Carol Mavor
Auteur de Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs
A propos de l'auteur
Carol Mavor is Professor of Art History and Visual Studies at the University of Manchester. Her previous books include Aurelia: Art and Literature Through the Mouth of the Fairy Tale (Reaktion, 2017) and Black and Blue (2012).
Crédit image: Author's promotional image.
Œuvres de Carol Mavor
Reading Boyishly: Roland Barthes, J. M. Barrie, Jacques Henri Lartigue, Marcel Proust, and D. W. Winnicott (2008) 36 exemplaires
Black and Blue: The Bruising Passion of Camera Lucida, La Jetée, Sans soleil, and Hiroshima mon amour (2012) 21 exemplaires
Reading Boyishly: Roland Barthes, J. M. Barrie, Jacques Henri Lartigue, Marcel P (2007) 1 exemplaire
Oeuvres associées
Photography Degree Zero: Reflections on Roland Barthes's Camera Lucida (2009) — Contributeur — 42 exemplaires
Flesh and Blood 2 exemplaires
Étiqueté
Partage des connaissances
- Date de naissance
- 1957-01-03
- Sexe
- female
- Nationalité
- USA
UK
Membres
Critiques
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Auteurs associés
Statistiques
- Œuvres
- 7
- Aussi par
- 2
- Membres
- 188
- Popularité
- #115,783
- Évaluation
- 3.4
- Critiques
- 1
- ISBN
- 19
- Langues
- 1
- Favoris
- 1
After prying it from my aunt’s unread hands, I was finally able to read it. What I got was at times beautiful, at times frustrating “essay poem” on art involving the color blue. Fever dream it was—I can tell you with certainty I was glad when it was over.
Mavor strings each chapter together with a small unifying theme, connecting threads that are (as I even said earlier) sometimes apparent and gorgeous, to downright superficial and contrived. Heavy on the À la recherche du temps perdu and Giotto’s Chapel, I can’t say I was totally lost, but the insistence in weaving them and other common art pieces together seemed ceaseless by the end (“Proust, again??”).
At the end of the day, this book felt like it was made by Mavor for Mavor, and I think I’m just not on her train on thought to appreciate it. I didn’t particularly learn much, and instead, I felt whisked into her musings on the most esoteric of films and art. It was ultimately her playground of the obscure and I just wasn't there for the ride.… (plus d'informations)