Lynn Steger Strong

Lynn Steger Strong's Want reads like a highly personal confession of various wants: the want of money and stability in one’s life and career; the want of providing more stability for one’s children, as well as support—emotional, financial, and otherwise—for one’s spouse; and also the want of creating lasting ties and friendships amid a world where technology has made us feel that people are closer, and yet has instead created gaps and chasms among people, even, in the narrator’s case here, her oldest friend, Sasha.

The narrator of Want comes from a socioeconomically privileged background, with an Ivy League doctoral education to boot (Columbia is never named, but hinted at). With a husband following his fantasy of a dream job and two children to provide for, Steger Strong’s novel charts what it’s like to work at a charter high school in the Bronx—where the students are cattle-prodded into performing high on standardized testing rather than offered actual instruction or one-on-one time that would actually serve them—and also catalogues the increasing adjunctification of higher education in America. For those over-educated living in New York City, this is often paired with being over-worked and under-paid; this is the case of Steger Strong’s narrator in Want, and we witness how she attempts to balance her several jobs, declaring bankruptcy despite working nonstop, being a parent to her children and as much of a supportive wife to her husband as possible, all the while fantasizing about a friendship that fell off the tracks a decade ago—one that is only really continued on social media, in fits and starts.

There are a lot of interesting passages and sequences to mull over in Want, and the books the narrator teaches to her undergrads at night are both resonant of her own prose and also familiarly savory to fans of literary and translated fiction. There are echoes of Rachel Cusk here, too, while Steger Strong maintains her own voice: never once fearful of admitting privilege and its loss for her narrator, and never scared to shows the flaws in modern life in terms of how it affects family, finances, mental health, and one’s personal relations.

While there are many quotes I would love to pluck from the book, I’m respecting the do-not-quote mandate of the ARC I read—kindly provided by Henry Holt and NetGalley in exchange for an honest review—and urge those who are all too familiar with the over-educated and under-paid gap in America right now, especially those in education, to read this book when it’s published in July 2020.

4.5 stars… (plus d'informations)

Three adult siblings and their families meet up for the holidays after the death of their mother. They are all ambivalent about the time together, in the absence of the woman who held the family together. There are tensions between siblings, between spouses and between the various in-laws, all of which simmer under the surface of the routine festivities, where the burden of childcare is not equally shared and the question of what to do with their mother's house is a divisive issue.

This novel feels like something that could have been written by Anne Tyler or Elizabeth Strout, with its focus on family dynamics and how they play out when not all members of an extended family like each other that much. It's a well-written story and the family dynamics feel very real. At the same time, some of the characters were given less space than they needed to be fully realized and while the resolution was executed well, I didn't entirely buy the sudden changes of heart at the end.… (plus d'informations)