Photo de l'auteur

Denise Robins (1897–1985)

Auteur de Fauna Trilogy, 1-3

198 oeuvres 475 utilisateurs 4 critiques 2 Favoris
Il y a 1 discussion ouverte sur cet auteur. Voir maintenant.

A propos de l'auteur

Romance author Denise Robins was born on February 1, 1897. During her lifetime, she wrote short stories, plays, and about two hundred novels using a variety of pen-names including Ashley French, Harriet Gray, Julia Kane, and Francesca Wright. She died on May 1, 1985. (Bowker Author Biography)
Crédit image: Denise Naomi Klein Robins Pearson

Séries

Œuvres de Denise Robins

Fauna Trilogy, 1-3 (1978) 19 exemplaires
House of the Seventh Cross (1967) 7 exemplaires
Life and Love (1935) 6 exemplaires
My Lady Destiny (1961) 6 exemplaires
Strange Rapture (1932) 6 exemplaires
Les amours de Lucrèce Borgia (1953) 6 exemplaires
Venetian Rhapsody (1954) 6 exemplaires
To Love Again (1949) 6 exemplaires
Khamsin (1948) 6 exemplaires
Meet Me in Monte Carlo (1955) 5 exemplaires
The Tiger in Men (1937) 5 exemplaires
The Seagull's Cry (1957) 5 exemplaires
Second Best (1931) 5 exemplaires
Bride of Doom (1956) 5 exemplaires
Desert Rapture (1944) 5 exemplaires
Gold for the Gay Masters (1954) 5 exemplaires
The Unlit Fire (1960) 5 exemplaires
Dance in the Dust (1959) 5 exemplaires
Since We Love (1938) 4 exemplaires
The Boundary Line (1932) 4 exemplaires
Chateau of Flowers (1958) 4 exemplaires
Kiss of Youth (1937) 4 exemplaires
Entre ciel et enfer (1966) 4 exemplaires
Lightning Strikes Twice (1966) 4 exemplaires
And All Because (1930) 4 exemplaires
Love Is Enough (1941) 4 exemplaires
The Flame and the Frost (1957) 4 exemplaires
You Have Chosen (1938) 4 exemplaires
Gypsy Lover (1939) 4 exemplaires
The Enduring Flame (1929) 4 exemplaires
Dark, Secret Love (1962) 4 exemplaires
The Other Side of Love (1973) 4 exemplaires
To Love is To Live (1940) 4 exemplaires
Restless Heart (1938) 4 exemplaires
My True Love (1953) 4 exemplaires
Family Holiday (1937) 4 exemplaires
We Two Together (1959) 4 exemplaires
Women Who Seek (1928) 3 exemplaires
Those Who Love (1936) 3 exemplaires
Heat Wave... (1930) 3 exemplaires
Moment of Love (1964) 3 exemplaires
Love and Desire and Hate (1969) 3 exemplaires
Sweet Love (1934) 3 exemplaires
Twice Have I Loved (1973) 3 exemplaires
The Other Love (1952) 3 exemplaires
The Snow Must Return (1971) 3 exemplaires
The Unshaken Loyalty (1954) 3 exemplaires
Nightingale's Song (1963) 3 exemplaires
Fever of Love (1931) 3 exemplaires
Ce jour-la a Torremolinos (1933) 3 exemplaires
More Than Love (1947) 3 exemplaires
Wait for Tomorrow (1967) 3 exemplaires
Brief Ecstasy (1934) 3 exemplaires
Dark Corridor (1974) 3 exemplaires
Jonquil (1927) 3 exemplaires
Were I Thy Bride = Betrayal (1935) 3 exemplaires
She-Devil = Jezebel (1970) 3 exemplaires
Forbidden (1971) 3 exemplaires
Escape to Love (1943) 3 exemplaires
The Noble One (1957) 3 exemplaires
The Long Shadow (1954) 3 exemplaires
A Promise Is For Ever (1961) 3 exemplaires
Something to Love (1951) 3 exemplaires
War Marriage = Let Me Love (1942) 3 exemplaires
Mad is the Heart (1963) 3 exemplaires
Put Back the Clock (1962) 3 exemplaires
Set the Stars Alight (1941) 2 exemplaires
A Love Like Ours (1969) 2 exemplaires
Love's Triumph (1983) 2 exemplaires
The Marriage Bond (1924) 2 exemplaires
The Wild Bird (1932) 2 exemplaires
Love Game (1936) 2 exemplaires
Life's a Game (1933) 2 exemplaires
White Jade (1928) 2 exemplaires
Crowns, Pounds and Guineas (1931) 2 exemplaires
Sealed Lips (1924) 2 exemplaires
Heavy Clay (1929) 2 exemplaires
Enchanted Island (1956) 2 exemplaires
