Photo de l'auteur

Elisabeth Russell Taylor (1930–2020)

Auteur de Pillion Riders

13+ oeuvres 85 utilisateurs 3 critiques

A propos de l'auteur

Œuvres de Elisabeth Russell Taylor

Pillion Riders (1993) 27 exemplaires
Tomorrow (1991) 26 exemplaires
Mother Country (1992) 14 exemplaires
The Diabetic Cook Book (1981) 3 exemplaires
Swann Song (1988) 3 exemplaires
Will Dolores Come to Tea? (2000) 3 exemplaires
I is Another (1995) 2 exemplaires
Present Fears (1997) 2 exemplaires
Wish you were here (1976) 1 exemplaire
Turkey In The Middle (1983) 1 exemplaire
Belated (2014) 1 exemplaire
The loadstone (1978) 1 exemplaire

Oeuvres associées

Une saison d'été (1961) — Introduction, quelques éditions488 exemplaires
The Virago Book of Food: The Joy of Eating (2006) — Contributeur — 58 exemplaires
Slightly Foxed 4: Now we're shut in for the night (2004) — Contributeur — 32 exemplaires
The Virago Book of the Joy of Shopping (2007) — Contributeur — 29 exemplaires
Slightly Foxed 29: An Editorial Peacock (2011) — Contributeur — 22 exemplaires
Slightly Foxed 36: Attics with Attitude (2012) — Contributeur — 21 exemplaires
Slightly Foxed 54: An Unlikely Duo (2017) — Contributeur — 19 exemplaires
Mordecai's First Brush with Love (2004) — Contributeur — 2 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
Russell Taylor, Elisabeth
Date de naissance
1930-05-14
Date de décès
2020-09-01
Sexe
female
Nationalité
UK
Lieu de naissance
London, England, UK
Lieux de résidence
North London, England, UK
Paris, France
South Africa
Israel
Études
Francis Holland school, London
Garden school, West Wycombe
The Sorbonne, Paris, France
King's College, London
Professions
novelist
short story writer
children's book author
journalist
screenwriter
Relations
Fairs, Tom (husband)
Courte biographie
Elisabeth Russell Taylor was born in London, a daughter of Sidney Lewsen, a physician, and his wife, Peggy (née Davidson), and grew up in a Jewish intellectual milieu. She attended Francis Holland school and the Garden school in West Wycombe, Buckinghamshire.
She left home for an early marriage to Freddie Silberman, managing director of the luxury leather goods company LS Mayer, later Launer of London. The marriage produced a son but was short-lived. On a trip to Paris, she met Marcel Van Thienen, then a composer of musique concrète and later a sculptor, and went to live with him. That relationship ended in 1954 and Elisabeth returned to London, moving in bohemian circles.

With novelist Peter Vansittart, she travelled by bus to Russia. In 1957, she remarried to Russell Taylor, a student at Oxford University. Even after their divorce, she kept both of his names for the rest of her life. In 1962, she met painter and stained-glass artist Tom Fairs, and went to live with him; they married in 1987. With Tom's encouragement, Elisabeth took a degree in English literature at King’s College London and began to write in middle age. She was the author of six novels, three short story collections, four books for children, five works of nonfiction, and numerous reviews and articles. In addition, she wrote film treatments for London Films and Arena Films, and her stories were broadcast on BBC Radio 4.

Membres

Critiques

Set in the early 50s,19 year old Opal has been married off to wealthy Helmut and lives an indulged existence in London. But when taken to Paris for a change of air, she encounters Jean-Claude: young, attractive, a composer living in a garret.
This book is not what you might imagine at first; far from being a light hearted account of teenage frolics on the continent, there is a very dark side as we get to know Jean-Claude's family, immersed in misery, and Jean-Claude himself, immoral, anti-Semitic, trying in vain to recreate his happy childhood...
The descriptions are exquisite and immerse you in the France (Paris, Provence and la Sologne) of yesteryear:
'The narrow street that led into the town was lined with tall, thin houses painted pale fruit colours- apricot, raspberry and greengage. Each had a balcony at first-floor level on which geraniums bloomed in old tins...I heard shop shutters shooting up, greetings being exchanged, children and dogs being admonished. Where the street broadened into a square, the houses were swathed in plumbago and bougainvillea growing valiantly out of the cobbled pavement.'
… (plus d'informations)
½
 
