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Anne Stevenson (1) (1933–2020)

Auteur de Bitter Fame: A Life of Sylvia Plath

Pour les autres auteurs qui s'appellent Anne Stevenson, voyez la page de désambigüisation.

Anne Stevenson (1) a été combiné avec Anne Katharine Stevenson.

31+ oeuvres 681 utilisateurs 5 critiques

A propos de l'auteur

Crédit image: Library of Congress

Œuvres de Anne Stevenson

Les œuvres ont été combinées en Anne Katharine Stevenson.

Bitter Fame: A Life of Sylvia Plath (1989) 467 exemplaires
Anne Stevenson: Selected Poems (2008) 45 exemplaires
Poems 1955-2005 (2005) 21 exemplaires
Five Looks at Elizabeth Bishop (1998) 18 exemplaires
The Collected Poems (Oxford Poets) (1996) 13 exemplaires
Fiction Makers (Oxford Poets) (1985) 12 exemplaires
Granny Scarecrow (2000) 10 exemplaires
Stone Milk (2007) 10 exemplaires
The Other House (Oxford Poets) (1990) 8 exemplaires
Astonishment (2012) 7 exemplaires
Minute by Glass Minute (1983) 4 exemplaires
Green Mountain Black Mountian (1982) 3 exemplaires
Flash of Splendour (1968) 3 exemplaires
A Legacy, A (1983) 2 exemplaires
A lament for the makers (2006) 2 exemplaires
Elizabeth Bishop (1966) 2 exemplaires
Living in America 2 exemplaires
Anne Stevenson: Collected Poems (2023) 2 exemplaires
Stand 1 exemplaire
Demring (1984) 1 exemplaire
Black Grate Poems 1 exemplaire
The Gregory Anthology: 1991-93 (1994) 1 exemplaire
Enough of Green (1977) 1 exemplaire

Oeuvres associées

Les œuvres ont été combinées en Anne Katharine Stevenson.

Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributeur, quelques éditions917 exemplaires
The Art of Losing (2010) — Contributeur — 199 exemplaires
No More Masks! An Anthology of Poems by Women (1973) — Postface, quelques éditions; Contributeur — 123 exemplaires
The Best American Poetry 2018 (2018) — Contributeur — 77 exemplaires
The Poetry Cure (2005) — Contributeur — 19 exemplaires
Ten Poems about Cats (2011) — Contributeur — 17 exemplaires
Modern Women Poets (2005) — Contributeur — 13 exemplaires
Frances Horovitz - Poet: A Symposium (1987) — Contributeur — 2 exemplaires

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Critiques

There are some absolute crackers in here and some really poignant observations and bits of wisdom.

I particularly liked The Loom and The Password.
 
Signalé
mjhunt | Jan 22, 2021 |
I am giving up on this book. It is overdue at the library and I'm still only on p 100. It is just the same old story, from page to page, reads very dry. I'm going to check out her journals and the other books ( I think it is called Letters to Home) that Gary recommended. Thanks Gary.
 
Signalé
homeschoolmimzi | 3 autres critiques | Nov 28, 2016 |
This is one of the best biographies I've ever read. It must have been a very difficult one to write. Somehow Stevenson manages to tell what she knows about the utter craziness of Sylvia Plath's personality without being judgemental and without making the reader hate her subject (or, conversely, hate the writer).

Plath must have been one of the most difficult people to be around, evah. She could never in her own mind be wrong about anything, so any bad behavior on her part was either blamed on someone else or else instantly forgotten by Sylvia through her strategy of total amnesia. I have known one person like this in my life, and I associate all of the traits I read about here with toxic narcissism, although Stevenson never uses the term.

An example of "bad behavior": Sylvia was married to Ted Hughes, also a poet. They had a good marriage, in that they both respected each other's work. However, Sylvia had a jealous streak that knew no boundaries. She wanted Ted all to herself, all the time. One day Ted and a male friend went to a pub for lunch. Evidently they were gone "too long" (the friend says that for some reason "40 minutes" sticks in his mind). By the time they returned to the flat, they found that in a fit of rage and retribution Sylvia had ripped to pieces all of Ted's manuscripts, notes, and journals. And she evidently did this to him more than once--but not more than twice, because he eventually left her. However, and I don't know this to be true because I haven't read the things he published about Sylvia, his friends say that he never had a bad word to say about her--not ever.

Stevenson chose to include, in the appendix, a memoir of Sylvia written by a woman who knew her well in London. She says that there aren't that many people who are in possession of the facts about Sylvia: "among those of us who are, there must be one or two who can't afford to fall foul of feminist apartheid or risk a boycott by the Lib Lobby. Moreover, nobody I know was prepared to say a word as long as Sylvia's children were growing up, with the result that her hagiographers got a head start of two decades plus in which to shape their apotheosis, which snowballed onward and upward virtually unchallenged."

This was a fascinating, fast, compelling read. I gave it 5 stars.
… (plus d'informations)
3 voter
Signalé
labwriter | 3 autres critiques | Nov 21, 2012 |
I've read many Plath bios and this one is my least favorite. Stevenson seemed to be more concerned with avoiding the wrath of Olwyn Hughes than writing an informative biography.
2 voter
Signalé
DameMuriel | 3 autres critiques | Jan 27, 2008 |

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Statistiques

Œuvres
31
Aussi par
9
Membres
681
Popularité
#37,121
Évaluation
4.0
Critiques
5
ISBN
78
Langues
5

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