Lin-Manuel Miranda
Auteur de Hamilton: The Revolution
A propos de l'auteur
Lin-Manuel Miranda is an award-winning composer, lyricist, and performer, as well as a 2015 MacArthur Foundation Award recipient. His most recent musical, Hamilton - with book (which is a New York Times bestseller), music and lyrics by Miranda, in addition to him playing the title role - opened on afficher plus Broadway in 2015 and was awarded the 2016 Pulitzer Prize in Drama. The Original Broadway Cast Recording of Hamilton won the 2016 Grammy Award for Best Musical Theater Album. Hamilton won an OBIE for Best New American Play and is the 2015 recipient of the Edward M. Kennedy Prize for Drama Inspired by American History. Material from the show was previewed at the White House during its first-ever Evening of Poetry & Spoken Word in 2009, in Lincoln Center Theater's 2012 American Songbook Series and at New York Stage and Film's 2013 Powerhouse Theatre Season at Vassar College. Miranda's first Broadway musical, In the Heights, received four 2008 Tony Awards (including Best Orchestrations, Best Choreography and Best Musical), with Miranda receiving a Tony Award for Best Score, as well as a nomination for Best Leading Actor in a Musical. He is the author of Gmorning, Gnight!, published in October 2018. Miranda received a B.A. from Wesleyan University in 2002. In May of 2009, Miranda received the degree of Doctor of Humane Letters, honoris causa, from Yeshiva University, the youngest recipient of such an honor in the University's 123-year history. He received his B.A. from Wesleyan University in 2002. (Bowker Author Biography) afficher moins
Crédit image: Wikimedia.org
Œuvres de Lin-Manuel Miranda
Hamilton: An American Musical: Original 2015 Broadway Cast Recording (2015) — Compositeur — 121 exemplaires
In the Heights: The Complete Book and Lyrics of the Broadway Musical (Applause Libretto Library) (2013) 76 exemplaires
Encanto: Music from the Motion Picture Soundtrack Arranged for Piano/Vocal/Guitar with Color Photos!: Music from the… (2022) 6 exemplaires
Encanto: Music from the Motion Picture Soundtrack Arranged for Easy Piano with Lyrics (2022) 6 exemplaires
tick, tick... BOOM! {2021 film} 3 exemplaires
Bring It On: The Musical: Original 2011 Broadway Cast Recording (2012) — Compositeur — 2 exemplaires
Encanto - Music from the Motion Picture Soundtrack Arranged for Beginning Piano Solo with Color Photos and Lyrics (2022) 2 exemplaires
21 Chump Street 1 exemplaire
Moana : The Songs [Original Soundtrack] 1 exemplaire
¡Buen día, buenas noches! (Spanish Edition) 1 exemplaire
Selections from Encanto 1 exemplaire
Almost Like Praying [single] 1 exemplaire
Oeuvres associées
La brève et merveilleuse vie d'Oscar Wao (2007) — Narrateur, quelques éditions — 13,066 exemplaires
Aristote et Dante découvrent les secrets de l'univers (2012) — Narrateur, quelques éditions — 6,085 exemplaires
Aristotle and Dante Dive into the Waters of the World (2021) — Narrateur, quelques éditions — 1,067 exemplaires
Étiqueté
Partage des connaissances
- Date de naissance
- 1980-01-16
- Sexe
- male
- Nationalité
- USA
- Lieu de naissance
- New York, New York, USA
- Lieux de résidence
- New York, New York, USA
- Études
- Hunter College High School
Wesleyan University - Professions
- actor
writer
composer
Membres
Critiques
Both Lin-Manuel and Jonny's twitter feeds are delights, and these pep talks are always excellent ways to remind yourself that things will pass, and you matter. Could easily dole them out one day at a time, but as I mentioned in an update, I am greedy for affirmation as I tend to fall into depressive cycles.
My only complaint is that I want more
The wholesome fusion of Shel Silverstein and your best friend pepping you up at the end of the day. Worth the quick read.
The wholesome fusion of Shel Silverstein and your best friend pepping you up at the end of the day. Worth the quick read.
Listes
Prix et récompenses
Vous aimerez peut-être aussi
Auteurs associés
Statistiques
- Œuvres
- 33
- Aussi par
- 13
- Membres
- 4,168
- Popularité
- #6,039
- Évaluation
- 4.0
- Critiques
- 145
- ISBN
- 69
- Langues
- 1
- Favoris
- 1
Lin-Manuel Miranda and Jeremy McCarter worked on documenting the creation of Hamilton from its initial beginning as a mixtape idea in 2008 through the Broadway debut in 2015. The story of behind the scenes is interspersed between the libretto: all text of the musical (including the one scene not in the cast recording because it is spoken dialogue) plus a couple deleted numbers, with footnotes on particular lines for inspiration/samples/etc. What strikes me is that while they acknowledge Hamilton is something special, they also recognize this is still in its early years (ha) for a musical- who knows how it will be recontextualized as high school/college performances, or in what the book doesn't predict, a Trump administration. The notes on Reynolds Pamphlet say there's some joy in seeing the line "Never gonna be president now," quoted during the then-election cycle of 2015-2016 but hooboy does that feel like a simpler time. Likewise, ending on Obama's chat with the cast and crew about the belief in stories and how they can change the world with the hope of America's future feels hollow after the horrors that came in the following years. This was also published before the Tony Awards and the wins the show took home, so that isn't covered either (though I can't think of where it'd fit in between songs).
The release of the filmed version in July 2020 on Disney adds another contextual layer- I wonder if someone of these close ups in the book are from the days they filmed close-ups for that original cast recording. The libretto does not describe everything in a scene (a footnote mentions King George III's dance during The Reynolds Pamphlet but it's not a line so barely mentioned in text, and it would be hard to describe all the minute gestures the cast brings to their performances). I don't know what a post-pandemic theater experience looks like, but I'm guessing it will be a while before live performances in person are a thing. Film and books scratch the itch but it's not quite the same as the performers and audience feeding off of each other's energy.… (plus d'informations)