Jennifer Steil

As the 1930s progress, Orly Zingel’s family watches the Austria of their birth turn into an unrecognizable monster, hostile to Jews like them. As a ten-year-old, Orly can’t readily understand how people she’s known all her life, who’ve smiled at her and been friendly, can turn away, call her hateful names, or threaten to have her arrested. Her parents, accomplished professional musicians, are banned from performing.

Anneliese, her closest — only — friend, who lives in the same Vienna apartment building, swears that she’ll stick by Orly, always. That’s a given, for the two are like sisters, absorbed in and devoted to one another. But Anneliese’s parents, who’ve always treated Orly as a favorite niece or even a daughter, now call her filth.

Booted out of the building they own, the Zingels are pushed into a ghetto, and they try to leave Austria. Orly’s older brother, Willi, flees Vienna, hoping to reach Switzerland, and the rest of the family lives in uncertainty about his fate. Her father attempts to obtain exit visas, but the only open doors lead to Shanghai, Dominican Republic, or Bolivia. Father joins the long line snaking from the Bolivian consulate and struggles not to lose hope, especially when the SS sends its thugs to beat and intimidate the would-be emigrants. That’s yet another brutality that Orly can’t understand; if the government wants Jews to leave the country, why put so many obstacles in the way?

From the title and cover illustration, you’ll know that the Zingels eventually reach Bolivia; they settle in La Paz. But in this patient, discursive narrative, there are plenty of reversals. If you’re wondering how these sophisticated refugees will cope with life in the Andes, their humiliation, emotional losses, and dislocation, Exile Music has much to offer.

But besides the expected themes of trauma, culture shock, loss, and chances for regrowth, which the author does a beautiful job exploring in a well-delineated context, she delves into much else. You’ll get such issues as what religion and identity mean; what constitutes “home”; how music and poetry, purveyors of metaphor, may offer hope through connection; and whether revenge and justice coincide.

That’s a lot to put in one novel, but everything belongs. Where the story pushes briefly into the spirit realm, I get impatient, because I don’t believe in that. But Steil ties that theme to Orly’s identity — this is a coming-of-age novel, after all — so it makes sense, and what the author includes about local customs provides a fascinating window on a culture I’ve never read about before.

Throughout, the narrative grounds itself in physical detail, so, for example, you see Austrian anti-Semitism and nationalist fervor merge with ever-increasing strength before your eyes. Orly’s experience, though specific and individual, conveys a general atmosphere with terrifying power. The occasional crowd scene packs a wallop too, as with Kristallnacht or the Anschluss, the day German troops took over Austria in March 1938.

Steil also portrays the friendship between Orly and Anneliese with tenderness and even passion; it’s more than a little erotic. The girls create, and tell each other stories about, a mythic kingdom where predators have no place and enemies can gain no entry. It’s a lovely touch, and their fantasy won’t change life in the street, but it does give them hope.

Orly’s parents need to come through more clearly; too often, they seem more like attitudes and behaviors than fully fledged characters. But overall, Exile Music conveys both the Jewish and émigré experience with a sure hand — and worlds else besides.… (plus d'informations)

Growing up in Vienna, Orly's life is filled with music. Her father is a viola player, and her mother is an opera singer. When the German's begin enforcing restrictions against Jews, her older brother is sent away for his safety and Orly and her parents flees to Bolivia, the only country they can get a visa for. Orly and her father begin to slowly adjust to their strange new life, but her mother seems lost.

This book was very hard to put down. I have never read anything about Bolivia, and the culture and people were fascinated. Orly was a very likeable character, and the relationships she made really added to the story. Overall, highly recommended.… (plus d'informations)

Reading the book, I liked it. After all it is a kind of memoir about how a person experienced living and working abroad. And that's what I liked most about the book.
When you're born & raised in a western society, you can't just look with different eyes to the world you've entered. Just like the female reporter with a scholarship in Missouri can't shed her eastern look on the western society she's living in.

Describing differences, things that catch your eye or that you find strange is something everyone does. And I think that it's okay to say that there are things in your new society that you disagree with.

This book brought memories of that back to me, from my time living and in Georgia (Sakartvelo).

Loving a married man, being the reason for a divorce, well I'm not going to comment on that.… (plus d'informations)

3.5 stars. Infinitely longer than necessary, it was close to 80% finished before this picked up and focused on Miranda, the Ambassador's Wife, her kidnapping, reason for the kidnapping and harrowing escape. I felt as though we had to listen to every thing from what they ate for breakfast before Miranda met Finn, what they ate for breakfast when they were married and way too much about their pasts before they were married. Finally, finally, as we come into the home stretch does it become glued to the pages (but only a little bit still) to find out what will happen next.

I listened to the first 50% in audio, purchasing it because Euan Morton was reading the part for Finn. He was excellent in The Chalk Man, but just okay here. I think because there were more female voices to butcher in this book. Orlagh Cassidy narrated for Miranda and she was exceptional as always. But the pages and pages and pages and pages of extra stuffing had me pulling at my hair to move this to the crux of the book. Happily, I had the hardcover on my shelf.

A good story overall, you just have to be exceptionally patient with it.… (plus d'informations)