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Liz Rosenberg

Auteur de Monster Mama

39+ oeuvres 1,709 utilisateurs 151 critiques

A propos de l'auteur

Crédit image: GEOFF GOULD

Œuvres de Liz Rosenberg

Monster Mama (1993) 247 exemplaires
The Moonlight Palace (2014) 151 exemplaires
What James Said (2015) 125 exemplaires
Home Repair (2009) 118 exemplaires
The Carousel (1995) 109 exemplaires
Tyrannosaurus Dad (2011) 100 exemplaires
The Laws of Gravity (2013) 81 exemplaires
We Wanted You (Single Titles) (1753) 57 exemplaires
Grandmother and the Runaway Shadow (1994) 45 exemplaires
Light-Gathering Poems (2000) 43 exemplaires
Earth-Shattering Poems (1998) 41 exemplaires
The Silence in the Mountains (1999) 39 exemplaires
Nobody (2010) 30 exemplaires
Adelaide and the Night Train (1984) 21 exemplaires
17 (2002) 21 exemplaires
On Christmas Eve (2000) 20 exemplaires
Heart and Soul (1996) 18 exemplaires
A Big and Little Alphabet (1997) 18 exemplaires
Moonbathing (1996) 16 exemplaires
Eli's Night Light (2001) 15 exemplaires
This Is the Wind (2008) 14 exemplaires
The scrap doll (1991) 11 exemplaires
Indigo Hill (2018) 11 exemplaires
Window, Mirror, Moon (1990) 9 exemplaires
Beauty and Attention: A Novel (2016) 9 exemplaires
Mama Goose (1994) 8 exemplaires
Eli and Uncle Dawn (1997) 7 exemplaires
These Happy Eyes (2001) 4 exemplaires
Les chevaux des nuages (1997) 2 exemplaires
THE INVISIBLE LADER — Directeur de publication — 1 exemplaire

Oeuvres associées

The Best American Poetry 2006 (2006) — Contributeur — 189 exemplaires
Leading From Within: Poetry That Sustains the Courage to Lead (2007) — Contributeur — 100 exemplaires
Be Careful What You Wish for Ten Stories (2000) — Contributeur — 67 exemplaires
Bullets Into Bells: Poets and Citizens Respond to Gun Violence (2017) — Contributeur — 55 exemplaires
Halloween Poems (1989) — Contributeur — 29 exemplaires

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Critiques

Ayoung girl can’t help but be angry when she learns her best friend is talking about her behind her back.

As the title suggests, everything hinges on what exactly James said. The pint-sized, artistic narrator heard that James—her best friend—told everyone she thinks she is perfect. But she most certainly does not! She thinks she has big feet and plain hair, and she messes up in math all the time. A misunderstanding is hinted at in the very first pages, where Rosenberg and Myers set up a visual game of “Telephone”: James tells Aiden, who tells Hunter, who tells Katie (and so forth)…. But the girl knows what she heard and retaliates by giving James the silent treatment. All day at school, James tries harder and harder to be her friend, to no avail. Until the art show, when she suddenly realizes that perhaps James said something entirely different. This common childhood struggle is enhanced by the art, which beautifully depicts the girl’s sense of betrayal. With a dripping paintbrush in hand, she throws angry splotches over Myers’ illustrations, adding her own images in wide, watercolor strokes. She and her friend, depicted realistically, are surrounded by taunting stick figures. The little girl is Caucasian with a brown pageboy; the bespectacled little boy is African-American.

Perfectly in tune with the charged emotions involved in navigating friendship and trust. (Picture book. 4-8)

-Kirkus Review
… (plus d'informations)
 
Signalé
CDJLibrary | 29 autres critiques | Jan 24, 2023 |
The illustrations are a bit outdated looking now.
 
Signalé
fernandie | 28 autres critiques | Sep 15, 2022 |
Cette critique a été écrite dans le cadre des Critiques en avant-première de LibraryThing.
I read all of Louisa May Alcott's books as a child or young adult. I also read March by Geraldine Brooks, which is a book about the father of the little women and his experiences during the Civil War. So when LibraryThing offered this book for their Early Reviewer draw I put in a request and received it.

This book is subtitled "The Life of Louisa May Alcott" but it really is the story of the whole Alcott family. What I didn't realize until I read this biography is how much the family in Little Women was based upon the Alcott family. The major difference is that Bronson Alcott did not go away to fight in the Civil War but he was mostly absent leaving his family to fend for themselves. If theres a villain in this book it would probably be Bronson. As a gentleman he couldn't see himself working for others but he could never make enough money as a teacher or a speaker to support his family. This never seemed to really bother him and so it was up to Mrs. Alcott and later the two older girls to work. But of course they were also ill-suited for employment other than being a governess or a companion. Fortunately Louisa parlayed her writing ability into a very good lifelihood. The Alcott girls were blessed to have Ralph Waldo Emerson, Henry David Thoreau and Nathaniel Hawthorne as close family friends which certainly gave them intellectual riches even if their material goods were lacking.

This book is aimed at ages 10 to 14 but personally I would offer it to the latter ages as there are some difficult concepts to take in.
… (plus d'informations)
 
Signalé
gypsysmom | 2 autres critiques | Jul 11, 2022 |
"The Wide and Varied World" by Ellen Bryant Voigt

We want what you want, only
We have to want it more. (75)
 
Signalé
JennyArch | 1 autre critique | Apr 7, 2022 |

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Statistiques

Œuvres
39
Aussi par
7
Membres
1,709
Popularité
#15,017
Évaluation
½ 3.7
Critiques
151
ISBN
107
Langues
1

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