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Elmer Rice (1892–1967)

Auteur de The Adding Machine

33+ oeuvres 364 utilisateurs 10 critiques

A propos de l'auteur

A native of New York City, Rice studied law and passed his bar exams. However, he immediately began writing, and On Trial (1914), which employed a flashback technique, made Rice an important playwright at age 22. He proceeded to study under Hatcher Hughes at Columbia University, where he also afficher plus directed. He helped found the Playwrights' Company in 1938, the Dramatists Guild, and other groups. In 1951 he came to the defense of actors whose allegedly left-wing associations were causing them to lose their jobs. During his 45 years in the theater, Rice wrote 50 full-length plays, 4 novels, and several film and television scripts, as well as his autobiography and The Living Theater (1939), which appraises the theater in terms of the social and economic forces affecting its development. His two masterpieces are The Adding Machine (1923), an expressionistic comedy wherein the hero remains a cipher in mechanized society, and Street Scene (1929), which was originally entitled Landscape with Figures because Rice considered "the [tenement] house as the real protagonist of the drama." The plot's crime passionel is but one aspect of the crowded panorama of tenement life. Robert Hogan writes in assessing Rice's career, "Rice has produced a remarkable body of work---large, varied, experimental andhonest . . . . As a consistently experimental playwright he is rivalled in our theater only by O'Neill."Rice won the Pulitzer Prize for drama for Street Scene. (Bowker Author Biography) afficher moins
Crédit image: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Œuvres de Elmer Rice

The Adding Machine (1923) 105 exemplaires
Street Scene: A Play in Three Acts (1929) 40 exemplaires
A Voyage to Purilia (1930) 17 exemplaires
The Living Theatre (1959) 16 exemplaires
Dream Girl (1945) 15 exemplaires
Street Scene [1931 film] (1931) — Screenwriter/Original play — 12 exemplaires
Counsellor-at-Law (1931) 10 exemplaires
Imperial City (1937) 9 exemplaires
The Show Must Go On 7 exemplaires
Two on an Island (1940) 5 exemplaires
Judgment Day (1934) 5 exemplaires
Cock Robin (1929) 4 exemplaires
The Winner: A Play in Four Scenes (1954) 4 exemplaires
Seven Plays (1950) 4 exemplaires

Oeuvres associées

Holiday Inn (Special Edition) (1942) — Writer — 277 exemplaires
Famous American Plays of the 1920s (1959) — Contributeur — 139 exemplaires
Best Plays of the Modern American Theatre: Second Series (1947) — Contributeur — 82 exemplaires
The Theatre Guild Anthology (1936) — Contributeur — 62 exemplaires
Three Plays About Business in America: The Adding Machine, Beggar on Horseback, All My Sons (1964) — Contributeur, quelques éditions36 exemplaires
50 Best Plays of the American Theatre [4-volume set] (1969) — Contributeur — 33 exemplaires
Best American Plays, Supplementary Volume, 1918-1958 (1961) — Contributeur — 28 exemplaires
Three Dramas of American Realism (1961) — Contributeur — 28 exemplaires
Contemporary Drama: European, English and Irish, American Plays (1941) — Contributeur — 17 exemplaires
Contemporary Drama: Nine Plays, American, English, European, (1941) — Contributeur — 13 exemplaires
Street Scene [vocal score] (1981) — Book author — 12 exemplaires
Reader's Digest Condensed Books 1950 v01 (1950) — Contributeur — 4 exemplaires
Contemporary Drama American Plays II (1938) — Contributeur — 4 exemplaires
50 Best Plays of the American Theatre, Volume 1 — Contributeur — 2 exemplaires
50 Best Plays of the American Theatre, Volume 3 — Contributeur — 1 exemplaire

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Avec habileté et perspicacité, King Vidor filme au début des années 30 la vie d'une rue d'un quartier populaire de New York. Le choix de cette unité de lieu (qui se concentre en réalité sur la vie d'un immeuble donné) confère beaucoup d'intérêt à la peinture qu'il dresse des personnages qui y gravitent : une femme adultère, mal mariée à un type brutal, sa fille qui souhaite construire sa vie et qui refuse le confort trop facile que lui procurerait un jeune étudiant amoureux d'elle, malgré la tournure tragique des événements.
Vive le cinéma pre-code qui permettait encore aux femmes d'exister par elles-mêmes et pour elles-mêmes !
… (plus d'informations)
 
Signalé
biche1968 | 2 autres critiques | Nov 7, 2021 |

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Statistiques

Œuvres
33
Aussi par
18
Membres
364
Popularité
#66,014
Évaluation
½ 3.3
Critiques
10
ISBN
12
Langues
2

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