Sonia Massai

Auteur de World-Wide Shakespeares: Local Appropriations in Film and Performance

7+ oeuvres 33 utilisateurs 1 Critiques

Œuvres de Sonia Massai

Populaires Récent

World-Wide Shakespeares: Local Appropriations in Film and Performance (2005) 10 exemplaires

Shakespeare and the Rise of the Editor (2007) 8 exemplaires

Shakespeare and Textual Studies (2015) — Directeur de publication — 7 exemplaires

Paratexts in English Printed Drama to 1642. 2 Volumes (2014) — Directeur de publication — 5 exemplaires

William Shakespeare's Twelfth Night: A Sourcebook (2007) 1 exemplaire

Ivo van Hove: From Shakespeare to David Bowie (Performance Books) (2018) 1 exemplaire

Hamlet: The State of Play (Arden Shakespeare The State of Play) (2021) 1 exemplaire

Explorateur d'oeuvres

Oeuvres associées

Titus Andronicus (1594) — Directeur de publication, quelques éditions — 2,713 exemplaires

'Tis Pity She's a Whore (1633) — Directeur de publication, quelques éditions — 491 exemplaires

The Oxford Handbook of Shakespeare (Oxford Handbooks) (2011) — Contributeur — 30 exemplaires

A Concise Companion to Shakespeare and the Text (2007) — Contributeur — 21 exemplaires

Shakespeare in Our Time: A Shakespeare Association of America Collection (2016) — Contributeur — 14 exemplaires

Textual Performances: The Modern Reproduction of Shakespeare's Drama (2004) — Contributeur — 13 exemplaires

Shakespeare's Stationers: Studies in Cultural Bibliography (Material Texts) (2012) — Contributeur — 13 exemplaires

Rethinking Theatrical Documents in Shakespeare's England (2019) — Contributeur — 5 exemplaires

The Margins of the Text (Editorial Theory and Literary Criticism) (1997) — Contributeur — 3 exemplaires

Étiqueté

Traduction des mots-clés activée

Partage des connaissances

Date de naissance: 20th century
Sexe: female
Organisations: King's College London

Membres

Critiques

Paratexts in English Printed Drama to 1642. 2 Volumes par Thomas L. Berger

Great reference as far as it goes, but they shouldn't have stopped at 1642, since important first printings of pre-war playtexts were issued into the 1670s. They do address this question in the introduction but I don't buy their reasons.

Also I was surprised to find that on p. xiii they refer to the author of A Woman is a Weathercock as "Nathaniel" Field. Of course Nathaniel was the printer brother of the actor/playwright Nathan Field.

But it's easy to nitpick. An important collection.… (plus d'informations)