Photo de l'auteur
7+ oeuvres 171 utilisateurs 4 critiques

A propos de l'auteur

Comprend les noms: Мэри Воронов

Crédit image: Credit: David Shankbone, 2007

Œuvres de Mary Woronov

Wake for the Angels (1994) 14 exemplaires
Niagara (2002) 9 exemplaires
Blind Love (2004) 8 exemplaires
Eyewitness to Warhol: Essays (2002) 2 exemplaires
Змея 1 exemplaire

Oeuvres associées

Rock 'N' Roll High School [1979 film] (1979) — Actor — 26 exemplaires
Invasion of the B-Girls (1992) — Interviewee — 25 exemplaires
Warlock (2002) 23 exemplaires
Chopping Mall [1986 Film] (1986) — Actor — 11 exemplaires
Silent Night, Bloody Night [1972 film] (1972) — Actor — 7 exemplaires
Sugar Cookies [1973 Film] (1973) — Actor — 5 exemplaires
Fangoria Horror Magazine #51, January 1986 (1986) — Interview — 3 exemplaires
Hellhole [1984 Film] (1984) — Actor — 2 exemplaires
The Halfway House [2004 Film] — Actor — 2 exemplaires
Blood Theatre [1984 Film] (1984) — Actor — 2 exemplaires
Watchers II [1990 Film] (1990) — Actor — 2 exemplaires
Cover Girl Models [1975 Film] (1975) — Actor — 2 exemplaires
Angel of H.E.A.T. [1983 Film] (1983) — Actor — 2 exemplaires
Mortuary Academy [1988 Film] (2005) — Actor — 1 exemplaire
Hellroller [1992 Film] (1992) — Actor — 1 exemplaire
Femme Fatales #21 (Vol. 5 No. 1) — Featured Artist — 1 exemplaire

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Partage des connaissances

Sexe
female

Membres

Critiques

Wretched. Former Warhol Factory girl, Woronov sets her novel Snake at least two decades too late. I kept forgetting I was reading about a heroine from my generation rather than my mother’s and when I remembered I often wondered why she didn’t just turn the calendar back twenty years. Cassandra was only tolerable as a little girl, while meant to be bewitching, the author fails to cast a spell for the reader. Meandering off onto a path of destruction, my sympathy for the character was never stirred. I just felt embarrassed for the author.… (plus d'informations)
 
Signalé
Seafox | 2 autres critiques | Jul 24, 2019 |
I finished this and knew two things. First, I wanted a glass of wine & second, I needed to think about this book for a bit. I'm still thinking.

The writing is so well done that you're lured, coaxed & seduced into the story the narrator is telling. But the thing about Molly (or Mei Li) is that she's so self-destructive, self-involved & perpetually drunk that you realize fairly quickly that you can't really go by her if you're looking for the truth. And that's when things really get interesting. I refuse to give any of the major plot points away & at 215 pages, it's pretty densely & quickly told (the second half of this book is a burning page turner & the ending left me angry that I didn't get another page & a half at the very least!) but it's worth it. I can't decide when Molly's life took the jump into the cavern or what the catalyst was, maybe it's the combination of the whole Carson clan but I do know that I was riveted to the story. The relationship she has with her mother is particularly well drawn & heartbreaking. The relationship with her father is also well portrayed as unfinished & remote. I sort of never stopped rooting for Bobby. And Kenny is still in many ways an unanswered puzzle. Molly ran me through just about every emotion but in the end, I wanted her to be okay to find herself & if she couldn't be wholly at peace, then I wanted her to be less destructive. I'm still thinking about which way she really went in the end & I suspect I will be for a long time to come.… (plus d'informations)
 
Signalé
anissaannalise | Jan 1, 2014 |
This is another enjoyable memoir from a Factory regular. If it had been published when I was in high school, I almost definitely would have read it then. It's short, generally easy reading. Woronov unapologetically writes about her drug use, sexual ambiguity, cruelties, and family and religous issues. She seems neither proud nor ashamed of the dark areas of her past. In the end, she reserves her most tender sentiment for her late companion Ondine. Reading this in 2012, I was reminded of Patti Smith's Just Kids. That book is a much more revealing, emotionally honest, sensitive, and elegantly written memoir. Woronov's memoir is entertaining, but nowhere near as satisfying.… (plus d'informations)
 
Signalé
tercat | 2 autres critiques | Nov 19, 2013 |
Review snippet: Perhaps lives were saved but the scene ends thusly:

"By the third day we were so exhausted that Ondine ended up in the bathtub trying to suck his own dick and I lay on my back with my neck on the bathroom threshold using the door frame as my imaginary guillotine (there comes a time when everyone needs their own guillotine). When I asked Ondine why he didn’t just get someone else to blow him, he practically had a fit. “You think this is about getting off? Getting off what? The planet? It’s impossible, I’ve tried! I am the last Oboroborus left in captivity. Perhaps I should introduce myself, the snake that swallows its own tail. This, my dear, is about resurrection, not sex. And if this were about sex, I don’t think I would be asking you. Everyone has forgotten the origin of the bathtub – baptism. I’m being born, you fool, now close the door.”

“He’s pregnant,” Jane whispered, “Ondine, can I get you some pickles and ice cream?”

“At last, someone who understands. Thank you Jane, that would be wonderful. Now, close the door, darling, I want to see Mary’s head roll.”

Actually, the scene really doesn’t end because scenes with speed freaks never really end. Jane, Mary’s roommate, thinks she catches pregnancy from Ondine and it goes on from there. Jane eventually cracks, as you do when you have a speeded up Mary for a roommate and her favorite person spends hours in your tub trying to blow himself. Mary vows to make sure her life does not harm Jane much in the future.

You can read my entire discussion here: http://ireadoddbooks.com/swimming-underground-by-mary-woronov/
… (plus d'informations)
 
Signalé
oddbooks | 2 autres critiques | Jun 10, 2012 |

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Statistiques

Œuvres
7
Aussi par
19
Membres
171
Popularité
#124,899
Évaluation
½ 3.5
Critiques
4
ISBN
14
Langues
4

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