Horace Newcomb
Auteur de Television: the Critical View
A propos de l'auteur
Œuvres de Horace Newcomb
Mysteries: Order and Authority 1 exemplaire
Étiqueté
Partage des connaissances
- Nom canonique
- Newcomb, Horace
- Date de naissance
- 1942-08-22
- Sexe
- male
- Nationalité
- USA
- Études
- Mississippi College (BA|1964)
University of Chicago (MA|1965)
University of Chicago (PhD|English|1969) - Professions
- journalism professor
- Organisations
- University of Georgia
University of Texas at Austin
University of Maryland, Baltimore County
Saginaw Valley State College
Cornell College
Broadcast Education Association (tout afficher 8)
National Communication Association
International Communication Association
Membres
Critiques
Prix et récompenses
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Statistiques
- Œuvres
- 11
- Membres
- 159
- Popularité
- #132,375
- Évaluation
- 3.4
- Critiques
- 1
- ISBN
- 21
- Langues
- 1
What are we to make of news items about our sports figures that do not appear on the sports page or in the sports segment of the evening news? Caught in such a media cross fire, fans and players alike are unable to respond consistently. The sports figure becomes a superstar, and as such may be unwilling to sacrifice his private life for the traditional image imbedded in the culture, defined by an almost fictional regard for the heroic position. The fans, on the other hand, are unwilling to see their heroes as anything less than mythic. [pp.195-196]
There are several other points within this work that I have found applicable value in. In particular, on page 21 there is this:
[The unknown psychological effect of the television medium] leads to a continuing fear that a nation possessed of a dreamlike “television mentality” will soon develop. If people begin to judge their “real” world of experience by what they gather from the action of television fiction, we will all be in serious trouble. So goes the argument.
The Faux News phenomena anyone?
I really enjoyed reading about the conventions and formulas of television when it was the dominant cultural art form. I know “art” is a term used somewhat loosely here but the book does well in explaining why television programming is art and why and how it has cultural relevance. The cultural relevancies that this book describes are still good information and seem to expose the root of some of the more corrosive socio-political trends of the last 20 years that we are still dealing with today. Overall, I would recommend this book if anything I mentioned piques your interest. If not, then this one’s not for you.… (plus d'informations)