Photo de l'auteur
37+ oeuvres 256 utilisateurs 1 Critiques

A propos de l'auteur

Shirley R. Steinberg is the director of The Paulo and Nita Freire International Project for Critical Pedagogy at McGill University and has been Research Professor at the University of Barcelona. Her most recent books include: Boy Culture: An Encyclopedia; 19 Urban Questions Teaching in the City; afficher plus Diversity and Multiculturalism: A Reader; Christotainment: Selling Jesus Through Popular Culture (Westview Press); and the award-winning Contemporary Youth Culture Encyclopedia. afficher moins

Œuvres de Shirley R. Steinberg

Measured Lies: The Bell Curve Examined (1996) — Directeur de publication — 31 exemplaires
White Reign: Deploying Whiteness in America (1998) — Directeur de publication — 26 exemplaires
Thirteen Questions: Reframing Education's Conversation (1992) — Directeur de publication — 10 exemplaires
Christotainment: Selling Jesus through Popular Culture (2009) — Directeur de publication — 8 exemplaires
Diversity and Multiculturalism (2009) 7 exemplaires
What You Don't Know about Schools (2006) 5 exemplaires
Critical Youth Studies Reader (2014) 3 exemplaires

Oeuvres associées

Étiqueté

Partage des connaissances

Sexe
female

Membres

Critiques

This book is a collection of essays on the theme of how Islam and/or Arabs are portrayed in the U.S. in schools and media. It isn't surprising to know that for the most part the depictions are dangerously ignorant and prejudiced. For example, after 9/11 many Iranians were out in the streets holding candlelit vigils and shouting "condolences, America, condolences"... yet the media only reporting on the few Muslims that were openly celebrating the discussion. For another example, how many Americans know that the word Islam means peace, and that the Quran often speaks of peace?

Some of the authors tie the prejudice to colonialism's need to justify its repression of native cultures. Some of it goes back to the Crusades - which was a time, by the way, when in Islamic countries Muslims, Christians, and Jews were living peacefully together.

One chapter that was particularly good talked about the depiction of the Moors, and how many Westerners insist the Moors were white or Semitic, when clearly the historical accounts indicate they were dark-skinned Berbers. The Arabs always used the term Moor to apply to dark or black-skinned people.

I certainly don't agree with everything in the book, but overall it is a healthy corrective to a still-dominant paradigm that white European culture is always superior.
… (plus d'informations)
½
 
Signalé
reannon | Nov 22, 2007 |

Vous aimerez peut-être aussi

Auteurs associés

Statistiques

Œuvres
37
Aussi par
3
Membres
256
Popularité
#89,547
Évaluation
½ 3.3
Critiques
1
ISBN
90
Langues
2

Tableaux et graphiques