de l'auteur

Author Edgardo Vega Yunqué was born in Cidra, Puerto Rico in 1936. He moved to New York with his family in 1949 and joined the Air Force after finishing high school. He attended Santa Monica College and New York University. His first short story, Wild Horses, was published in Nuestro magazine in afficher plus 1977 and his first novel, The Comeback, was published in 1985. Throughout his lifetime, he wrote over 15 novels and 3 collections of short stories including Mendoza's Dreams, Casuality Report, Blood Fugues, and The Lamentable Journey of Omaha Bigelow into the Impenetrable Loisaida Jungle. He founded the Clemente Soto Vélez Cultural Center and was its director from 1993 to 2000. He died on August 25, 2008 at the age of 72. (Bowker Author Biography) afficher moins

Œuvres de Edgardo Vega Yunqué

Oeuvres associées

Growing Up Latino: Memoirs and Stories (1993) — Contributeur — 128 exemplaires

Étiqueté

Partage des connaissances

Membres

Critiques

This is a novel which the author describes as "symphonic". I think of it more as a crossword puzzle (I'm very word-oriented) where different characters or their stories cross paths and intersect in various ways -- now and in the past.

It is the story of Vidamia Farrel, who is raised by her mother (Elsa Santiago) and step-father Barry. As a teenager, she decides to find her birth-father, Billy Farrel and once she does, she enters the lives of him and his family. Billy is a Viet Nam vet suffering from his memories of the battlefield death of his friend Joey Santiago (Elsa's brother), which he blames himself for.

It's a family saga and I found myself totally lost in this story that is so huge in scope and time. Yet for all its breadth, it lacked depth. Billy Farrel, Vidamia and Elsa are complex, well-developed characters. But many of the other characters are two dimensional: Barry, the nearly perfect husband and step-father, Lurleen the perfect wife and mother. Billy's other children (Cookie, Cliff, Fawn and Caitlin) are blonde, beautiful and talented. Fawn's character gains depth in relation to a family tragedy -- more because that was necessary for the plot than because she was an important character in her own right.

For the most part, the characters are very trusting: Vidamia finds her maternal grandmother for the first time as a teenager, and Grandma Maude is only too happy to see her and accept her. As is everyone else in Billy's family. And, Vidamia's maternal grandfather (Tumba Santiago, long estranged from his family) is equally overjoyed and unquestioning when Vidamia shows up on his doorstep.

The story is interesting, and I didn't really notice any of these flaws until I was more than 3/4 through the book. There's a lot in it about jazz music and jazz legends, about race relations in the U.S. and about how you define yourself. All in all, I'm glad I spent time with Vidamia and her family.
… (plus d'informations)
 
Signalé
LynnB | 1 autre critique | Mar 23, 2008 |
Achterkant

Beschrijving: Vidamía Farrell, half Puerto Ricaans, half Iers, gaat op zoek naar haar biologische vader, die ze nooit heeft gekend. Ooit was Bill Farrell een talentvolle jazzpianist, tot hij als marinier in Vietnam zijn beste vriend en twee vingers verloor. Bij het tweede gezin van haar vader vindt Vidamía alle warmte en liefde die haar eigen moeder haar niet kan geven. Hun verwijdering verdiept zich wanneer Vidamía verliefd wordt op een jonge Afro-Amerikaanse muzikant. Plotseling worden Vidamía en al haar geliefden meegesleurd in een gruwelijke maalstroom van geweld (achterkant)… (plus d'informations)
 
Signalé
rieja | 1 autre critique | Mar 6, 2008 |

Listes

Vous aimerez peut-être aussi

Auteurs associés

Statistiques

Œuvres
9
Aussi par
2
Membres
201
Popularité
#109,507
Évaluation
4.0
Critiques
2
ISBN
15
Langues
2

Tableaux et graphiques