Photo de l'auteur

Conor McPherson

Auteur de The Weir

33+ oeuvres 624 utilisateurs 5 critiques 2 Favoris

A propos de l'auteur

Conor McPherson, Irish playwright and screenwriter, has several plays to his credit including the critically acclaimed St. Nicholas. Another of his works, "The Weir," brought him London's Evening Standard Drama Award for Most Promising Playwright. His work on the film "I Went Down" represents his afficher plus first experience as a screenwriter. (Bowker Author Biography) afficher moins

Œuvres de Conor McPherson

The Weir (1998) 163 exemplaires
Weir and Other Plays (1998) 92 exemplaires
The Seafarer (2007) 77 exemplaires
Shining City (2005) 64 exemplaires
Dublin Carol (2000) 36 exemplaires
Port Authority (2001) 27 exemplaires
McPherson: 4 Plays (1999) 25 exemplaires
The Night Alive (2013) 17 exemplaires
Beckett on Film [2002 film] (2002) — Directeur; Directeur — 14 exemplaires
Girl from the North Country (2017) 14 exemplaires
The Veil (2011) 12 exemplaires
The Birds (2014) 12 exemplaires
Girl from the north country (2017) 10 exemplaires
This Lime Tree Bower (1996) 10 exemplaires
McPherson Plays: Three (2013) 5 exemplaires
The Night Alive and Other Plays (2016) 4 exemplaires
The Dance of Death (2014) 3 exemplaires
The Eclipse (2012) 3 exemplaires
Plays: Three (2013) 2 exemplaires
St. Nicholas (2015) 2 exemplaires
I went down : the shooting script (1997) 2 exemplaires
Rum and Vodka (2015) 2 exemplaires
The Good Thief (2015) 2 exemplaires
Come on Over (NHB Modern Plays) (2015) 1 exemplaire
The Eclipse [DVD] 1 exemplaire
The actors (2003) 1 exemplaire

Oeuvres associées

Yeats Is Dead! (2001) — Contributeur — 411 exemplaires
The Best Plays Theater Yearbook 2007-2008 (2009) — Contributeur — 5 exemplaires

Étiqueté

Partage des connaissances

Date de naissance
1971-08-06
Sexe
male
Nationalité
Ireland
Lieu de naissance
Dublin, Ireland
Lieux de résidence
Dublin, Ireland
Études
University College Dublin
Organisations
Aosdána
Fly By Night Theatre Company

Membres

Critiques

On Christmas Eve in Dublin two brothers, Sharkey and Richard, have a few friends over for cards. Richard has recently gone blind after hitting his head dumpster diving. Sharkey is trying to quit drinking. The friends aren’t much better off. Their lives are all messy. They all drink way too much.

Unknown to all but Sharkey, Satan, disguised as a Mr. Lockhart, accompanies one of the friends. And he wants to collect a soul – specifically Sharkey’s. The all-night game leaks into Christmas morning and the outcome will determine Sharkey’s fate.… (plus d'informations)
 
Signalé
Hagelstein | 1 autre critique | Jun 1, 2022 |
"St. Nicholas" was amazing, and "The Weir" was great.
 
Signalé
KatrinkaV | Sep 30, 2020 |
In the title play a man loses his wife to a car accident but the guilt he feels due to his behavior before her death drives him to see a therapist - a former priest with his own problems. Oh, and the man has seen his wife's ghost in their house. An outstanding play. I'd love to see it when it appears at The Irish Repertory Theater in NYC this summer.

The second play, Come On Over, is a disturbing short one featuring another bad behaving priest.
 
Signalé
Hagelstein | Apr 29, 2016 |
(Seen 22 March 2014 at Wyndham's Theatre, London)

This play is set in a bar in a rural village in present day Ireland, an area that is shielded from big city Dublin to the southeast but is a popular holiday spot for European tourists due to its natural beauty. Two of the bar's regular customers, Jack, a garage owner in his fifties, and his assistant and general handyman Jim, in his forties, along with the bar owner, Brendan, in his thirties, all unmarried men, are excited yet perturbed by the news that an attractive young woman from Dublin will move into a long unoccupied house in town, and that she will be coming to the bar to meet the locals. Valerie is accompanied by Finbar, a former resident who has moved away from the village but owns much of the property there, including the house he sold to her. Finbar, though married, is a bit of a dandy, and is viewed as an outsider and somewhat of a traitor by the other men, in part because he attracts women like bees to honey.

The four men all vie for Valerie's attention, and three of them each tell a story about the village to impress her. These tales are village legends, with an uncertain amount of truth and a surreal, ghostly and unsettling ending, including one set in the house that Valerie has just moved into. The men regret their tales and are concerned that they may have unnerved Valerie. However, she feels liberated by their accounts, and proceeds to tell them a "ghost" story from her past that puts theirs to shame.

The Weir was originally written in 1997, won the Evening Standard, Critics’ Circle and Olivier awards for Best New Play, and established [[Conor McPherson]] as one of the great young playwrights. This revival, which is playing at Wyndham's Theatre until 19 April, stars Risteárd Cooper (Finbar), Dervla Kirwan (Valerie), Ardal O'Hanlon (Jim), Brian Cox (Jack) and Peter McDonald (Brendan). It was richly infused with humor, friendship, loss and despair, yet hope and a sense of community shone through the sorrow like the sun peeking through storm clouds. I thoroughly enjoyed this production, aand would highly recommend it to anyone who can see it in London before it closes next month, or elsewhere.
… (plus d'informations)
 
Signalé
kidzdoc | Mar 24, 2014 |

Prix et récompenses

Vous aimerez peut-être aussi

Auteurs associés

Statistiques

Œuvres
33
Aussi par
2
Membres
624
Popularité
#40,357
Évaluation
½ 3.4
Critiques
5
ISBN
78
Favoris
2

Tableaux et graphiques