Signalé
starbox | Oct 25, 2012 |
This slim novel, a mere 136 pages, packs a devastating punch. Elisabeth Danzinger, in her late 30's, leads a very unremarkable life as the companion/dogsbody to a snobbish Englishwoman. For the last fifteen years in August, she has taken her week's vacation on Mon, a Danish island in the Baltic Sea. She follows the exact pattern for the seven days. On Sunday she arrives at Tamarisks, the beautiful guest house converted from a Lutyens-designed mansion. Monday she cycles the island. Every Tuesday she visits the local museum. Wednesday is always reserved for a visit to Sandweg church with its evocative frescoes of the massacre of the Holy Innocents. On Thursday, she seeks out the prehistoric sites and the primal forest. A very old woman, the local story teller, receives a visit from Elizabeth on Friday. And on Saturday, she goes to the second large home, an Italian-style villa and also a guest house/museum, to see the period musical instruments and tour the gardens. In a break from the tradition of the past 15 years, this time she hears a special concert performed in the drawing room.

In each chapter, named for the day of the week, a bit more is revealed about Elizabeth Danzinger until the reader knows her tragic history and realizes that this vacation is both a memorial to her lost family and a way for her to control her inner demons. For Elizabeth's parents built Tamarisks and her uncle owned the Villa. Her father and his brother were German professors who married Jewish twin sisters. She and her cousin Daniel spent wonderful summers on the island investigating its natural history, prehistory, folklore, and legends. They sat at the feet of the local story-teller and listened rapt to the tales of great heroes and the slaughter of the island children by raiders.. As they explored their private paradise they left a tiny engraving in unobtrusive places...under the arm of a bench or on a small rock in the crevice of a prehistoric circle. It is these carvings that Elisabeth looks for each day as she retraces her life.

The Nazi Party's rise to power was ignored by the two families, even when the professors lost their jobs because of their wives' ethnicity. They refused to believe that Germans would accept the Party's anti-intellectual, racist doctrine. In 1939, Elisabeth and Daniel spend one last summer on Mon. They make beautiful music together on the period instruments and stow away their journals and diaries. When Daniel's father frantically phones them to return to Germany because war is about to break out and the family must remain together, Daniel sets up a fund with the bank to pay the two housekeepers to remain in the houses until the families return.

Elisabeth and Daniel pledge, if they are separated by the war, each to return every August after the war is over until they are reunited on this beloved island. But only Elisabeth returns year after year. Daniel has disappeared and their parents die in concentration camps. Russell does not concentrate on the Holocaust except for one incredibly horrific act which Elisabeth somehow survives.

So each year, for fifteen years beginning in 1945, Elisabeth pays homage to her ghosts. She does not claim the houses, now owned by the Danish government and operated by the same housekeepers who ran the family homes, because it would be too painful to have to face the memories every day. She is content to make her pilgrimage from London each August. She is physically alive, but suffers from surviver's guilt. She cannot heal, only cope.

And in the year 1960, on the final day of her visit, Elisabeth's life comes full circle in a shattering conclusion.
… (plus d'informations)
½
1 voter
Signalé
Liz1564 | Oct 24, 2010 |
A stunning novel telling the story of Antonia, the daughter of a perfect middle class family. She relives the abuse suffered at the hands of her society perfect mother and her hyper-masculine father as her mother lies in her death bead.

Retelling the story of her romance with Walter, her only protector, we see how the scars of childhood not only stay with you but effect and control your behaviour ever when you are set free.

Towards the end of her life Antonia moves to Israel and describes the many parallels between Israel and an abused child.

It’s an interesting and apt analogy but it’s woven imperceptibly not crow barred. The writing itself is so soft that it’s easy to get lost in it. Antonia is sympathetic and her description of childhood trauma rings true without being trivial or over hyped. In short all the elements are here for a perfect piece of fiction.
… (plus d'informations)
1 voter
Signalé
Staramber | Aug 27, 2009 |

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Statistiques

Œuvres
13
Aussi par
8
Membres
85
Popularité
#214,931
Évaluation
3.9
Critiques
3
ISBN
24
Langues
2

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