The Story of Veronica (1946) 2 exemplaires
How Great the Price (1935) 2 exemplaires
Bitter-Sweet (1955) 2 exemplaires
Love, Volume I (Omnibus) (1979) 2 exemplaires
Douce Clarisse (1970) 2 exemplaires
The Price of Folly (1968) 2 exemplaires
All this for Love (1935) 2 exemplaires
Figs in Frost (1946) 2 exemplaires
One Night in Ceylon, and others (1931) 2 exemplaires
Dear Loyalty (1939) 2 exemplaires
Murder in Mayfair (1935) 2 exemplaires
Officer's Wife (1939) 2 exemplaires
The Woman's Side of It (1937) 2 exemplaires
The Inevitable End (1927) 2 exemplaires
Never Give All (1934) 2 exemplaires
Honour's Price (1929) 2 exemplaires
Reputation (1963) 2 exemplaires
Island of Flowers (1940) 2 exemplaires
Slave-Woman (1934) 2 exemplaires
I, Too, Have Loved (1939) 2 exemplaires
When a Woman Loves (1955) 2 exemplaires
Strange Meeting (1952) 2 exemplaires
Winged Love (1940) 2 exemplaires
Loving and Giving (1965) 2 exemplaires
Lovers of Janine (1931) 2 exemplaires
Coeur de Paris (1951) 2 exemplaires
The Passionate Flame (1928) 2 exemplaires
The Bitter Core (1954) 2 exemplaires
Could I Forget (1948) 2 exemplaires
Swing of Youth (1930) 2 exemplaires
This Spring of Love (1943) 2 exemplaires
Blaze of Love (1932) 2 exemplaires
The Strong Heart (1965) 2 exemplaires
It Wasn't Love (1930) 2 exemplaires
Dust of Dreams (1940) 2 exemplaires
The Secret Hour (1932) 2 exemplaires
Australian Opal Safari (1974) 2 exemplaires
Climb to the Stars (1935) 2 exemplaires
Little We Know (1940) 2 exemplaires
Gay Defeat (1933) 2 exemplaires
The Untrodden Snow (1958) 2 exemplaires
Do Not Go, My Love (1959) 2 exemplaires
All For You (1946) 2 exemplaires
The Changing Years (1943) 2 exemplaires
Stranger Than Fiction (1965) 2 exemplaires
All That Matters (1956) 1 exemplaire
Den lilla prinsessan 1 exemplaire
Second Marriage (1951) 1 exemplaire
Set Me Free (1937) 1 exemplaire
Time Runs Out (1968) 1 exemplaire
Love's Broken Idol (1918) 1 exemplaire
Breaking Point (1956) 1 exemplaire
Queen of the Roses (1943) 1 exemplaire
Christmas Roses (1942) 1 exemplaire
What Wendy Did (1942) 1 exemplaire
When Love Called (1942) 1 exemplaire
Perfide Candida (1964) 1 exemplaire
The Hard Way (1949) 1 exemplaire
Once Is Enough (1953) 1 exemplaire
Systurnar 1 exemplaire
Love, Volume IX (Omnibus) (1980) 1 exemplaire
Aşkın bana yeter 1 exemplaire
KALBIMDEKI CINGENE 1 exemplaire
Odota huomista (1980) 1 exemplaire
The Madness of Love (1950) 1 exemplaire
Never Look Back (1944) 1 exemplaire
Give Me Back My Heart (1944) 1 exemplaire
This One Night (1942) 1 exemplaire
Arrow in the Heart (1960) 1 exemplaire
Two Loves (1954) 1 exemplaire
The First Long Kiss (1953) 1 exemplaire
Illusion of Love (1924) 1 exemplaire
Forgive Me, My Love (1947) 1 exemplaire
The Enchantress (1929) 1 exemplaire
Infatuation (1951) 1 exemplaire
Love Was a Jest (1929) 1 exemplaire
Masquerade of Love (1985) 1 exemplaire
O Love! O Fire! (1966) 1 exemplaire
Men Are Only Human (1933) 1 exemplaire
Greater Than All (1946) 1 exemplaire
Love Poems, and others (1930) 1 exemplaire
Daughter Knows Best (1943) 1 exemplaire
Love, Volume VII (Omnibus) (1980) 1 exemplaire
I Should Have Known (1961) 1 exemplaire
Come Back, Yesterday (1976) 1 exemplaire
War changes Everything (1943) 1 exemplaire
How to Forget (1944) 1 exemplaire
The Uncertain Heart (1949) 1 exemplaire
If This Be Destiny (1941) 1 exemplaire
Separation (1946) 1 exemplaire
Love So Young (1945) 1 exemplaire
The Dark Death (1929) 1 exemplaire
Love Me No More (1948) 1 exemplaire
What Matters Most (1942) 1 exemplaire
The World of Romance (anthology) (1964) — Directeur de publication — 1 exemplaire

