Photo de l'auteur

Claes Oldenburg (1929–2022)

Auteur de Claes Oldenburg: An Anthology

82+ oeuvres 531 utilisateurs 5 critiques

A propos de l'auteur

Crédit image: Claes Oldenburg, 2012.

Œuvres de Claes Oldenburg

Claes Oldenburg: An Anthology (1995) 70 exemplaires
Notes in hand (1971) 54 exemplaires
Claes Oldenburg: Drawings and Prints (1969) — Compositeur — 32 exemplaires
A Bottle of Notes and Some Voyages (1988) 26 exemplaires
Claes Oldenburg: Early Work (2005) 16 exemplaires
Claes Oldenburg (2012) — Photographe — 9 exemplaires
Images a la Carte (2004) 6 exemplaires
Injun and other histories (1960) (1966) 5 exemplaires
Claes Oldenburg: Shelf Life (2017) 4 exemplaires
Zeichnungen von Claes Oldenburg (1976) 4 exemplaires
Notes 4 exemplaires
Inverted Collar and Tie (1994) 3 exemplaires
Store Days (1967) 2 exemplaires
The European desktop (2010) 2 exemplaires
The Haunted House (1987) 1 exemplaire
Claes Oldenbug : SM 1 exemplaire
Claes Oldenburg (1964) 1 exemplaire
The Multiples Store. (1996) 1 exemplaire

Oeuvres associées

Theories of Modern Art: A Source Book by Artists and Critics (1968) — Contributeur — 754 exemplaires
Pop Art Redefined (1969) — Contributeur — 66 exemplaires
In Memory Of My Feelings (1967) — Illustrateur — 64 exemplaires
Il Corso del coltello = The Course of the knife (1986)quelques éditions22 exemplaires
Claes Oldenberg and Coosje Van Bruggen (2002) — Contributeur — 12 exemplaires

Étiqueté

Partage des connaissances

Membres

Critiques

First edition of 1.000 copies, reprinted in 2007. Offered on the internet in February for prices from USD 20,-.
 
Signalé
FlipBool | Mar 9, 2024 |
This breezy and acerbic collection of early writings and illustrations by Oldenburg presents gnomic visions of an earlier America. Oldenburg’s hand shines through in the loose, vivid prose and in the overall presentation. The pamphlet includes “Two Scenarios from an Incomplete Pageant of America,” a pair of excerpts from the longer, unfinished narrative “Faustina,” and a postscript.

Originally published by Something Else Press between 1965 and 1967, the Great Bear Pamphlet series was envisioned by founding editor Dick Higgins as a “poor man’s keys to the new art,” or a means of exposing the most vital work of the time to a mass-market audience, and vice versa. The series made uncompromisingly radical work maximally accessible, with slim, chapbook-like publications of a mostly uniform, pared down design. Taken together, the pamphlets constitute a firsthand survey of the sixties avant-garde (Higgins, Barbara Moore, and Emmett Williams all had a hand in the editorial process) that is both sweeping and utterly unique, transmitting a still-vibrant signal of expanded possibility in art, music, and poetry. Presented here in a facsimile edition, the Great Bears epitomize the utopian vision of Higgins and Something Else.… (plus d'informations)
 
Signalé
petervanbeveren | Jan 22, 2023 |
Claes Oldenburg kept a series of pressure binders in which he mounted scraps of paper and drawings, and made notes. This selection of fifty pages from his notebooks is colorful and playful, with his scribblings decoded on the facing pages. At the end of the book, there are notes on which of the pages were eventually the inspiration for completed works.
 
Signalé
petervanbeveren | Jul 14, 2022 |
Claes Oldenburg, multiples 1964 - 1990 : [erscheint anlässlich der Ausstellungen: Claes Oldenburg: Multiples 1964 - 1990 ; Portikus, Frankfurt am Main, 22. Februar - 31. März 1992 ; Lenbachhaus München, 8. April - 10. Mai 1992 ; Hochschule für Angewandte Kunst in Wien, 6. Oktober - 21. November 1992] / [Katalogkonzeption und -bearb.: Martin Hentschel. Übers.: Christoph Hollender]
 
Signalé
vecchiopoggi | Oct 16, 2016 |

Listes

Vous aimerez peut-être aussi

Auteurs associés

Statistiques

Œuvres
82
Aussi par
5
Membres
531
Popularité
#46,874
Évaluation
4.1
Critiques
5
ISBN
42
Langues
4

Tableaux et graphiques