Photo de l'auteur

Leslie McFarlane (1902–1977)

Auteur de Ghost of the Hardy Boys

14+ oeuvres 85 utilisateurs 1 Critiques

A propos de l'auteur

Franklin W. Dixon is a "house name," owned by the Stratemyer Syndicate and given to Leslie McFarlane, the secret author of twenty-one books in the Hardy Boys Series from 1927 to 1946. Leslie McFarlane was born in Carleton Place, Ontario, Canada on October 25, 1902, and attended schools in afficher plus Haileybury, Ontario, Canada. He married Amy Ashmore, with whom he had three children, Patricia, Brian, and Norah, before she died in 1955. McFarlane married Beatrice Greenaway Kenney in 1957. McFarlane's written work includes plays, books for adults and children, and film, radio, and television scripts. He is best remembered for his work for the Stratemyer Syndicate in East Orange, N.J., as ghost writer for the Hardy Boys adventures, including "The Secret Panel" (1946) and "The Phantom Freighter" (1947). He also wrote as Carolyn Keene for the Dana Girls Series and under the pseudonym Roy Rockwook for the Dave Fearless Series. McFarlane worked as a documentary film producer and director from 1943 to 1957 and as head of the television drama script department for Canadian Broadcasting Corp. from 1958 to 1960. He received an award from the British Film Academy in 1951 for Royal Journey and a nomination for an Academy Award for best one-reel short subject in 1953 for Herring Hunt. Leslie McFarlane died in Whitby, Ontario, Canada on September 6, 1977. (Bowker Author Biography) afficher moins

Séries

Œuvres de Leslie McFarlane

Oeuvres associées

The Tower Treasure (1927) — Introduction, quelques éditions4,047 exemplaires
The House on the Cliff (1927) — Introduction, quelques éditions3,236 exemplaires

Étiqueté

Partage des connaissances

Nom canonique
McFarlane, Leslie
Nom légal
McFarlane, Charles Leslie
Date de naissance
1902-10-25
Date de décès
1977-09-06
Sexe
male
Nationalité
Canada
Lieux de résidence
Toronto, Ontario, Canada
Springfield, Massachusetts, USA
Hollywood, California, USA
Haileybury, Ontario, Canada
Sudbury, Ontario, Canada
Montréal, Québec, Canada
Professions
journalist
novelist
screenwriter (National Film Board of Canada, CBC)
Relations
McFarlane, Brian (son)
Perez, Norah (daughter)
Dixon, Franklin W. (wrote as)
Prix et distinctions
Academy Award nominee (for Live Action Short Film documentary, Herring Hunt)
The Leslie McFarlane Public School in Whitby, Ontario, Canada
Courte biographie
Born Charles Leslie McFarlane in Carleton Place, Ontario, he is most famous for ghostwriting many of the early books in the very successful Hardy Boys series using the pseudonym Franklin W. Dixon.

The son of a school principal, McFarlane was raised in the town of Haileybury, Ontario. He became a freelance writer shortly after high school. He and his family moved to Whitby, Ontario in 1936.

As a young man he worked in Sudbury, Ontario as a newspaper reporter then for a weekly paper in Toronto before taking a job at the Springfield Republican newspaper in Springfield, Massachusetts. While in the U.S., he replied to a want ad placed by the Stratemeyer Syndicate, publisher of such titles as Nancy Drew, Tom Swift and the Bobbsey Twins. As a result, he freelanced in 1926 and 1927 as one of the authors using the pseudonym Roy Rockwood to write seven of the Dave Fearless serialized mystery novels. This led to his involvement with the Hardy Boys, a project on which he was a large contributor, writing 19 of the first 25 books between 1927 and 1946 and 20 overall. He also wrote books in several other juvenile series, and in pulp magazines, novellas or novels over his fifty year career, at one point writing six novels in one year. McFarlane earned as little as $85 per book during the Great Depression yet he continued because he had a growing family (note: he would get $100-$125 per book during other, better times and even $85 is good money for the Depression, especially when it is your moonlighting job--hence the reason he kept with it).

According to his son, McFarlane regarded the Hardy Boys books as a nuisance.

"In his diaries, my father talks about having to write another of those nuisance books, in order to earn another $85 to buy coal for the furnace. And he never read them over afterward. It was only much later that he accepted plaudits for the work."

His daughter, Norah McFarlane Perez, said in an interview that "They'd give him an outline, but to make it palatable, he'd come up with different characters and add colour and use large words, and inject his wonderful sense of humour. And then he'd finish and say, 'I will never write another juvenile book.' But then the bills would pile up and he'd start another."

However, McFarlane was not bitter about not earning a cut of the enormous revenues generated by his work. "He was very philosophical about it. His attitude was, 'Look, I took these on and I was glad to get the deal.' There was no rancor," according to his daughter.

While still writing for the series for the Stratemeyer Syndicate, McFarlane returned to Canada to work for the National Film Board of Canada (NFB). As part of the NFB, in 1953 he was nominated for an Academy Award for Live Action Short Film for his documentary titled Herring Hunt. Moving to Toronto he wrote for CBC television and at the suggestion of his friend Lorne Greene, moved to Hollywood for a time to write scripts for the TV Western Bonanza in which Greene starred.

McFarlane also wrote the first four volumes of The Dana Girls series for the Stratemeyer Syndicate under the pseudonym Carolyn Keene (he did not write any Nancy Drew stories, although he is sometimes credited with them--note that the ghostwriters were often assigned different pen names and Carolyn Keene is many people, not just one). His last Hardy Boys book, The Phantom Freighter, was actually written by his wife, Amy.

Membres

Critiques

If you’ve read the first 20 or so books of the Hardy Boys series, you’ve read work by Leslie McFarlane. The series was launched by the Stratemeyer Syndicate, which churned out a staggering number of juvenile fiction series in the first half of the 20th century. For each title, the writer would be given an outline of the events to be included in each chapter, and if the syndicate liked how the writer fleshed out those outlines, they could keep going. McFarlane acknowledges that these were not Great Literature by any means, but he did not believe in insulting the intelligence of his audience. If you can find original editions of his titles, they are easily the best of the series. My personal favourite is The Mystery of Cabin Island, which probably owes some debt to McFarlane’s Canadian upbringing.

McFarlane’s memoir, like his Hardy Boys books, is pacy and fun, with plenty of tongue-in-cheek commentary on his life and career. He lived and worked in northern Ontario for the Cobalt Nugget and the Sudbury Star, eventually being able to make a full-time living as a writer. His stories of his journalism days are just as entertaining as, if not more so than, his Hardy Boys writing. I’d recommend this book if you’ve been curious about the man who started Frank and Joe’s path to adventure, or if you liked books of the Hardy Boys era and are curious about how the publishing process worked.
… (plus d'informations)
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Signalé
rabbitprincess | Apr 20, 2018 |

Statistiques

Œuvres
14
Aussi par
2
Membres
85
Popularité
#214,931
Évaluation
½ 3.6
Critiques
1
ISBN
16

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