Paul Oppenheimer (1)

In this powerfully original work, Paul Oppenheimer analyzes the phenomenon of evil in light of a startling new theory. He proposes that evil can be understood empirically, as a type of physical and mental behavior that emerges in particular landscapes. Evil, Oppenheimer argues, contains specific, predictable ingredients and is, as such, a demonstrable fact. By understanding its nature - its diabolical self-consciousness and its impersonal selection of victims - we can diagnose its specific manifestations in mass murder, genocide, and serial killings. Crisscrossing a variety of cinematic and literary genres in developing its evidence, the book considers such familiar films as The Silence of the Lambs and Brazil and draws upon such literary works as Richard III, Oedipus the King and The Picture of Dorian Gray. Written in a style intended for both general reader and specialist, Evil and the Demonic provides a framework in which we can place the horrors of human existence.

Oppenheimer (comparative medieval literature and English, City U. ofNew York) finds empirical evidence for the existence of evil as atype of physical and mental behavior that emerges in particular landscapes and contains specific, predictable ingredients such as a diabolical self-consciousness and an impersonal selection of victims.He then uses the theory to explain manifestations of mass murder,genocide, and serial killings, especially in the 20th century.… (plus d'informations)

Guilt makes no compromises. One may be a little in love or a little bit angry, but the idea of degrees of guilt is meaningless. Any guilt, whether of the emotional, religious or legal variety, is fiendishly intense. The word itself points to a mysterious intensity of indebtedness, and this with an absolution extraordinary in human affairs.

This book aims to go to the heart of the mystery. Its theme, that of the absolutism of guilt, is explored from a variety of different perspectives and through a series of anecdotes. The author examines the sources of the word "guilt"

languages and cultures without the concept of guilt

the religious importance and meaning of guilt, in Judaism, Christianity and other religions

psychological investigations of guilt, by Freud and Jung, among others

guilt and criminal behaviour

guilt and mourning

the effect of guilt as a creative stimulant in modern times, on literature, art, politics, law and film

and the mysterious persistence of guilt in modern secular societies

Throughout, the text is supported with quotations from authors ancient and modern.… (plus d'informations)