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Tara Moss

Auteur de Split

22+ oeuvres 1,200 utilisateurs 63 critiques 4 Favoris

A propos de l'auteur

Tara Moss is an author who wrote The Fictional Woman which won The Best Designed Nonfiction Book Award at the Australian Book Design Awards 2015. (Bowker Author Biography)

Séries

Œuvres de Tara Moss

Split (2002) 221 exemplaires
Fetish (1833) 207 exemplaires
The War Widow (2019) 112 exemplaires
Covet (2004) 110 exemplaires
Hit (2006) 99 exemplaires
The Blood Countess (2010) 77 exemplaires
The Fictional Woman (2014) 63 exemplaires
Siren (2009) 62 exemplaires
The Skeleton Key (2012) 44 exemplaires
The Spider Goddess (2011) 41 exemplaires
The Ghosts of Paris (2022) 40 exemplaires
Dead Man Switch (2019) 33 exemplaires
Assassin (2012) 29 exemplaires
The Cobra Queen (2020) 14 exemplaires
The Blood Countess (2022) 10 exemplaires
Killing me softly (2005) 4 exemplaires
The Mak Collection (2011) 3 exemplaires
Brama oscura 1 exemplaire
Die Jägerin (2021) 1 exemplaire

Oeuvres associées

Black is the Night: Stories inspired by Cornell Woolrich (2022) — Contributeur — 9 exemplaires

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Critiques

Don't get me wrong, I loved this book, but did no one else think that Billie is really just Phryne Fisher moved from 20's Melbourne to post war Sydney. There's even the handsome detective Hank to replace Jack.
 
Signalé
Kateinoz | 3 autres critiques | Feb 14, 2023 |
The Ghosts of Paris is the second book in the Billie Walker Mystery series, and I enjoyed it quite a bit and had no trouble following along even though I have no yet read the first book in this series. It did take quite a while for things to get moving, but when it did pick up, there was plenty to keep you engaged and interested. I am always fascinated by the time period after the war as people try to rebuild their lives and deal with the actions and betrayals of the war, so I found this book, with all of its secrets, to be engrossing. It's a bit lighter than the typical spy novel, but it was a lot of fun to read nonetheless.

I enjoyed Billie as a main character and liked her spunk as she dealt with the attitudes towards females and female independence during this time period. A lot of women really came into their own during WWII and achieved so many things, things that were difficult to let go when the war ended and the men returned expecting them to resume the rules and regulations that existed before the war. Watching Billie explore this new world, trying to deal with those older viewpoints, comments, and expectations, was frustrating and you get an idea of what is was like for women during this time period. The author really captured the atmosphere and it was evident she did a lot of research to be able to share the feelings as well as the frustrations with the reader through dialogue as well as actions. The descriptions of the clothing, the food, the buildings, that airplane ride, the beliefs, etc... really enhanced the overall reading experience and I enjoyed it tremendously.

I did enjoy this writer's writing style and thought her descriptions were wonderful, but I did think the story had moments where it dragged and was repetitive. I understand the author was trying to introduce characters and set-up different story lines as well as remind the reader of previous story lines that were incomplete from the previous book, something I did appreciate, but I did have to push through as I wondered when the actual story was going to start. When it did, it was quite explosive and very interesting. However, the ending was abrupt and a bit unsatisfactory. I did learn quite a bit about the LGBTQ community that existed during this time period, both in France as well as Australia, and I appreciated learning more about some of the laws that existed if one were caught; the author did a great job highlighting the homophobia that existed as well.

Verdict
The Ghosts of Paris deals with some fascinating issues of the time period, and I appreciated the research the author put into including those details into the story. I really enjoyed the characters and for the most part, the story lines were interesting; the abrupt ending of one of them left me feeling a bit unsatisfied, and I am still not sure what I think about the other one as I felt it was contrived simply to make room for a relationship for Billie which didn't quite sit well with me. Overall, I recommend this book to anyone looking for an interesting story set after WWII.
… (plus d'informations)
½
 
Signalé
StephanieBN | 1 autre critique | Aug 3, 2022 |
I adored Tara Moss’ Makedde Vanderwall PI crime series and wholeheartedly recommend it to those who enjoy feisty and intelligent leading ladies. Titles in that series I have reviewed on Booklover Book Reviews include Siren #5 (2009) and Assassin #6 (2012). But in 2019, Moss significantly expanded her fanbase with the release of The War Widow (aka Dead Man Switch), the first title in this historical PI series starring Ms. Billie Walker.

For readers like me, who fell in love with the fabulous feisty Billie and her eclectic good-hearted posse (read my review of Book 1), it has felt like a long wait for Book 2 The Ghosts of Paris. While I’ll strenuously avoid spoilers, suffice to say the events in this novel were worth that wait!

Dear Alma, wily flamboyant Ella, resourceful Shyla and the enigmatic Hank Cooper all make delightful return appearances, but it is the wonderfully steadfast, loyal and handsome Sam Baker (her assistant) that shares top billing in this outing as Billie’s European travel companion – and the energy between them is utterly delectable. Continue reading: https://www.bookloverbookreviews.com/2022/06/the-ghosts-of-paris-tara-moss-revie...
… (plus d'informations)
½
 
Signalé
BookloverBookReviews | 1 autre critique | Jun 17, 2022 |
Seriel murder mystery. Nothing special but ok to read.
 
Signalé
ElizabethCromb | 2 autres critiques | Aug 9, 2021 |

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Statistiques

Œuvres
22
Aussi par
1
Membres
1,200
Popularité
#21,382
Évaluation
½ 3.5
Critiques
63
ISBN
230
Langues
5
Favoris
4

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