Peter Shaffer (1926–2016)
Auteur de Equus
A propos de l'auteur
Peter Levin Shaffer was born in Liverpool, England on May 15, 1926. He received a degree in history from Trinity College, Cambridge in 1950. He wrote a mystery novel entitled How Doth the Little Crocodile? with his fraternal twin Anthony Shaffer. It was published under the joint pseudonym Peter afficher plus Anthony as were several more mystery novels. Peter Shaffer's first play, The Salt Land, was produced on television by the BBC in 1954. His first Broadway play Five Finger Exercise opened in 1959 and was adapted into a movie. His other Broadway plays included The Private Ear, The Public Eye, Black Comedy, White Lies, and Lettice and Lovage. His plays Equus and Amadeus both won Tony awards and were adapted into movies. He won an Academy Award for his film adaptation of Amadeus. His play The Royal Hunt of the Sun was also adapted into a movie. He was knighted in 2001. He died on June 6, 2016 at the age of 90. (Bowker Author Biography) afficher moins
Œuvres de Peter Shaffer
Black Comedy Including White Lies: Two Plays 2 exemplaires
Το βασιλικό κυνήγι του Ήλιου 1 exemplaire
Five Finger Exercise. Peter Shaffer. The Kitchen. Arnold Wesker. The Hamlet Of Stepney Green. Bernard Kops (1968) 1 exemplaire
The Royal Hunt Of The Sun (Playbill) [Vol 2 No 11] 1 exemplaire
Amadeus / Black comedy 1 exemplaire
Penguin Plays Amadeus 1 exemplaire
Oeuvres associées
Twenty One-Act Plays: An Anthology for Amateur Performing Groups (1978) — Contributeur — 37 exemplaires, 1 critique
Monologues Women: 50 Speeches from the Contemporary Theatre (v. 1) (1976) — Contributeur — 30 exemplaires
Étiqueté
Partage des connaissances
- Nom canonique
- Shaffer, Peter
- Nom légal
- Shaffer, Peter Levin
- Autres noms
- Shaffer, Sir Peter Levin
Anthony, Peter [nom de plume for books co-authored with his brother, Anthony Shaffer] - Date de naissance
- 1926-05-15
- Date de décès
- 2016-06-06
- Lieu de sépulture
- Highgate Cemetery, London, England, UK
- Sexe
- male
- Nationalité
- UK
- Lieu de naissance
- Liverpool, Lancashire, England, UK
- Lieu du décès
- Curraheen, County Cork, Ireland
- Lieux de résidence
- London, England, UK
Liverpool, Lancashire, England, UK - Études
- St Paul's School, London, England, UK
University of Cambridge (Trinity College|BA|1950) - Professions
- playwright
- Relations
- Shaffer, Anthony (brother)
Leonard, Robert (partner) - Organisations
- Garrick Club, London, England, UK
Dramatists Guild - Prix et distinctions
- Commander of the British Empire (1987)
Knight Bachelor (2001)
William Inge Award for Distinguished Achievement in the American Theater (1992)
American Theater Hall of Fame (2007)
Fellow, Royal Society of Literature (1978)
Evening Standard Drama Award (1958) (tout afficher 16)
New York Drama Critics Circle Award (1960)
Antoinette Perry Award (Tony) for Best Play (1975)
Outer Critics Circle Award (1975)
New York Drama Critics Circle Award (1975)
Tony Award (1981)
New York Film Critics Circle Award (1984)
Los Angeles Film Critics Association Award (1984)
Oscar Award (1984)
Evening Standard Drama Award for Best Comedy (1988)
Hamburg Shakespeare Prize (1989) - Agent
- Macnaughton Lord Representation
Membres
Critiques
What a fun reimagining! Maybe it's because I also watched the recent Australian Story with TwoSet that I very much enjoyed the way this brought classical music to life, infusing it with evergreen themes of jealousy and beauty and identity. Sometimes I feel like people demand a lot from historical fiction, to be accurate to the absolute minutiae whilst being entertaining. However this play was just so fun that Shaffer can get away with his wild central premise. It did take me a while to get into the written play but perhaps the best tribute to the play I can give is that immediately after to reading it, I went on a rabbit-hole binge of Wikipedia articles on everything and everyone related to this work.… (plus d'informations)
https://nwhyte.livejournal.com/3550090.html
The biggest difference between film and play is the framing device. The film is told as a flashback from Salieri's time in a mental hospital, immediately following his suicide attempt; the framing for the play is set immediately before. Also the stage Salieri talks much more to the audience, and is attended by the Venticelli, two characters who seem to dance in and out of the margins between Salieri's imagination and the real world. And I think the idea that The Magic Flute critically annoyed the Masons is soft-pedalled in the film. It's a gripping script, though I think challenging and expensive to perform.… (plus d'informations)
The biggest difference between film and play is the framing device. The film is told as a flashback from Salieri's time in a mental hospital, immediately following his suicide attempt; the framing for the play is set immediately before. Also the stage Salieri talks much more to the audience, and is attended by the Venticelli, two characters who seem to dance in and out of the margins between Salieri's imagination and the real world. And I think the idea that The Magic Flute critically annoyed the Masons is soft-pedalled in the film. It's a gripping script, though I think challenging and expensive to perform.… (plus d'informations)
Listes
Prix et récompenses
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Auteurs associés
Statistiques
- Œuvres
- 38
- Aussi par
- 6
- Membres
- 5,058
- Popularité
- #4,950
- Évaluation
- 4.0
- Critiques
- 61
- ISBN
- 132
- Langues
- 12
- Favoris
- 10
Anchored by a menacingly enrapturing performance by F Murray Abraham. Milos Forman orchestrates the wondrous components for a thrilling ride.