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22+ oeuvres 137 utilisateurs 4 critiques

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Crédit image: Ventura Mendoza

Œuvres de Public Enemy

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Sexe
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Nationalité
USA

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Critiques

Public Enemy's second album, focusing on social consciousness.

3/4 (Good).

It's relentlessly fast paced and an hour long, so it's exhausting to listen to. It's also intelligent and entertaining.
½
 
Signalé
comfypants | 2 autres critiques | Jul 26, 2018 |
Product Details

* Audio CD (May 2, 1995)
* Original Release Date: 2000
* Number of Discs: 1
* Format: Explicit Lyrics
* Label: Def Jam
* Catalog Number: 27358
* ASIN: B0000024K1
* Other Editions: Audio Cassette | LP Record
* Average Customer Review: based on 161 reviews. (Write a review.)
* Amazon.com Sales Rank: #3,877 in Music (See Top Sellers in Music)
Yesterday: #3,649 in Music

Listen to Samples
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1. Countdown To Armageddon Listen Listen
2. Bring The Noise Listen Listen
3. Don't Believe The Hype Listen Listen
4. Cold Lampin' With Flavor Listen Listen
5. Terminator X To The Edge Of Panic Listen Listen
6. Mind Terrorist Listen Listen
7. Louder Than A Bomb Listen Listen
8. Caught, Can We Get A Witness? Listen Listen
9. Show Em Whatcha Got Listen Listen
10. She Watch Channel Zero?! Listen Listen
11. Night Of The Living Baseheads Listen Listen
12. Black Steel In The Hour Of Chaos Listen Listen
13. Security Of The First World Listen Listen
14. Rebel Without A Pause Listen Listen
15. Prophets Of Rage Listen Listen
16. Party For Your Right To Fight Listen Listen
Editorial Reviews
Amazon.com essential recording
It Takes a Nation of Millions was the sign that hip-hop had exploded like a grenade. A rap record as abrasive, hardcore, and eloquent as a JFK speech, the 1988 disc is one classic track after another: tense, multilayered, harmonically wild music. Chuck D. declaims like a master preacher with foil Flavor Flav's voice darting around his. They've got the desperate energy of people fighting for their lives, and everything from their pumped-up rhetoric ("Prophets of Rage") to the group's quasi-paramilitary organization to the sirens and sax squeals in nearly every track declares how urgent their mission is. It's a hugely influential album, and it still sounds fresh and frightening after all these years. --Douglas Wolk
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First tag: rap (Daniel L. Smith on Nov 27, 2005)
Last tag: hiphop

rap (1), IETA ONE (1), hiphop (1)
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* Daniel L. Smith
* Desinde "ïETA ONE"



* Sean Patrick Coon




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30 of 30 people found the following review helpful:
Proof that Rap Can be Thought-Provoking AND Funky!!!, February 17, 2005
Reviewer: P. B. Reynolds (North Carolina) - See all my reviews
(REAL NAME)
All that I could say after hearing this album for the first time was "wow!" Even though the tracks here are almost two decades old, they sound much more daring, progressive, and experimental than any rap you can hear on the radio today. Is it possible that we are "de-evolving" now that perfection was already reached in 1988? I mean, I enjoy a lot of Snoop and NWA as well, but everything recorded since, say 1995 has been pretty abysmal in comparison to rap's "Golden Age." I suspect that since Chuck D. and the gang so thoroughly nailed it here, others knew that they couldn't rise to the occasion, so they didn't even try.

This album is a musical marvel, in every sense of the word. This is coming from a southern white male who was only four years old when this came out and, a mere few months ago, hated pretty much all rap. What can I say? I've been converted. Chuck D.'s militant message here is simply dead on, and while I can't quite get behind their endorsement of Farakhan, I can overlook that, because I agree completely with everything else they're laying down here. From the first track to the last, the album is a relentless indictment of government and media, from the unheard voices of urban America. And if that wasn't enough, the music is incredibly funky.

I'll take these Bomb Squad arrangements and Terminator X turntable magic over all of the over-produced pop garbage we have to put up with now any day of the week. Others have already extolled the merits of the brilliant production values and technical superiority, so all I'll say is this. The grooves here are as deep and pervasive as anything you will ever hear in popular music. I've loved all types of music, from Sinatra to Stravinsky, and if "Don't Believe the Hype" doesn't get some butts shaking at your next house party, consider moving to a funkier neighborhood!!!

Other stand-out tracks here are numerous. The repetitive striking of a minor piano chord in "Black Steel in the Hour of Chaos" makes for a menacing, delightful hip-hop experience. In this anti-authority "story song", you can almost hear an early prototype of later, very similar songs like Dr. Dre's "Deep Cover" but this is ten times better! Chuck is in great voice, and this track seems way ahead of its time.

You can't go wrong with this album, as it is perfection epitomized, on every level. If you, like me, are fairly new to rap, check this one out and get a taste of how rap SHOULD sound, and how it sounded for so many years before the hollow, voiceless perpetrators and posers took it over (in the interest of civility, I won't name names, but you all know who I'm talking about!) On a lighter note, I want to share with you my idea for the perfect drinking game. Turn this thing up to full-blast on your speakers, get a bottle of your beverage of choice, and take a shot every time Flavor Flav shouts "Yeeeaaah, boyeeee!!!!!!"

Uhhh...maybe you'd better make that HALF a shot. Afterall, I wouldn't want anybody out there to get alcohol poisoning!
… (plus d'informations)
½
 
Signalé
pantufla | 2 autres critiques | Jan 27, 2006 |
 
Signalé
VPALib | Mar 6, 2019 |

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Statistiques

Œuvres
22
Aussi par
5
Membres
137
Popularité
#149,084
Évaluation
½ 3.7
Critiques
4
ISBN
5
Langues
1

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