Photo de l'auteur

Lola Ridge (1873–1941)

Auteur de The Ghetto, and other poems

8+ oeuvres 53 utilisateurs 3 critiques

Œuvres de Lola Ridge

The Ghetto, and other poems (2009) 18 exemplaires
Sun-Up, and Other Poems (2004) 10 exemplaires
Firehead (1929) 9 exemplaires
Dance of fire (1935) 3 exemplaires
Verses (2019) 3 exemplaires
Red Flag 2 exemplaires

Oeuvres associées

Wolf's Complete Book of Terror (1979) — Contributeur — 76 exemplaires
Years of Protest: A Collection of American Writings of the 1930's (1967) — Contributeur — 39 exemplaires
Modernist Women Poets: An Anthology (2014) — Contributeur — 19 exemplaires
Gender in Modernism: New Geographies, Complex Intersections (2007) — Contributeur — 12 exemplaires
Poems in the waiting room : Issue 71 — Contributeur — 1 exemplaire

Étiqueté

Partage des connaissances

Nom canonique
Ridge, Lola
Autres noms
Ridge, Rose Emily
Date de naissance
1873-12-12
Date de décès
1941-05-19
Sexe
female
Nationalité
Ierland
Lieu de naissance
Dublin, Ierland
Lieu du décès
Brooklyn, New York, USA
Lieux de résidence
Hokitika, Nieuw-Zeeland
New York, New York, USA
Australië
San Francisco, Californië, USA
Études
Sydney Art School
Professions
dichter
redacteur
Prix et distinctions
Shelley Memorial Award (1933/1934, 1934/1935)
Courte biographie
Lola Ridge, née Rose Emily Ridge, was born in Dublin, Ireland and moved to New Zealand with her mother in childhood. In 1895, at age 21, she married Peter Webster, the manager of a gold mine in her town of Hokitika. When the marriage was failing in 1903, she left her husband and moved with their young son to Sydney, Australia to study painting at the Sydney Art School. After her mother died in 1907, Ridge emigrated to the USA and reinvented herself as Lola Ridge, poet and painter. She settled in San Francisco, California and made her literary debut in Overland Monthly. She then moved on to Greenwich Village in New York City. There she wrote advertising copy and worked as an artists' model and in a factory. She became active in working class politics and radical and anarchist causes, often writing about the rights of women, immigrants, and people of color. She participated in demonstrations and marches and got arrested in Boston in 1927 for protesting the execution of Sacco and Vanzetti. Her circle of writers and poets included William Carlos Williams and Marianne Moore, and she often hosted gatherings in her home. Ridge first received critical attention for her long poem "The Ghetto," about life among Jewish immigrants in Lower East Side tenements, published in 1918 in The New Republic. Later that year, she published her first book, The Ghetto and Other Poems. The success of this work led to new opportunities for Ridge: she became the influential editor of several avant-garde journals, and contributed her own poems to Poetry, New Republic, The Saturday Review of Literature, and Mother Earth, among others. She published four more collections of poetry, Sun-up and Other Poems (1920), Red Flag (1927), Firehead (1929), and Dance of Fire (1935). Her work also was collected in anthologies. In 1935, she was awarded a Guggenheim Fellowship, and she received the Shelley Memorial Award from the Poetry Society of America twice, in 1934 and 1935.

Membres

Critiques

An unjustly neglected great poet

Lola Ridge is an unjustly neglected great poet of the last century. Born in Ireland, she lived and wrote in Europe, the US, and Australia. Perhaps it is her politics of protest with an anarchist/socialist bent. But the writing is find and experimental the way many 21st Century poets wish they were. It harks back to Whitman and predates Plath. Some of her attempts at surreal imagery and metaphor don't work. But often her comparisons open new ways of seeng. Her poetry stands up and sometimes seems cutting edge 100 years later.… (plus d'informations)
 
Signalé
dasam | Jun 21, 2018 |
This collection of early poems by Lola Ridge is not up to the quality of Sun-Up, but the title poem and several others hows the promise of Ridge's later work. I am not sure why she gets such little recognition, except that her revolutionary leftism is objectionable to many.
 
Signalé
dasam | 1 autre critique | Jun 21, 2018 |
At first, I wasn't incredibly impressed by Ridge, but the farther I got into this collection, the more I was drawn in. Her heavy reliance on unique images and attention to detail, combined with her straight-forward language, make these poems surprisingly engaging and hard-hitting, particularly when describing the poverty she saw around her in the early twentieth century. These poems are accessable and graceful--I think that anyone who reads slowly enough to give them a chance to sink in will end up appreciating them both for their messages and their beauty, as well as their careful language. Highly recommended; this is a collection I'll come back to repeatedly, and one of the more inspiring poetry collections I've read from the time period.… (plus d'informations)
1 voter
Signalé
whitewavedarling | 1 autre critique | Apr 12, 2010 |

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Statistiques

Œuvres
8
Aussi par
6
Membres
53
Popularité
#303,173
Évaluation
4.1
Critiques
3
ISBN
23

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