Nom canonique: Thurston, Katherine Cecil
Autres noms: Madden, Katherine Cecil (birth)
Date de naissance: 1875-04-18
Date de décès: 1911-09-05
Lieu de sépulture: St. Joseph's Cemetery, Cork, Ireland
Sexe: female
Nationalité: Ireland
Lieu de naissance: Wood's Gift, Cork, Ireland
Lieu du décès: Cork, Ireland
Lieux de résidence: Wood's Gift, Cork, Ireland (birth)
Études: privately educated
Professions: novelist
short story writer
Relations: Thurston, E. Temple (husband|divorced)
Courte biographie: Katherine Cecil Thurston, née Madden, was born to a prominent family in Cork, Ireland. Her father served as the mayor of the city during her childhood. She was educated privately and began publishing her writing in well-known British magazines and periodicals in her early twenties. In 1901, she married Ernest Temple Thurston, another writer; the couple separated in 1907 and divorced in 1910. Mrs. Thurston became a highly popular and successful author in both Great Britain and the USA. She first became famous in 1904 with her bestseller John Chilcote, MP (known as The Masquerader in the USA), a political thriller that was adapted twice into successful plays and later into several films. She died suddenly at the age of 36.

Membres

Critiques

The Fly on the Wheel (Virago Modern Classics) par Katherine Cecil Thurston

‘The Fly on the Wheel’ is set in an Irish country town, at the turn of twentieth century.

Barny Carey was a mason, a common man, but he had great ambitions for his sons, and had been prepared to work to achieve his dreams. The first was to be a lawyer, then there would be a priest, an architect, a civil engineer, a banker, a sailor, and finally, seventh, a doctor. But he had only just begun to set his eldest boys on their paths when first his business failed, and then he died.

Stephen, his eldest son, took up the reins. He became a solicitor; he married well, he married the daughter of the wealthiest man in the town; they had children; he had become a pillar of. And he had sent five of his brothers out into the world, and seen them established in good, steady positions in middle-class Irish society.

Frank, his youngest brother, was coming to the end of his medical studies in Paris when Stephen learned of his engagement to Isabel, a penniless local girl. He was horrified; he knew that Frank needed a wife with money and with a position in society. And so he went to see Isabel, to explain to her why she should break off the engagement.

‘When I was twenty I thought Waterford the narrowest hole on God’s earth, and myself the one man who was going to step outside it. But’ – he gave a quick despondent shrug of the shoulders – ‘I went under like the rest. There’s a big machine called expediency, and we are its slaves. We oil it and polish it and keep it running, every man and woman of us; and if by chance one of us puts his hands behind his back and says he won’t feed the monster any more, what happens? Does the machine stop? Not at all! It’s the deserter who goes under.’

Isabel was lovely, she had spirit, and she had no intention of bowing to social conventions. But she understood Stephen, she did what he asked, she found herself falling in love with him. And she made him question the choices he had made, she made him realise how hollow his life was, as he began to fall in love with her.

Katherine Cecil Thurston catches characters, relationships, and middle-class society beautifully. I never doubted the she knew and understood the people, the time, the place. And the consequences, for Stephen and for Isabel, of any steps they might take …

The central relationship is nicely understated, kept in the background but always kept in mind, as Isabel’s aunt tries to guide her, and as Stephen’s wife is urged by her sister to assert her position. Finally, at a house party, things come to a head.

The story was compelling, and I really didn’t know what was going to happen, or what I wanted to happen, until the very end. Katherine Cecil Thurston pulled so much drama from the situation, without ever compromising the honesty at its centre. I grew to realise that she didn’t just know and understand; she cared, deeply and passionately.

I can understand why she was a very popular author in her day, but I can also understand why her name is little known now. She died young, and so many other women have written so many stories of relationships and of society’s strictures since then. And yet, for all that it is a little dated, this book still speaks so eloquently …… (plus d'informations)

Signalé

BeyondEdenRock | 1 autre critique | Feb 25, 2022 |

The Masquerader par Katherine Cecil Thurston

Like the other Katherine Cecil Thurston novel I read, this took some turns I didn't expect. It started out slightly slow then rapidly became a page-turner. I seem to recall the same with Max. She turns some conventions on their heads and I like her characters. I'll try to seek out more of her novels, they are interesting.

Signalé

amyem58 | Mar 4, 2020 |

Max par Katherine Cecil Thurston

This did not turn out as I expected it to at all. I thought I was getting your standard romance of girl masquerading as boy but it took quite a few turns along that path. It did get bogged down in the middle chapters for a while but I ended up enjoying that part more than I expected. There were more philosophical musings on love an identity than I would have expected for an early 20th century novel and I thought Thurston did an interesting job with the boy/woman points of view. I will have to look for a few more of her works, though there appear to be tragically few as she died at quite a young age,… (plus d'informations)

Signalé

amyem58 | Jan 1, 2019 |

The Fly on the Wheel (Virago Modern Classics) par Katherine Cecil Thurston

Stephen Carey has been left in charge of six brothers; with no finances, he alone has levered them into respectable positions in middle-class Irish society. Only the youngest is still completing his medical studies in Paris, so when Stephen learns he has become engaged to Isabel, a penniless local girl just out of convent school, he meets up with her to tell her firmly that it cannot be.
Yet he finds himself falling in love with the outspoken and beautiful Isabel, despite being a family man himself...
Set in turn-of-the-century Waterford, this is a story of bourgeois Catholic life - the dances, house-parties, gossip and need for a woman to get married - and the near-impossibility of breaking out from conventions.
I found this a compelling read - the depiction of Ireland is convincing plus right up to the end we're not sure what's going to happen.
As Stephen observes:
'When I was twenty I thought Waterford the narrowest hole on God's earth, and myself the one man who was going to step outside it. But' - he gave a quick despondent shrug of the shoulders - 'I went under like the rest. There's a big machine called expediency, and we are its slaves. We oil it and polish it and keep it running, every man and woman of us; and if by chance one of us puts his hands behind his back and says he won't feed the monster any more, what happens? Does the machine stop? Not at all! It's the deserter who goes under.'… (plus d'informations)