Robert Southey (1774–1843)
Auteur de The Life of Nelson
A propos de l'auteur
Robert Southey was born on August 12, 1774. In 1788, Southey entered the Westminster school at the expense of his uncle. One year after his admission to Westminster, the French Revolution began. Southey was fifteen years old at the time, and like many young people of his day, he passionately afficher plus sympathized with the high ideals of the French cause. During these years, Southey befriended both Charles W. W. Wynn and Grosvenor Charles Bedford. Bedford and Wynn began a publication in 1792, The Flagellant, which Southey later joined as writer and co-editor. He submitted an anonymous article on "Flogging," in which he claimed that the school's disciplinary practice of flogging students was satanic. Dr. Vincent, the headmaster at the school, viewed the essay not as the product of a boy's imagination, but as a direct attack on both the school and the British Constitution. Eventually, Southey came forward and offered his apology, but was nonetheless expelled from school. Southey was of course then refused admission at Christ Church and had to attend Balliol College at Oxford. In order to escape life at Oxford and postpone making his decision to join the clergy, Southey took some time off from school in the autumn of 1793. Southey eventually left Oxford after his second term to be married. Shortly after leaving, he crossed paths with Samuel Taylor Coleridge, with whom he formed a friendship which would mold his early life and continue until his later years. In 1794, Southey, Coleridge, and several mutual friends came up with the idea of "Pantisocracy," or "equal rule of all." Their goal was to emigrate to America to practice Pantisocracy by forming a communal, utopian settlement where everyone would live in harmony and brotherhood. In order to raise money for this, Southey and Coleridge joined to write drama and political propaganda, and to write and deliver weekly lectures on politics and history. At this time, they co-wrote the drama entitled "The Fall of Robespierre," which was published by a radical printer at Cambridge under Coleridge's name. This same year Southey wrote Wat Tyler, based on the Peasant's Revolt of 1381. Unfortunately, Wat Tyler was not published, the scheme to emigrate to America to practice "Pantisocracy" never came to fruition, and his friendship with Coleridge became increasingly strained. The relationship deteriorated further when Coleridge and his wife began having marital difficulties. Coleridge eventually left his wife and Southey was forced to support both families. Southey then accepted Charles Wynn's offer to set up an annuity for him if he would study law. Southey began to study law by day and write poetry and prose at night. He drifted entirely away from his legal studies and began to concentrate solely on his writing. Between 1796 and 1805 Southey wrote Joan of Arc: An Epic Poem, Thalaba the Destroyer, Madoc, and several volumes of shorter verse. He also wrote numerous ballads, made frequent contributions to The Monthly Magazine and published the popular Letters Written During a Short Residence in Spain and Portugal. After several years of estrangement from Coleridge, the two poets collaborated on the Devil's Walk in 1799. Although Southey remained a champion of the poor and became an outspoken adversary of slavery, he began to cherish the maintenance of social order. After becoming an outspoken member of the Tory party, Southey's changing views led him to accept a position as Britain's Poet Laureate in 1813, a position that he held for 30 years. Twenty-three years after Wat Tyler was written, it suddenly resurfaced into a highly charged political atmosphere in which an older, more conservative Southey was at the forefront. Upon learning that Southey was the author, his adversaries, such as William Hazlitt and William Smith, seized upon the play as an example of his hypocrisy, while his friends, Wynn, Coleridge, and Wordsworth, defended him vehemently. Despite the effects of Wat Tyler's appearance on Southey's reputation, it sold over 60,000 copies and was reprinted, making it one of his most well-read and commercially successful works. Southey eventually incorporated the play into his complete works in 1838. Although the reappearance of the poem forced Southey to confront the dissipation of his youthful ideals, it did not significantly affect his career as an esteemed poet and writer. Southey remained Poet Laureate of Britain for 30 years, and eventually died in 1843. (Bowker Author Biography) afficher moins
Crédit image: From Wikipedia
Œuvres de Robert Southey
The Life and Correspondence of Robert Southey. Edited by his son C. C. Southey. (1970) 9 exemplaires
The lives and works of the uneducated poets 4 exemplaires
Selected Poems of Robert Southey 2 exemplaires
Journal of a tour in Scotland in 1819 2 exemplaires
Young Learners Classic Readers: The Three Bears (Beginning Level 3 w/MP3 Audio CD) (2012) 2 exemplaires
Letters Written During a Short Residence in Spain and Portugal (Classic Reprint) (2015) 2 exemplaires
The British Admirals: With an Introductory View of the Naval History of England, Vol. 3 (Classic Reprint) 2 exemplaires
Roderick, the last of the Goths : a tragic poem 2 exemplaires
Sir Thomas More: Or Colloquies on the Progress and Prospects of Society's: With Plates. In Two Volumes Volume 1 (2018) 1 exemplaire
CACHINHOS DE OURO 1 exemplaire
