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Raymond Pettibon

Auteur de Raymond Pettibon

56+ oeuvres 281 utilisateurs 5 critiques

A propos de l'auteur

Raymond Pettibon was born in Tuscon, Arizona in 1957. His work has become an emblem of the D.I.Y. aesthetic since the late 1970s, and is associated with underground bands like Sonic Youth. Last year a retrospective exhibition of his work traveled to museums in Chicago, New York, Philadelphia, and afficher plus Los Angeles. He lives and works in Hermosa Beach, California. (Bowker Author Biography) afficher moins

Œuvres de Raymond Pettibon

Raymond Pettibon (2001) 73 exemplaires
Thinking of You (1998) 14 exemplaires
Turn to the Title Page (2005) 10 exemplaires
Raymond Pettibon (1992) 10 exemplaires
Raymond Pettibon (2007) 7 exemplaires
Raymond Pettibon: Looker-Upper (2011) 2 exemplaires
New wavy gravy 2 2 exemplaires
Captive Chains (1978) 2 exemplaires
Raymond Pettibon Dvd (2004) 2 exemplaires
Just Happy to be Working (1985) 2 exemplaires
I Will Sign Anything 1 exemplaire
On the Scent (Vavoom) (1992) 1 exemplaire
Capricious Missives 1 exemplaire
As Always and So On. (2006) 1 exemplaire
Freud's Universe 1 exemplaire
The Express Sex Train 1 exemplaire
Watching Onan 1 exemplaire
Kismet's Account 1 exemplaire
Like Death Valley 1 exemplaire
Origin Issue 1 exemplaire
Psing a Psalm 1 exemplaire
The Major Arteries (2008) 1 exemplaire
Ball N' Chain 1 exemplaire
Lyrik 1 exemplaire
Dzama / Pettibon 1 exemplaire
Dear St. John 1 exemplaire
Writ 1 exemplaire
Hum a Hymn 1 exemplaire
Vavoom Exhibition 1 exemplaire
The Train-Watcher 1 exemplaire
From a Tower 1 exemplaire
Super Session Ten 1 exemplaire
Sweet Luther 1 exemplaire

Oeuvres associées

The Best American Comics 2015 (2015) — Artiste de la couverture, quelques éditions; Contributeur — 94 exemplaires
Goo (1990) — Artiste de la couverture — 43 exemplaires
ED RUSCHA/RAYMOND PETTIBON: THE HOLY BIBLE & THE END. (2006) — Contributeur — 9 exemplaires

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Raymond Pettibon counts among his muses Henry James, Mickey Spillane, Marcel Proust, William Blake, and Samuel Beckett, and pours their mututal influence, along with a bucket of West-coast punk rock, into elegant, aggressive watercolor cartoons. This selection includes everything from city streets to alien-on-human sex, captioned, "it went on for 20 minutes instead of the required 2 because there was a live feed back home."
 
Signalé
petervanbeveren | Dec 6, 2022 |
One of the many zines Pettibon produced in the 1980s, New Wavy Gravy incorporates text and drawings of “Hard Rock, Acid Rock, Punk Rock, Folk Rock, Country Rock, Soft Rock, Polka Pock, and Raga Rock.” Issue 2 includes more transcribed discussions of the state of music in the USA, a mock interview with Mike Watt, punk philosophy, and Pettibon’s ink cartoons of punk lovers, sons and daughters.

This is number 335 of 500.
 
Signalé
petervanbeveren | Jan 10, 2021 |
Raymond Pettibon's genius for devising unpredictable, amusing tensions between word and image reach into new terrain with his newest works, gathered in this staplebound volume for the artist's 2011 show at Contemporary Fine Arts in Berlin. Ranging from laconic single images to collaged drawing and works exploring a wilder cacophony of caption and image, these works, rendered in India ink, and reproduced in full color and in installation shots at the CFA, show Pettibon locating new heights and depths of wit and improbable association--as well as exploring more political content, with references to Obama and the wars in Iraq and Afghanistan. Alongside these developments, familiar Pettibon imagery of sport, pulp and psychedelica also abounds. Raymond Pettibon: Looker-Upper provides a handsomely designed update on the artist's dark yet rarely dystopian universe.… (plus d'informations)
 
Signalé
petervanbeveren | Jan 10, 2021 |
Raymond Pettibon is one of the most distinctive and highly regarded American artists of his generation. In the thousands of drawings he has produced over the last two decades, Pettibon stakes out a thematic territory that combines the bright, shiny world of American mass culture with its darkly complex undertows. Pettibon's imagery largely derives from the world of cartoons and popular culture: surfers, trains, baseball players, and cartoon characters. His prolific skill lies in his ability to make powerful and poetic associations between word and image. An avid reader, he isolates a phrase or word and inserts it into his drawing, not as a commentary but as an active graphic element, often written in capitals like a caption to the image. His works range in tone from the polemical to the confessional and introspective and explore the extremes of the human condition from the abject to the sublime.

Pettibon's work was originally produced for the attention of his friends-fellow artists and musicians in the punk scene in Los Angeles in the 1970s and early 1980s. At that time he combined painting, songwriting, performing, and video making for bands like Sonic Youth, Minutemen, and Black Flag.

Today his works are included in the permanent collections of public galleries throughout the world, and have been shown in many solo exhibitions, including the Philadelphia Museum of Art, the Whitney Museum of American Art, and the Museum of Contemporary Art in Los Angeles.
… (plus d'informations)
 
Signalé
petervanbeveren | Jan 10, 2021 |

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Statistiques

Œuvres
56
Aussi par
4
Membres
281
Popularité
#82,782
Évaluation
4.1
Critiques
5
ISBN
18
Langues
3

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