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16+ oeuvres 524 utilisateurs 9 critiques

A propos de l'auteur

Julia O'Faolain was born to Irish writers Sean and Eileen O'Faolain in London, 1932. She was educated at University College in Dublin, the University of Rome, and the Sorbonne. She worked as an editor, language teacher and translator. In 1968, she published We Might See the Sights, her first afficher plus collection of short stories, which was followed by other collections, as well as novels, including Godded and Codded (1970) and No Country for Young Men (1980). She co-wrote Not in God's Image: Women in History from the Greeks to the Victorians with her husband, Lauro Martines. (Bowker Author Biography) afficher moins
Notice de désambiguation :

(eng) Julia O'Faolain also is published as translator under the name Julia Martines.

Crédit image: Irish Writers Online

Œuvres de Julia O'Faolain

Women in the Wall (1973) 130 exemplaires
No Country for Young Men (1980) 122 exemplaires
Daughters of Passion: Stories (1982) 26 exemplaires
The Irish Signorina (1984) 19 exemplaires
The Obedient Wife (1982) 18 exemplaires
Trespassers: A Memoir (2013) 15 exemplaires
Adam Gould (2009) 11 exemplaires
The Judas Cloth (1992) 9 exemplaires
Melancholy baby and other stories (1978) 7 exemplaires
Under the Rose: Selected Stories (2016) 5 exemplaires
Man in the Cellar: Stories (1974) 2 exemplaires
Godded and Codded (1970) 2 exemplaires
Ercoli e il guardiano notturno (1999) 1 exemplaire

Oeuvres associées

The Penguin Book of Irish Fiction (1999) — Contributeur — 153 exemplaires
The Penguin Book of Irish Short Stories (1981) — Contributeur — 131 exemplaires
Great Irish Tales of Fantasy and Myth (1994) — Contributeur — 108 exemplaires
The Treasury of English Short Stories (1985) — Contributeur — 85 exemplaires
The Second Penguin Book of Modern Women's Short Stories (1997) — Contributeur — 27 exemplaires

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A really unfortunately mediocre book that has glimpses of brilliance. Ireland in the 1920s and 1980s, reflected in its characters as a commentary on the modernisation of the free state, is told through a series of characters that are well developed. However, the writing is at times woeful (in particular the odd similes) and the concepts are never fully developed. The most important parts of the story are wasted and in the end the book is too long, relatively unimaginative and fades into nothing.
 
Signalé
ephemeral_future | 2 autres critiques | Aug 20, 2020 |
I was very impressed by this one - both the book and the writer were previously unfamiliar to me but they don't deserve to be forgotten.

This is a story rooted in the political and ideological history of modern Ireland, but also about how the culture shapes the expectations of people who live there and the complex relationship of the Irish with their American diaspora. It tells a story of a family over four generations from the civil war of the 1920s up to the late 1970s, and their relationships with two American visitors who get too close to the republican in-fighting. It presents all sides in Ireland's long-standing political debate between republican hard-liners and economic pragmatists, and must have been a brave choice for the Booker jury at a time when the IRA were still so active.

It does have its faults - for me it could have done with some editing - it is quite long and there are sections that failed to hold my interest, but the gradual revelation of secrets and the ending were subtly devastating.
… (plus d'informations)
 
Signalé
bodachliath | 2 autres critiques | Sep 14, 2018 |
This was an intense novel focusing on the lives of nuns in the 6th century Gaul. It took me a while to get going with it, but Radegunda and the anchoress who are among the focal characters of the novel were ultimately compelling.
 
Signalé
mari_reads | 5 autres critiques | Jul 21, 2018 |
Magnificent, incisive and insightful.
 
Signalé
FionaTW | 5 autres critiques | Apr 10, 2017 |

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Statistiques

Œuvres
16
Aussi par
5
Membres
524
Popularité
#47,450
Évaluation
½ 3.7
Critiques
9
ISBN
46
Langues
2

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