C. Peter Ripley
Auteur de Witness for Freedom: African American Voices on Race, Slavery, and Emancipation
Œuvres de C. Peter Ripley
Witness for Freedom: African American Voices on Race, Slavery, and Emancipation (1993) — Directeur de publication — 31 exemplaires
Nixon 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Ripley, C. Peter
Membres
Critiques
Statistiques
- Œuvres
- 10
- Membres
- 106
- Popularité
- #181,887
- Évaluation
- 4.5
- Critiques
- 2
- ISBN
- 23
He devoted plenty of time to lengthy quotes from those friends about their daily lives and thoughts about the Revolution. I was especially interested in a deeply humane, insightful comment by Victor, a man who had been involved in the Revolution and was still a staunch supporter of the world's last Marxist government:
The author (who is definitely the protagonist -- the introduction makes a big deal about the drawbacks of journalistic "objectivity") is a Baby Boomer and comes at this from a very Boomer perspective. He's constantly responding to assumptions his generation has about Cuba -- Communism made them all miserable and starving -- that my generation doesn't share, or even think about much. Which is fine; the book was published when I was in college, so that was his audience. The book is at its best, though, when Ripley is quoting Cubans and giving context, rather than editorializing.
Because good grief, his overwritten romanticizing! He insists upon referring to Cuba with a female pronoun, and every other sentence is a forced metaphor of the form: "Paulo was young and on the make, like Cuba herself" [paraphrase]. He also has a vaguely gross, exoticizing attitude toward young women, using phrases like "an innocent cry by a latte-colored beauty" [not, unfortunately, a paraphrase] and portraying Castro's crackdown on Cuban prostitutes as primarily affecting foreign men who no longer came on vacation and the trickle-down effect on Cuba's economy. No exploration at all of the forced choices many of those women were likely making. He couldn't even bring himself to straight-up use the word "prostitution," describing them only as girls looking for entertainment that they couldn't afford if foreign men weren't paying.
I went back and forth between rolling my eyes and being fascinated by this American portrayal of 1990s Cuba. I'm glad I read it, I think, but I definitely need an updated perspective -- ideally by a Cuban woman.… (plus d'informations)