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John Crowe Ransom (1888–1974)

Auteur de Selected Poems

44+ oeuvres 325 utilisateurs 3 critiques 3 Favoris

A propos de l'auteur

A Rhodes scholar who went to Oxford University from Vanderbilt University, John Crowe Ransom later taught at Vanderbilt University from 1914 to 1937. While there, he became mentor to a number of individuals, including Robert Penn Warren and Cleanth Brooks, who later became involved in the New afficher plus Criticism with Ransom. Professor of poetry at Kenyon College, Ohio, from 1937 to 1958, Ransom founded The Kenyon Review in 1939. He was also one of the seven residents of Nashville, Tennessee, who founded and edited The Fugitive (1922--25) and, according to Louis Untermeyer, "He more than any of the others was responsible for the new awakening of poetry in the South." He won the Academy of American Poets' $5,000 fellowship prize (1962) for his "distinguished poetic achievement." He also won the Bollingen Prize in poetry and the Loines Award for poetry. By writing a handful of lyrics remarkable for their irony and structural tensions, as well as critical essays that praised just these virtues in the name of New Criticism, Ransom had an influence far beyond many of his peers. (Bowker Author Biography) afficher moins
Crédit image: Bowen School Yearbook: 1903 Senior Class

Œuvres de John Crowe Ransom

Selected Poems (1945) 113 exemplaires
Poems and Essays (1955) 63 exemplaires
The World's Body (1938) 17 exemplaires
The Kenyon Review (2010) 17 exemplaires
The New Criticism. (1979) 14 exemplaires
God Without Thunder (1930) 11 exemplaires
The Kenyon Critics (1951) 7 exemplaires
Chills and Fever 5 exemplaires
Grace after meat 3 exemplaires
Poems about God (2011) 3 exemplaires

Oeuvres associées

Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Contributeur, quelques éditions919 exemplaires
World Poetry: An Anthology of Verse from Antiquity to Our Time (1998) — Contributeur — 448 exemplaires
A Pocket Book of Modern Verse (1954) — Contributeur, quelques éditions443 exemplaires
Critical Theory Since Plato (1971) — Contributeur, quelques éditions400 exemplaires
Criticism: Major Statements (1964) — Contributeur — 222 exemplaires
Poems Bewitched and Haunted (Everyman's Library Pocket Poets) (2005) — Contributeur — 190 exemplaires
American Religious Poems: An Anthology (2006) — Contributeur — 162 exemplaires
American Wits: An Anthology of Light Verse (2003) — Contributeur — 135 exemplaires
A Comprehensive Anthology of American Poetry (1929) — Contributeur — 129 exemplaires
The Norton Book of Travel (1987) — Contributeur — 110 exemplaires
The Literature of the American South: A Norton Anthology (1997) — Contributeur — 98 exemplaires
Twentieth-Century American Poetry (1777) — Contributeur — 97 exemplaires
Wolf's Complete Book of Terror (1979) — Contributeur — 76 exemplaires
The Everyman Anthology of Poetry for Children (1994) — Contributeur — 72 exemplaires
American Sonnets: An Anthology (2007) — Contributeur — 66 exemplaires
Selected Poems of Thomas Hardy (1961) — Directeur de publication — 47 exemplaires
Who Owns America: A New Declaration of Independence (1970) — Contributeur — 45 exemplaires
Years of Protest: A Collection of American Writings of the 1930's (1967) — Contributeur — 39 exemplaires
In Search of the Simple Life: American Voices, Past and Present (1986) — Contributeur — 34 exemplaires
An American Omnibus (1933) — Contributeur — 31 exemplaires
60 Years of American Poetry (1996) — Contributeur — 28 exemplaires
Praising It New: The Best of the New Criticism (2008) — Contributeur — 23 exemplaires
The Intent of the Critic (1941) — Contributeur — 15 exemplaires
Lectures in Criticism (1961) — Contributeur — 13 exemplaires
Oxford and Oxfordshire in Verse (1982) — Contributeur — 11 exemplaires
Perspectives on poetry (1968) — Contributeur — 7 exemplaires
Case-Record from a Sonnetorium (1951) — Contributeur — 6 exemplaires
New World Writing 19 (1961) — Contributeur — 2 exemplaires
A VOYAGE TO THE BRITISH ISLES (1940) — Préface — 1 exemplaire
Conversations on the craft of poetry — Contributeur — 1 exemplaire

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At Vanderbilt, Ransom was a founding member of the Fugitives, a Southern literary group of 16 writers that functioned primarily as a kind of poetry workshop and included Donald Davidson, Allen Tate, and Robert Penn Warren. Under their influence, Ransom, whose first interest had been philosophy (specifically John Dewey and American pragmatism) began writing poetry. Ransom was a leading figure of the school of literary criticism known as the New Criticism, which gained its name from his 1941 volume of essays The New Criticism. The New Critical theory, which dominated American literary thought throughout the middle 20th century, emphasized close reading, and criticism based on the texts themselves rather than on non-textual bias or non-textual history.
Both Ransom's essays and poetry are worthwhile to read. As a student in the continuing education programs of the University of Chicago I especially enjoyed the essay, "Humanism at Chicago". It is a thoughtful review of some of the thought of the humanists who made Chicago great.
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Signalé
jwhenderson | Feb 28, 2013 |
Certainly literary, and high quality writing, but not a literary journal I can read cover to cover (which is what I normally do with journals) without wandering. I can't help feeling that the work always has very high ambitions (and perhaps achievements and themes also in many cases)--but is usually lacking in passion. Very rarely do I start reading anything in this one that I very simply can't put down. I feel like it's worthwhile....but it's not a journal I turn to for escape or simple pleasure. I will say that the essays here are often fascinating and out of the ordinarly. Those, I recommend without reserve.… (plus d'informations)
½
 
Signalé
whitewavedarling | Jul 28, 2008 |

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Œuvres
44
Aussi par
36
Membres
325
Popularité
#72,884
Évaluation
4.0
Critiques
3
ISBN
20
Favoris
3

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