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Al Robertson (1)

Auteur de Station : La Chute

Pour les autres auteurs qui s'appellent Al Robertson, voyez la page de désambigüisation.

6+ oeuvres 138 utilisateurs 11 critiques

Séries

Œuvres de Al Robertson

Station : La Chute (2015) 105 exemplaires
Waking Hell (2016) 26 exemplaires
Fishermen 2 exemplaires
Golden 2 exemplaires

Oeuvres associées

The Immersion Book of SF (2010) — Contributeur — 8 exemplaires
Interzone 235 (2011) — Auteur — 6 exemplaires

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I didn't finish it. I'm sure this is a fine book for others, but it was not my thing. I am sort of curious how it will end, but I'm not invested enough in the characters to want to slog through the rest.
 
Signalé
zjakkelien | 5 autres critiques | Jan 2, 2024 |
Crashing Heaven was awesome. This was meh. None of the layered complexity and world-building. Amateur saves the world against impossible odds. Yawn.
 
Signalé
tedyang | 1 autre critique | Oct 28, 2020 |
I love my Cyberpunk. I love Post-Cyberpunk even more. This here is a very well-crafted Hard-
SF novel that is a surprisingly easy read.

I can blame most of the ease and the goodness squarely on the interactions between Jack and Fist. Jack's been screwed over by the Pantheon's contracts and Fist, his erstwhile puppet, his slaved AI, is scheduled to legally take over poor Jack. The war between the Totality (The post-mortality humans who had given themselves godlike virtual powers) and the Pantheon (The machine legal entity and alien that has quashed the chaos and the squabbling of the egos) ended with the Totality forced into civilized behavior and low men on the totem pole always seem to get stuck with the shaft.

That's where Jack, the stand-in for what might be loosely called a Hard-Boiled Detective, but isn't, or isn't really such, has been saddled with a huge debt to the now defunct corporation that had given him the extremely good use of a virtual puppet, an excellent hacking machine, but after the contract defaulted, he was left in debt to the last surviving entity, and since he had no funds or collateral, the puppet will soon own Jack's body and mind. Leaving Jack... nowhere.

If someone told me this was going to be a strange and f-k'd up twist on the story of Pinocchio set in a time and place where the shades of the uploaded dead haunt the overlay-mesh, the virtual view of reality, where gods play long games in the ubiquitous and utterly pervasive servers that humanity lives within, then I'd have said... "Wow. That sounds freaking amazing." (No one did.)

Of course, if I had been given the spoilers that follow this little setup, or at least the idea that Jack and Fist find common ground in the short time they have left, that they hunt down the people behind the conspiracies, to get out from under the machinations of gods and aliens, and that they don't always remain in hard place, but manage to hold their own against amazing odds, then I'd have absolutely no reason to worry about whether I'd enjoy the tale.

As a matter of fact, I was AMAZED. It's full of awesomely tight storytelling, great conversations, fast plotting, and of course so much happens that propels this story into the stratosphere that I was left with my jaw dropping through most of the tale.

But let me add a small caveat: Out of all SF, I appreciate and love near-singularity or post-post cyberpunk tales the most out of the entire genre. Anything that sparks my imagination and revs my engines this much is going to be an automatic "Hey You Guys!" But don't let that fool you overmuch.

This one is tight and sharp as hell and a pure delight to glide through. It really ought to be on the short list for anyone's "must awe" list. I've still got Jack and Fist in my head, playing around and learning to live and trust one another. It's a classic. These are truly wonderful characters that won't even be outdone by the huge action scenes and surprises. So what do I say to that? I say Rock ON. :)

I can't believe that this is Al Robertson's debut. Something tells me that he's going to be on my "must read immediately" list from now on. :)
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Signalé
bradleyhorner | 5 autres critiques | Jun 1, 2020 |
I'm about to go squee a gonzo squee in this review. :)

I'm a huge Idea fan for SF and I might even be a bigger world-building fan for SF, but when you throw all of that into a huge pile of post-singularity super-futuristic data communes where people can live their lives as data "fetches" or go through the process of putting a suit of meat back on you, it gets really funky.

Better yet, space-station spanning AIs that are more like gods than anything else, playing games and knocking each other off, or just having the tale continue where the last one left off, the aftermath of a war in heaven where all the little AIs rose up and ousted the big AIs and our hapless noir characters are thrown in the center of the intrigue.

HOWEVER. This book does not continue directly from that point. The aftermath is the Totality, and we've got a new set of interesting characters to follow and see through yet ANOTHER mind-blowing finale.

I can respect this. It's really hard to find a non-contrived way to throw our favorite characters from the last book into a situation quite this huge, AGAIN.

Fortunately, Leila and Cassiel's teaming up was an awesome choice and I rocked to the tale of parsing out the mystery of Leila's brother's death and the enormous whammy of Deodatus, (an AI god, of course,) and just what the hell is happening on the two Stations and Earth, itself. The story gets big and badass.

From a sheer imaginative standpoint, I give this book top marks, but the story is also solid as hell, too.

Where else can you have a hard time determining what's really real or a virtual construct, flying through data streams and fighting of true data bugs, deploying viruses in the shapes of skulls and flies, or having your memory broken up and sold to the highest bidders upon your demise? I mean, damn! This kind of thing blows me away with so much coolness! Nothing is ever really explained, but who cares. This is a smart book for smart followers of SF and if you haven't been reading Al Robertson's stuff, yet, then you're missing out on a real achievement of the imagination.

I suspect the author is going all out to write what he most wants to read, and I applaud the hell out of it. I can only wish that such books will gain tons of popularity because I could do with a LOT MORE of this post-cyberpunk post-singularity fantastic goodness. :)
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Signalé
bradleyhorner | 1 autre critique | Jun 1, 2020 |

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Statistiques

Œuvres
6
Aussi par
2
Membres
138
Popularité
#148,171
Évaluation
½ 3.3
Critiques
11
ISBN
33
Langues
3

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