História do Brasil - Vol. 1 1 exemplaire
Expediton to Orsua 1 exemplaire
Lives of the British Admirals. With an Introductory View of the Naval History of England. Volume I 1 exemplaire
História do Brasil 1 exemplaire
História do Brasil - 03 vol. 1 exemplaire
Roderick, The Last Of The Goths Volume I 1 exemplaire
The Poetical Works of Robert Southey, Collected by Himself. Volume 6 (of 10). Ballads and Metrical Tales, Volume 1. (1888) 1 exemplaire
Roderick, The Last Of The Goths Volume II 1 exemplaire
The Cid 1 exemplaire
Complete Poetical Works of Robert Southey (Delphi Classics) (Delphi Poets Series Book 36) 1 exemplaire
The Poetical 7 Prose Works of Henry Kirke White 1 exemplaire
Letters of Robert Southey to John May, 1797-1838 1 exemplaire
The Doctor, &c., Vol. I (of 7) 1 exemplaire
The Curse of Kehama ... The second edition 1 exemplaire
The Life Of John Wesley Abridged & With Notes. 1 exemplaire
[Thalaba the Destroyer. (A metrical romance.)] 1 exemplaire
The Poems of Shakespeare 1 exemplaire
A Love Story : a fragment from "The doctor," etc. — Auteur — 1 exemplaire
Lives of the British Admirals: With an Introductory View of the Naval History of England, Vol. IV 1 exemplaire
A letter to William Smith, Esq. M.P. 1 exemplaire
A vision of judgment 1 exemplaire
Vindiciæ Ecclesiæ Anglicanæ. Letters to C. Butler, Esq. comprising Essays on the Romish Religion and… 1 exemplaire
Thalaba the Destroyer Volume I [of 2] 1 exemplaire
Thalaba the Destroyer Volume II [of 2] 1 exemplaire
Lives of the British Admirals. With an Introductory View of the Naval History of England. Volume II 1 exemplaire
Lives of the British Admirals: With an Introductory View of the Naval History of England, Vol. V 1 exemplaire
Oliver Newman: a New-England tale (unfinished) 1 exemplaire
The minor poems 1 exemplaire
The Life And Works Of William Cowper Comprising His Poems, Correspondence, And Translations With A Life Of The Author (2006) 1 exemplaire
The life of William Cowper 1 exemplaire
A Tale of Paraguay. [In verse.] 1 exemplaire
Evergreen Tales No. 2 The Three Bears 1 exemplaire
Madoc, vol. II : Madoc in Aztlan 1 exemplaire
Ricitos de oro y los tres osos 1 exemplaire
Oeuvres associées
The Norton Anthology of English Literature, 4th Edition, Volume 2 (1979) — Contributeur — 250 exemplaires
Masterpieces of Terror and the Unknown: A Treasury of Bizarre Tales Old and New (1993) — Contributeur — 194 exemplaires
The Sophisticated Cat: A Gathering of Stories, Poems, and Miscellaneous Writings About Cats (1992) — Contributeur — 100 exemplaires
The Junior Classics Volume 04: Heroes and Heroines of Chivalry (1912) — Contributeur — 58 exemplaires
Lapham's Quarterly - Lines of Work: Volume IV, Number 2, Spring 2011 (2011) — Contributeur — 29 exemplaires
Oh Excellent Air Bag: Under the Influence of Nitrous Oxide, 1799-1920 (2016) — Contributeur — 7 exemplaires
George Riddle's Readings — Contributeur — 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Southey, Robert
- Date de naissance
- 1774-08-12
- Date de décès
- 1843-03-21
- Lieu de sépulture
- Crosthwaite Parish Church, Cumbria, England, UK
- Sexe
- male
- Nationalité
- UK
- Pays (pour la carte)
- England, UK
- Lieu de naissance
- Bristol, Gloucestershire, England, UK
- Lieu du décès
- Keswick, Cumberland, England, UK
- Lieux de résidence
- Keswick, Cumberland, England, UK
- Études
- University of Oxford (Balliol College)
- Professions
- poet
translator
essayist
biographer - Relations
- Southey, Caroline Anne (wife)
Warter, John Wood (son-in-law and editor) - Prix et distinctions
- Poet Laureate of the United Kingdom (1813-1843)
Southey Lectures (Bristol|1979) - Courte biographie
- The Southey Lectures, promoted by the Rector and Church Council of Old Bristol Parish Church (Christ Church with St Ewen and All Saints, City), are intended to consider Bristolians who have made a major contribution to the Arts, Literature, Philosophy, Science, Politics and Religion, and are named after Robert Southey, who was baptized in Christ Church in 1774. The first lecture, on Robert Southey and Bristol, was delivered in 1979 and published in 1980.
Membres
Critiques
Thalaba the Destroyer par Robert Southey
I really enjoyed this, but the versification (irregularly long unrhymed iambics in stanzas of varying length) seemed disruptive to me. I'm not sure if blank verse or regular, rhymed stanzas would have been the better choice to improve the poem, but since Shelley took obvious (and copious) influence from this poem for his Revolt of Islam in Spenserian stanzas, I'd bet on the latter. Better, I think, than Southey's Joan of Arc, which was in blank verse. It's easy to see why Southey had the reputation he did at the time, but why is he so neglected today?… (plus d'informations)
A fun little tale. I liked the poetic version a lot, and found the original, pre-Goldilocks story pretty interesting, especially in regards to the ending.
A fun little tale. I liked the poetic version a lot, and found the original, pre-Goldilocks story pretty interesting, especially in regards to the ending.
Surprisingly good. The verse isn't anything to write home about, but there's an enjoyable story in there; kind of an Arabian Nights thing with a splash of Conan the Barbarian.
Prix et récompenses
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Statistiques
- Œuvres
- 109
- Aussi par
- 35
- Membres
- 743
- Popularité
- #34,185
- Évaluation
- 3.7
- Critiques
- 13
- ISBN
- 154
- Langues
- 3
