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4+ oeuvres 108 utilisateurs 8 critiques

Œuvres de Marco Roth

Oeuvres associées

The Late American Novel: Writers on the Future of Books (2011) — Contributeur — 64 exemplaires
What We Should Have Known : Two Discussions (2007) — Contributeur — 37 exemplaires
n+1, Number Six: Mainstream (2007) 21 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1974
Sexe
male
Nationalité
USA
Organisations
n+1

Membres

Critiques

Meh. The first few chapters were intriguing and heartbreaking--the perspective of an adolescent whose father is dying of AIDS and carrying the burden of that dreadful family secret. But then he goes on...When friends told him he reminds them of Woody Allen, I don't think they meant his looks. I think they meant his neurotic tendencies. In grad school, he intended to write a book that would explore his father's psychology through books. He never completed the project but devotes several chapters to those themes which, frankly, I skimmed. The essence of this book would have made a very solid magazine article.… (plus d'informations)
1 voter
Signalé
AnaraGuard | 5 autres critiques | Nov 1, 2020 |
This is certainly a good read. Though at times, the metaphors between HIV and the author's life seemed a bit forced. Even so, I do recommend it to my fellow readers out there.
 
Signalé
AntonioPaola | 5 autres critiques | Jan 27, 2018 |
At first I thought that this was a whole lot of white people's problems which it is, but also something more. I found myself very caught up in the story about his family and quite moved. I'm not sure if it couldn't have all been said in a long essay but I enjoyed reading it.
 
Signalé
laurenbufferd | 5 autres critiques | Nov 14, 2016 |
I got a copy of this book from Goodreads First Reads. Thanks!

The first thing I should say about Roth's memoir is that it is very well written. Roth is an expert in his language, and uses his words in ways that flow as well as twist. To this, I should add that if you are not familiar with literary criticism, or "theory," or philosophy, and it irritates you that a writer uses references to the likes of Benjamin, Mallarme, and to other books, like the Red and the Black and Oblomov, then I suspect that you may not enjoy this memoir as much as others who are familiar with this turf. If you are not at all familiar with academia and the humanities, you may miss out on some satisfactory laughs.

I found Roth's voice, and Roth as the teenager, and then the lost 20-something-year-old man, to be perfectly likable. Even his mother, his father, and his aunt, as well as his various friends, seemed to be well flawed, yet likable characters. Sure, Roth does go through the expected teenage rebellion in his own way that perfectly suits his family, and sure he is privileged, and he knows it, and he is, luckily, half troubled and half thankful for it, and sure he is angry at his father and his mother and his aunt at different points in his life, but none of this makes him unlikable. It all just makes him and those surrounding him more human.

Anyone who is familiar with the academic humanities circles, especially in the Ivy Leagues, will find a lot of familiar scenes in this memoir. Roth's depiction of social events, as well as classes and discussions are very accurate. Even to the point of ridiculously familiar, like when the department head orders too many bottled of wine and the grad students take some home after the department party. Wow, takes me back! There is plenty for those familiar with the academia on the science end of things to nod knowingly, too (though we'd always have some hard liquor, because despite common opinion, us scientists always party more/harder and jollier than those humanities people!)

All prospective graduate students, graduate students, and postdocs should read page 141-142. When I read the lecture the person who is trying to unionize grad students gives them, I could not believe how Roth's account was almost EXACTLY the same as the conversations I have had with academics in the past. And yes, my graduate student friends all believed that they would be the 1 out of 5 who would become that hot shot professor at a good university; and no, none of them managed to achieve their lofty, irrational goal. There are some sad truths in Roth's account of the state of academia and research that apply to the humanities and the sciences alike, and I am afraid this is nothing new to those of us who have lived in academia, though it may be an eye opener for those who are not in those circles.

Overall, Roth's memoir is a painfully personal, cathartic, and introspective account of a family's past, and a light, stronger than expected, illuminating its present and future.

Recommended for those who like Fun Home, Fairyland, those who love or hate academia, the humanities, literary criticism, and philosophy, and New York City. Oh, and how can I forget; recommended for those who like reverse transcription, hematology, immunology, and malaria research.
… (plus d'informations)
1 voter
Signalé
bluepigeon | 5 autres critiques | Dec 15, 2013 |

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Statistiques

Œuvres
4
Aussi par
3
Membres
108
Popularité
#179,297
Évaluation
½ 3.6
Critiques
8
ISBN
14

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