Étiqueté

Partage des connaissances

Nom légal
Klein Robins Pearson, Denise Naomi
Autres noms
Chesterton, Denise
Robins, Denise
Robins, Denise
Hamilton, Hervey
Wright, Francesca
French, Ashley (tout afficher 8)
Gray, Harriet
Kane, Julia
Date de naissance
1897-02-01
Date de décès
1985-05-01
Sexe
female
Nationalité
UK (birth)
Lieu de naissance
London, England, UK
Lieu du décès
England, UK
Lieux de résidence
London, England, UK
Professions
journalist
freelance writer
novelist
Relations
Dealtry, Kit (mother)
Cornwell-Clyne, Adrian (brother)
Robins, Patricia (daughter)
Klein, Herman (father)
Organisations
Romantic Novelists' Association (President, 1960-66)
Agent
Curtis Brown
Courte biographie
Denise Naomi Klein was born on 1 February 1897 in London, England, daughter of Herman Klein (1856-1934) and Kathleen Clarice Louise Cornwell (1872-1954). Her parents married on 19 February 1890 at the West London Synagogue, her father was a English music critic, author and teacher of singing and her mother was a Australian-born heiress, 16 years younger than him. Denise had a half-sister, Sibyl Klein, who became an actress. She also had two older brothers, Adrian Bernard L. Klein (1892-1969), who later changed his name to Adrian Cornwell-Clyne and wrote books on photography and cinematography, and Daryl Kleyn (b. 1894). During her parents marriage, her mother began an affair with a young Worcestershire Regiment officer, Herbert Arthur Berkeley Dealtry (b. 1878). When her father became aware of it, he filed a petition for divorce, which was granted in December 1901. After the divorce, her mother married Dealtry in 1902, but they were going through financial difficulties. They had to declare bankruptcy in 1905. The same year her father remarried with Helene Fox, a Christian Science practitioner of Boston, Massachusetts.

As Kit Dealtry, her mother began to publish her own writings, first short stories in magazines an later gothic novels. Years later, and single again her mother returned to London. In 1918, and remarried for a third time with Sydney H. Groom, and started to sign her novels as C. Groom, Mrs Sydney Groom, Kathleen Clarice Groom and Clarice Groom. After Naomi left school, she decided follow in her mother's footsteps, and to publish her writings. She went to work as a journalist for the D.C. Thomson Press, then became a freelance writer. Denise married Arthur Robins, a corn broker on the Baltic Exchange, but the marriage ended in divorce, after she met O'Neill Pearson in Egypt, who later became her second husband. She was the mother of three daughters, Patricia Robins (also know as Claire Lorrimer) who became another best-selling romance author, Anne, and Eve.

As a writer of fiction, Denise wrote short stories, plays and about 200 gothic romance novels under a variety of pseudonyms, including: Denise Chesterton, Hervey Hamilton, Francesca Wright, Ashley French, Harriet Gray, and Julia Kane, she also used to sign the books her first married name, Denise Robins, and some of her books were reedited under this pen-name. In 1927, over ten years after she began to publish, Denise meet Charles Boon, of Mills & Boon, and she signed her first contract with his firm the same year. In a short time, she became the best paid Mills & Boon's writer, and one of the most prolific, but in 1935 she changed to a new publisher, Nicholson & Watson, that made her a better offer, and later with Hodder & Stoughton. During her very long career she worked with major publishing houses. Taylor Caldwell said: "Rarely has any writer of our times delved so deeply into the secret places of a woman's heart." As in her real life, many of her novels are love triangles, and also appear as a backdrop the World Wars.

In 1960, she founded with other romance writers the "Romantic Novelists' Association" (R.N.A.), and she was its first president until 1966. In 1965, she wrote her autobiography, "Stranger Than Fiction". Denise passed away 1 May 1985 in her native England. At the time of her death her novels, translated into 15 languages, had sold more than 100 million copies. In 1984, they were borrowed more than 1.5 million times from British libraries.

