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Alvin Schwartz (2) (1916–2011)

Auteur de Showcase Presents: Superman, Vol. 1

Pour les autres auteurs qui s'appellent Alvin Schwartz, voyez la page de désambigüisation.

16+ oeuvres 322 utilisateurs 8 critiques

A propos de l'auteur

Alvin Schwartz was born in New York City in 1916. He wrote his first comics for Fairy Tale Parade in 1939, followed by his first Batman story in 1942, his first Batman newspaper strip in August 1944 and his first Superman newspaper strip in October 1944. Before that, he had written extensively for afficher plus an editor at Max Gaines. He had also written for Fawcett's now defunct Captain Marvel. While writing most of DC's newspaper strips between 1944 and 1952, he also went on to do Aquaman, Vigilante, Slam Bradley, Date With Judy, Buzzy, House of Mystery, Tomahawk, Wonder Woman, The Flash, Green Lantern, Newsboy Legion and numerous others in a long career with DC that ended in 1958. After his 1958 departure from comics, Schwartz developed the now well-known techniques of psycho-graphics, typological identification and others, as Research Director for The Institute for Motivational Research. He also provided strucural and marketing advice to some of America's largest corporations ranging from General Motors to General Foods. He was subsequently appointed to an advisory committee of the American Association of Advertising Agencies Schwartz wrote extensively outside of comics. He authored three novels for Arco Press. His novel, The Blowtop was published by Dial in 1948. Under the title Le Cinglé, it became a best seller in France. He also wrote and lectured on superheroes at various universities and received a prestigious Canada Council Grant for a study on the religious symbolism in popular culture, using Superman as a springboard. In 1968, he moved to Canada, where he wrote many documentaries for the Canadian National Film Board, as well as a number of economic and social studies for the Canadian government. In the 1980s, he wrote a metaphysical autobiography, An Unlikely Prophet and a weekly web column while writing. Alvin Schwartz died in 2011 of heart-related complications. (Bowker Author Biography) afficher moins

Séries

Œuvres de Alvin Schwartz

Oeuvres associées

Superman: The Golden Age Omnibus Vol. 4 (2017) — Contributeur — 21 exemplaires

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pleasingly goofy and enjoyable. like reading comfort food. a few really silly ones here, my fav being Jimmy Olson wishing for superman to "mate" his parents
 
Signalé
tombomp | 2 autres critiques | Oct 31, 2023 |
While there were plenty of problems with this work- it achieved something rather elusive - a depth of feeling, an emotional tension, a rawness… something out of the ordinary. I have very mixed feelings about this work. At some points it was trying too hard- and was almost unbearably pretentious. And as I said, at other points it achieved a great humanity.
 
Signalé
Alidawn | 1 autre critique | Jan 15, 2016 |
"Showcase Presents: Superman (Volume 1)" is a chronologically-ordered collection of Superman stories from the late 1950's. There's no editorial explanation or prologue to explain why this particular period of Superman's history was collected into a series of graphic novels, nor is there any explanation as to how any of the comics fit into the larger Superman canon, or how the stories affected the development of the character of Superman. The collection itself doesn't tell a larger, single story, either. I'll take the reason for the anthology at face value - an introduction to Superman, as depicted in the late fifties. I don't think it is the best way to introduce people to the character of Superman, which I will elaborate upon.

In "Showcase Presents: Superman", the titular hero, Superman, deals with a variety of problems that all superheroes must face - keeping their secret identity a secret (because Clark Kent looks nothing like Superman; he's wearing glasses), dealing with an assortment of disasters that beset the world, all of which only a superhero can fix, and dealing with the idiotic and gullible villians and foes that try to tangle with Superman. If the world isn't on the verge of self-destruction, we get to see what might life might be like if the canon of Superman is changed in some fashion, either in the context of someone's dream, or in a storyline that is forgotten by the time the next adventure rolls around. It's all in a day's work for the Man of Steel.

As to the problems with this collection... it might be more adequate to ask what is actually done well. Or even competently. Many, if not most of the stories here are rather silly, and badly written, and the few stories that have an interesting idea are poorly delivered. There's nothing as sophisticated as character development.

From the opposite perspective, there's no suspense generated in seeing Superman best his problems, because there is no question that Superman will not manage to save the day. Indeed, Superman rarely experiences much that taxes his abilities at all. And, since there are only really a few different story-types, the book itself becomes quite repetitive quite quickly. Oh, and each story has a myriad of plot inconsistencies that must be accepted to make the story work.

While a short reading of this collection gives the impression of a a light and entertaining amusement, five hundred pages worth of the stuff is far, far too much - the same stories are repeated without doing anything interesting or innovative. And, even then, the stories stories are told rather badly, too. A book only for serious fans of Superman.
… (plus d'informations)
½
 
Signalé
rojse | 2 autres critiques | Mar 13, 2010 |
A queer little book, but not without merit. The subtitle calls it a "metaphysical memoir," and that's true after a fashion, even if it only describes a singular event that set Alvin Schwartz on the Buddhist "Path Without Form," which is as hard to describe as it sounds. Parts of it are strange and fantastic, especially all the time Schwartz recalls spending with the Tibetan tulpa (a being of pure thought brought into physical form) who sought him out, and the fairly improbable things that happened afterwards. It has a good payoff at the end, tho; when Superman's role as a tulpa himself is revealed.Not a bad read. Schwartz's writing style is a little wooden at times, but if you roll thru it with the idea that it's a recollection of personal transformation instead of an eyewitness account of the hidden world in action, it becomes less and less silly.… (plus d'informations)
 
Signalé
conformer | 2 autres critiques | Feb 9, 2010 |

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Statistiques

Œuvres
16
Aussi par
1
Membres
322
Popularité
#73,505
Évaluation
½ 3.7
Critiques
8
ISBN
321
Langues
8

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