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William T. Stead (1849–1912)

Auteur de Real Ghost Stories

56+ oeuvres 179 utilisateurs 4 critiques

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Crédit image: Pach

Séries

Œuvres de William T. Stead

Real Ghost Stories (1891) 44 exemplaires
The Blue Island (1979) 13 exemplaires
Borderland, A quarterly Review and Index (1970) — Directeur de publication; Auteur — 9 exemplaires
General Booth (2012) 4 exemplaires
Passion Play- Oberammergau 1930 (1910) 4 exemplaires
How I Know the Dead Return (1984) 4 exemplaires
Hymns That Have Helped 3 exemplaires
Astral Camera (2012) 2 exemplaires
Borderland Vol II 1 exemplaire
Borderland Vol I 1 exemplaire
after death 1 exemplaire
life eternal 1 exemplaire
After Death: Letters From Julia (2011) 1 exemplaire
Europa (1990) 1 exemplaire

Oeuvres associées

Étiqueté

Partage des connaissances

Nom légal
Stead, William Thomas
Autres noms
Stead, W. T.
Stead, Wm. T.
Date de naissance
1849-07-05
Date de décès
1912-04-15
Sexe
male
Nationalité
UK
Lieu de naissance
Embleton, Northumberland, England
Lieu du décès
At sea (following the wreck of the Titanic)

Membres

Critiques

Published in 1896 by the London-based "Review of Reviews" Office - The Review of Reviews was a group of monthly journals founded by journalist William T. Stead - this slim pamphlet-style retelling of the Reynard story was the fifth entry in their "Books for the Bairns" series. It is presented in almost comic-book style, with the text in a left-hand column, and copious illustrations in the right-hand column. The story itself is abbreviated, but contains all the major incidents, and follows the fox through all of his misdeeds at the court of the lion king. Anything of a sexual or scatalogical nature that is to be found in the original is omitted, but the conclusion, in which Reynard triumphs despite (or because of) his treachery, is retained...

A difficult volume to track down, no doubt owing to its more ephemeral nature as a magazine-published paperback, rather than a "proper" cloth-bound book, The Adventures of Reynard the Fox is quite fascinating. The style is something different from many of the other titles I considered for my masters dissertation, which examined three centuries of retellings of the Reynard story for children, in the Anglophone world. I wish I could have tracked down more of this kind of matter. Leaving that aside, this presents an interesting take on the Reynard story, from a moral perspective, arguing that this sort of thing - the bad guy winning - is true to life. The editor writes, in his foreword, that "the good people are not always triumphant, nor are the bad ones always punished," going on to maintain that if the animals had not behaved with weakness and selfishness, if they had not given way to their vanity, then "it would never have been in Reynard's power to lead them such a dance." This interpretation is quite interesting, when one considers the identity of the editor. William T. Stead - who, in an interesting historical footnote, perished when the Titanic sank in 1912 - was a journalist who often used his platform to argue for social reform, and it is tempting to think that his more cynical stance here, his position that sometimes the bad guys win, is the product of that work, and of his knowledge of the world. It is certainly a realistic position, and I found myself wondering, as I read, whether this perspective might not also represent a difference of experience and culture between the social classes. This sort of magazine-published pamphlet strikes me as something aimed more at working and lower middle-class children, as opposed to the beautifully-bound hardcover volumes no doubt intended for their more wealthy counterparts. Given that this is so, the difference in outlook makes sense, as working class children would have been far better acquainted with the essential unfairness of the world, than their upper-class peers.

As mentioned, this is a difficult little volume to track down, although I would recommend it (is it can be found) to those readers interested in children's Reynard retellings, or in late Victorian children's literature aimed at working class children.
… (plus d'informations)
 
Signalé
AbigailAdams26 | May 11, 2020 |
W. T. Stead is dead when this book was written. Estelle Stead channeled what he said.
 
Signalé
Bidwell-Glaze | 2 autres critiques | May 28, 2015 |
This is a short novel written to illustrate one view about what happens to us after our death. In this, the deceased goes to a "blue island" where they come to terms with that has happened to them, review their life and how they lived it and prepare to return through the cycle of rebirth. A theosphical point of view is expressed here.
2 voter
Signalé
Phoenix333 | 2 autres critiques | Feb 12, 2009 |

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Statistiques

Œuvres
56
Aussi par
4
Membres
179
Popularité
#120,383
Évaluation
½ 3.5
Critiques
4
ISBN
51

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