Membres

Discussions

Critiques

The book had been almost entirely a family thing- the feelings and problems of married couples and an eye opener in that sense.But when it started getting longer it became boring. What i really liked was the ending which was beatiful and perfect for the story althought not surprisingly strange for such a storyline.
The essence of the book:Mrs.Christina Allen narrates how her married life hadn't worked out the way she had planned and hence was applying for divorce and to be remarried to Philip Cranleigh.She decidedly writes a diary stating the whole truth about her marriage from the beginn. but slowly as she completes the book she understands that she doesnt really want to get married with this new man plus lose her children forever.She lets go of him but ahead with the divorce if Charles needed it.The climax however is that Charles meets with an accident that kills James his son and charles' step mother.Christina returns to nurse injured Charles and take care of things and hopes charles will allow her to stay in their once home and be his wife again to which he gladly consents… (plus d'informations)
 
Signalé
Linnabraham | 2 autres critiques | Jan 6, 2022 |
Look, sometimes you just have to meet a book where it is. This story is absolutely ridiculous, and filled to the brim with so many stereotypes that if you think about it too hard, your head will spin. Our tragic little heroine, Celia, is perfectly tragic and ethereal and of course everyone who comes into contact with her absolutely adores her. Her wicked stepmother, Isobel, is evil incarnate, selfish and conniving and a total bitch to poor dear Celia. She never loved Celia's father, only married him for his money, and is livid when he dies and she learns that he tied up all his money in a trust for Celia. She hatches a plan to marry Celia off to one of her cronies, Fulke Withers, so that she can have control of Celia's money. Of course she has red hair (and its mentioned several times that she's slovenly and prances around like a painted whore).

Celia was neglected by her father during his lifetime and ill-treated by Isobel after his death. She has been isolated at Storm Castle for most of her life, only going away to boarding school as a teenager and then returning to be a slave to her baby stepbrother. She's basically Rapunzel, locked in her gloomy, gothic turret tower, waiting for her prince to come rescue her.

Her prince is a dark-haired French fisherman named Paul, whom she meets quite by chance one day. On the second day of their friendship, they declare their undying love for each other and start working on plans to get Celia out of Storm Castle so that they can marry. Isobel, of course, forbids it, which only fuels the young lovers' passion. As this all takes place during 1940, there is the backdrop of WWII and the stormy Cornish coast to add to the drama.

And boy is there plenty of drama: attempted rape, abduction, car crashes, elopement, fire, storms, blackmail, secret war missions, bribery. The romance is thin and simplistic by comparison. It was a bit of a mixture of a Disney princess story, a gothic romance, and a really bad, trashy novel that gives romance a bad reputation. Yet it all, somehow, worked for me on some level. Maybe I was just in the right mood, but I couldn't help rooting for silly Celia to free herself from her evil stepmother's clutches and finally marry her dearly beloved Paul.

I can't say I'd recommend this to anyone, but I don't regret buying it or reading it, and am happy to have it in my vintage romance collection.
… (plus d'informations)
½
 
Signalé
eurohackie | Jul 4, 2019 |
I received Dark, Secret Love from LibraryThing in exchange for an honest review:

First thing that I have to say about this book is that it was dark. It was very well written and drew you in from the first page. The author warns you from the very beginning what the books is. Of course that only made me want to read it more!

The characters that came and went in her life were all interesting. You can see the way that they all formed her into the woman that she is today. The way that the author tells the stories is very interesting....she doesn't expect you to like them, love them, hate them or even understand them.....she just needs to put them down on paper.

Can I say that I loved this book....no. I did enjoy it though.
… (plus d'informations)
 
Signalé
DawnGenna | 2 autres critiques | Oct 9, 2013 |
I received Dark, Secret Love from LibraryThing in exchange for an honest review:

First thing that I have to say about this book is that it was dark. It was very well written and drew you in from the first page. The author warns you from the very beginning what the books is. Of course that only made me want to read it more!

The characters that came and went in her life were all interesting. You can see the way that they all formed her into the woman that she is today. The way that the author tells the stories is very interesting....she doesn't expect you to like them, love them, hate them or even understand them.....she just needs to put them down on paper.

Can I say that I loved this book....no. I did enjoy it though.
… (plus d'informations)
 
Signalé
DawnGenna | 2 autres critiques | Oct 9, 2013 |

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Statistiques

Œuvres
198
Membres
475
Popularité
#51,908
Évaluation
3.0
Critiques
4
ISBN
713
Langues
4
Favoris
2

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