Ernest Raymond (1888–1974)

I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!

Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.

In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.


rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-...… (plus d'informations)

I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!

Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.

In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.


rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-...… (plus d'informations)

I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!

Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.

In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.


rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-...… (plus d'informations)